Table of Contents
EDITORIAL
Maria Helena Serôdio
THALIA PRIZE / LE PRIX THALIE
A True Friend of Theatre Art in All its Manifestations: Richard Schechner
Don Rubin
Open Casting
Richard Schechner
THEATRE VIEWS / VISIONS DU THÉÂTRE
Chandradasan
Interviewed by Lissa Tyler Renaud
Mattias Andersson
Interviewed by Randy Gener
Slobodan Dan Paich
Interviewed by Lissa Tyler Renaud
Caridad Svich
Interviewed by Randy Gener
SPECIAL FILE / DOSSIER SPECIAL: SYMPOSIUM IN YEREVAN
Redefining Femininity in Today’s Teatre
Margareta Sörenson
Therefore a Theme of Femininity
Yun Cheol Kim
Reframing the Feminine in the Theatre Today
Maria Helena Serôdio
L’évolution du personnage féminin dans l’imaginaire des dramaturges québécoises
Brigitte Purkhardt
TheatreWorks’ Geisha: Representations and Misrepresentations
Philip Zitowitz
Where the Wild Things Are: The Voice of Unreason in the Work of Canadian Playwright Judith Thompson
Patricia Keeney
Les femmes, les régimes
Magdolna Jákfalvi
Femininity/Masculinity Beyond the Border
Akiko Tachiki
Redefining Femininity in Modern Indian Theatre
Ravinder Kaul
The Concept of Femininity in the Latvian Theatre Historical and Contemporary Practices
Guna Zeltina
The emergence of the New Woman: Reflections on 21st Century Theatre of India
Ravi Chaturvedi
Feminism, Art and Theatre in Iran
Katy Salmasi
In the Prison House of Myth and Culture: Rereading The Atrides
Savas Patsalidis
Chinese Women’s Liberation: A Road to the Stage
Zhu Ning
On Lynn Nottage’s Ruined
Randy Gener
Réflexions géorgiennes
Irina Gogobéridzé
Femininity and Body Language; Reflections on Pina Bausch and Mats Ek
Margareta Sörenson
ESSAYS / ESSAIS
Un point de vue critique sur les réécritures des mythes grecs dans le théâtre français contemporain
Irène Sadowska-Guillon
Classical Dreams – Adaptations of Classics
David Zinder
In memoriam: Laurent Terzieff, un athlète affectif du cœur
Irène Sadowska-Guillon
In memoriam: Pina Bausch, Beautiful and Tragic, Solemn and Classic
Margareta Sörenson
REVIEWS (PERFORMANCES) / ANALYSES (SPECTACLES)
Lipsynch : Lorsque dure l’enchantement
Michel Vaïs
Incendiary Questions
Ludmila Patlanjoglu
Remettre en question ce que signifie la maison : Chez Cha-suk dont l’adresse est 1 dong 28
Noh Yi-Joung
L’écriture à Avignon (2010) : Vers un retour de la narration?
Patrice Pavis
Pupilija, Papa Pupilo and the Pupilceks: A Reconstruction
Rok Vevar
Notes on the Armenian Theatre
Mehdi Nasiri
The Hamlet Constellation Cuts to the Bone
Ludmila Patlanjoglu
Post-Holocaust or Gordian Knot: Dritte Generation
Tomasz Milkowski
The Edinburgh Festival 2010: a Report from a Scottish Perspective
Mark Brown
THEATRE IN PRINT / THÉÂTRE IMPRIMÉ
Contemporary European Directors, Edited by Maria M. Delgado & Dan Rebellato (London: Routledge, 2009)
Christopher Innes
Contested Will: Who Wrote Shakespeare?, by James Shapiro (New York: Simon & Schuster, 2009)
Don Rubin
La montagne des langues: écritures théâtrales du Caucase, Dirigé par Dominique Dolmieu & Virginie Symaniec
(Paris: Editions Non Lieu et l’Espace d’un instant, 2009)
Irène Sadowska
Keisarinajan kulisseissa (Imperial Russian Entertainment in Finland), by Liisa Byckling – in Finnish (Helsinki: Suomalaisen kirjallisuuden seura, 2009)
Matti Linnavuori
Œuvres complètes de Molière (nouvelle édition), Ed. par Georges Forestier & Claude Bourqui (Paris : Gallimard, 2010)
Philippe Rouyer
CRITICS ON CRITICISM / CRITIQUES SUR LA CRITIQUE
The Relationship Between Performance and Criticism
Yun Cheol Kim (President, I.A.T.C.)
Après Avignon 2010
Patrice Pavis
In Search of a Criticism without Borders
Randy Gener
Spécialité de la maison polonaise: Criticism as an Art of Interpretation
Andrzej Zurowski
Brève histoire de la critique théâtrale aux Antilles franco/créolophones (Martinique et Guadeloupe)
Alvina Ruprecht & Christian Antourel
