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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – June/Juin 2020: Issue No 21
Special Topic
Essays
National Reports
Interviews
Performances
Books
Critics on Criticism
Covid-19
Special Topic
Ideology and Machines in the Work of Richard Wagner
Themelis Glynatsis
Special Topic
Interaction Between Music and Theatre in Identity Processes: Croatian Example
Iva Hraste-Sočo
Special Topic
Broadway Rap Battles and the Crisis of Historicity: Lin-Manuel Miranda’s
Hamilton
Konstantinos Blatanis
Special Topic
“Have you ever had an intention?”: The Postmodern Condition and the Failure of Epiphany in Michael John LaChiusa’s
Little Fish
Mara Davis
Special Topic
Opera of Postmodernism and New Challenges of Opera Critiсism
Irina Yaskevitch
Special Topic
Notes on Light: The Musicality of Light and Theatre
Amy Chan
Special Topic
In Pursuit of the Musical Image: Imagining the Soundscape of
Wild Man
Xing Fan
Special Topic
Transforming the Dark: Using Colour to Compose Sound in
Dark Matter
Martyn Roberts and Jeremy Mayall
Special Topic
Musicality in Simon Stephens’ Plays
Brigitte Bogar
Special Topic
Theatre for Sounds and Souls; or, The Polish
Song of the Goat
and Its Quest into the Impossible
Kalina Stefanova
Special Topic
La musique
live
et la fêlure des mots
Georges Banu
Special Topic
Theatre for Sounds and Souls; or, The Polish
Song of the Goat
and Its Quest into the Impossible
Kalina Stefanova
Special Topic
Transforming the Dark: Using Colour to Compose Sound in
Dark Matter
Martyn Roberts and Jeremy Mayall
Special Topic
In Pursuit of the Musical Image: Imagining the Soundscape of
Wild Man
Xing Fan
Special Topic
Broadway Rap Battles and the Crisis of Historicity: Lin-Manuel Miranda’s
Hamilton
Konstantinos Blatanis
Essays
Essays
Introductory Words
Yana Meerzon
Essays
Making Community in the Age of Migration: What Is the Role of Social Media in Contemporary Theatre
Janne Cleveland
Essays
Paradigm Shift: Making Theatre with Social Media
Danielle Le Saux-Farmer
Essays
“It’s Everyday, Bro”: YouTube, “Authenticity,” and the Psychopathology of Late Capitalism
Chris Eaket
Essays
“Siri, Are You Female?”: Reinforcing and Resisting Gender Norms with Digital Assistants
Kimberley McLeod
Essays
temping
: On Technological Immersion, Surveillance and Existential Angst in One-to-One Performances: Yana Meerzon and Michael Rau in Dialogue
Yana Meerzon and Michael Rau
Essays
The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company
Peter Farbridge
Essays
On Migration towards Europe.
Simple as ABC#3: The Wild Hunt
by Thomas Bellinck
Garcia Martinez Manuel
Essays
The Live History Company, Museum Theatre, “Four Spectators” and “That Guy”: A Complex Relationship
Rick Cousins
Essays
Children’s Plays in Iran: Iranian Culture or Homogenous Society?
Bahee Hadaegh and Zeinab Karimi
Essays
Art World Authenticities: Postmodern Curators, Creators and Performers
Dena Davida
National Reports
National Reports
Living Through Changes: Mongolian Theatre
Batsaikhan Dashdondog
National Reports
Theatre in Montenegro: An Unfinished Cultural Transition
Maja Mrđenović
National Reports
Le théâtre au Maroc, état des lieux
Baker Saddiki
Interviews
Interviews
Performing Outdoors: About Aesthetics and Ideology: An Interview with Joan Font
Mercè Saumell
Interviews
Conscious and Safe: Α Values-lead Response to the COVID-19 Crisis: An Interview with Jovana Karaulić
Tina Perić
Interviews
Le chemin continue : Entretien avec Data Tavadzé
Irina Gogobéridzé
Performance Reviews
Performance Reviews
Russian Theatre Before the Crash
Christine Matvienko
Performance Reviews
Dostoevsky and Whitman: The Murder and the Miracle
Lissa Tyler Renaud
Performance Reviews
The Jukebox Reimagined: New Musicals Pump Fresh Blood into a Tired Genre
Martin Morrow
Performance Reviews
Playing with Disaster
Patricia Keeney
Performance Reviews
On the Hungarian Border of Illuminating and Alienating
Cole J. Stern
Performance Reviews
Time, Chance and Space: Stan Lai’s Newest Work,
Ago
Yu Kuo-Hua
Performance Reviews
A Town Remembered and Recreated
Maria Zărnescu
Performance Reviews
L’écriture d’une vie
Jean-Pierre Han
Performance Reviews
L’art de
camper
Copi
Camille Khoury
Performance Reviews
An Absurd Night in a Georgian Hotel
Marina (Maka) Vasadze
Performance Reviews
Nora. The Big Exit
Penelope Chatzidimitriou
Performance Reviews
Tomorrow’s Theatre! Maybe
Steve Capra
Performance Reviews
Germany During the Crash
Matti Linnavuori
Book Reviews
Book Reviews
Staging Postcommunism: Alternative Theatre in Eastern and Central Europe After 1989
Don Rubin
Book Reviews
Theatre Blogging: The Emergence of a Critical Culture
Mark Fisher
Book Reviews
A Century of South African Theatre
Temple Hauptfleisch
Book Reviews
Koffi Kwahulé
Selim Lander
Book Reviews
Pip Utton and his Masks/ Pip Utton I jegoMaski
Don Rubin
Critics on Criticism
Critics on Criticism
Bugged (Critics, Criticism and Critical Categories)
Don Rubin
Covid-19 Reports
View All
Covid
LATVIA: All the World’s a Screen
Covid
UNITED STATES: Live from the United States, It’s Social Distancing
Covid
ARGENTINA: “Never Abandon the Theatre, Even in the Toughest Situations”
Covid
JAPAN: Theatre is Life
Covid
ROMANIA: Theatre is Always Alive
