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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2022: Issue No 26

Special Topic
Essays
National Reports
Interviews
Performance Reviews
Book Reviews
Plays
Focus: Ukraine

On Theatre and Ecology at Critical Junctions: Editors’ Introduction

On Theatre and Ecology at Critical Junctions: Editors’ Introduction

Vicky Angelaki and Elizabeth Sakellaridou

Theatre, Ecology and the Secret Life of Naturalism

Theatre, Ecology and the Secret Life of Naturalism

Andrew Burton

Hanging in Τhere—Theatre Under the Sal Trees

Hanging in Τhere—Theatre Under the Sal Trees

Asha Kuthari Chaudhuri

Human Achievements and Transgressions of the Natural Order in Greek Drama: The Literary Ancient Roots of a Real Current Crisis

Human Achievements and Transgressions of the Natural Order in Greek Drama: The Literary Ancient Roots of a Real Current Crisis

Kaiti (Aikaterini) Diamantakou

The Kinnari Ecological Theatre Project in Southeast Asia

The Kinnari Ecological Theatre Project in Southeast Asia

Catherine Diamond

Reassessing the Roles and Values of Art Documentation in the Context of Environmental Practice

Reassessing the Roles and Values of Art Documentation in the Context of Environmental Practice

Gabriella Giannachi

Gary Owen’s <em>Iphigenia in Splott</em>: The Anthropocene as Tragedy

Gary Owen’s Iphigenia in Splott: The Anthropocene as Tragedy

Stef Kerrigan

Doppelgangster’s <em>Everybody Loses</em>: A Dramaturgy for Extinction

Doppelgangster’s Everybody Loses: A Dramaturgy for Extinction

Tobias Manderson-Galvin and Tom Payne

Bodies of Corn, Maguey and Water: Performing Latin American Environmentalisms

Bodies of Corn, Maguey and Water: Performing Latin American Environmentalisms

Ana Martínez

Ecodramaturgy and the Genesis of the EMOS Ecodrama Festival

Ecodramaturgy and the Genesis of the EMOS Ecodrama Festival

Theresa May

Rasa as an Ecologically Sustainable Aesthetic Theory

Rasa as an Ecologically Sustainable Aesthetic Theory

Erin B. Mee

“Mundane” Performance: Theatre Outdoors and Earthly Pleasures

“Mundane” Performance: Theatre Outdoors and Earthly Pleasures

Evelyn O’Malley, Cathy Turner, Giselle Garcia

Ecology and the Ethical <em>Milieu</em>: A Levinasian Ecological Reading of Joe White’s <em>Mayfly</em>

Ecology and the Ethical Milieu: A Levinasian Ecological Reading of Joe White’s Mayfly

Martin Riedelsheimer

Global Networked Ecoscenography: Creating Sustainable Worlds for Theatre Through International Collaboration

Global Networked Ecoscenography: Creating Sustainable Worlds for Theatre Through International Collaboration

Tessa Rixon, Ian Garrett, Tanja Beer

My Green Shakespeares

My Green Shakespeares

Maggie Rose

Gary Owen’s <em>Iphigenia in Splott</em>: The Anthropocene as Tragedy

Gary Owen’s Iphigenia in Splott: The Anthropocene as Tragedy

Stef Kerrigan

Doppelgangster’s <em>Everybody Loses</em>: A Dramaturgy for Extinction

Doppelgangster’s Everybody Loses: A Dramaturgy for Extinction

Tobias Manderson-Galvin and Tom Payne

“Mundane” Performance: Theatre Outdoors and Earthly Pleasures

“Mundane” Performance: Theatre Outdoors and Earthly Pleasures

Evelyn O’Malley, Cathy Turner, Giselle Garcia

Theatre, Ecology and the Secret Life of Naturalism

Theatre, Ecology and the Secret Life of Naturalism

Andrew Burton

Essays

Performing Solidarity: 50 Years of Jana Natya Manch

Performing Solidarity: 50 Years of Jana Natya Manch

Aparna Mahiyaria

Marginalisation, pollution et migration dans la pièce <em>À la périphérie</em> de Sedef Ecer : défis et perspectives du questionnement écologique

Marginalisation, pollution et migration dans la pièce À la périphérie de Sedef Ecer : défis et perspectives du questionnement écologique

Christina A. Oikonomopoulou

“I Keep Thinking My Way to Ness”: Emplacement(s) on the Anglian Coast

“I Keep Thinking My Way to Ness”: Emplacement(s) on the Anglian Coast

Milo Harries

Rapture: A Study in Pathos and Scenography

Rapture: A Study in Pathos and Scenography

Anna Cordingley

Looking into the Ecological Footprints of Michail Marmarinos’s <em>Trackers</em> by Sophocles

Looking into the Ecological Footprints of Michail Marmarinos’s Trackers by Sophocles

Vicky Manteli

<em>Wait Until Dark</em>: Α Study on the Theme of Fear in Theatre

Wait Until Dark: Α Study on the Theme of Fear in Theatre

Tyrone Grima

The Seven Principles of Leave No Trace Dramaturgy

The Seven Principles of Leave No Trace Dramaturgy

Katalin Trencsényi

Resituating the Writer’s Workshop: Collective Strategies for Playwriting Pedagogy

Resituating the Writer’s Workshop: Collective Strategies for Playwriting Pedagogy

Karen Morash

2021 Space Olympics: Towards a Science Fiction Dramaturgy

2021 Space Olympics: Towards a Science Fiction Dramaturgy

Sanja Vodovnik

Walking Towards a Post-theatrical Experience: Online Mediation and Digital Immediacy in Pandemic Performance

Walking Towards a Post-theatrical Experience: Online Mediation and Digital Immediacy in Pandemic Performance

Octavian Saiu

National Reports

Digital Theatre Experiments in Latvia: The Case of Audio Productions

National Reports

Digital Theatre Experiments in Latvia: The Case of Audio Productions

Ieva Rodiņa

Plays

<em>CRIME AlwaysArmUkraine</em>

CRIME AlwaysArmUkraine

Esther Bol

On the Rightlessness for Compassion or How to Redeem an Unredeemable Guilt

On the Rightlessness for Compassion or How to Redeem an Unredeemable Guilt

Yana Meerzon

<em>Town Hall</em>

Town Hall

Caridad Svich

Interviews

Climate Crisis Theatre by Youth for Adults: Interview with Kristina Watt Villegas

Climate Crisis Theatre by Youth for Adults: Interview with Kristina Watt Villegas

by Matthew Venner

Theatre Regenerates itself Constantly, and Even More so in Periods of Crises: Interview with Barbara Regondi

Theatre Regenerates itself Constantly, and Even More so in Periods of Crises: Interview with Barbara Regondi

by Savas Patsalidis

“My job is to help create a process so that we can deliver the product as a team”: Interview with Ken Cerniglia

“My job is to help create a process so that we can deliver the product as a team”: Interview with Ken Cerniglia

by Steve Capra

Showing Without Going: Interview with Ant Hampton

Showing Without Going: Interview with Ant Hampton

Maria Ristani

Performance Reviews

Performance Reviews
Canada’s Shaw Festival Has Become a Showcase for African-American Playwrights
Performance Reviews
The Horseman Rides On
Performance Reviews
Symbolic Animals as Characters at Uzo-iyi Festival, Umuoji
Performance Reviews
Erinnerung Redux : Méandre mémoriel du port et critique post-coloniale
Performance Reviews
BITEF Provokes Issues on Ecology, Jobs, Women
Performance Reviews
Intimacy as Offering
Performance Reviews
Alcestis’s Drying Rack, or How to Live your Myth in Greece
Performance Reviews
Choral Democracy in Persians Re-read
Performance Reviews
Ariane and Bluebeard: West Edge Opera’s Puzzle in a Dream
Performance Reviews
A Greek Intermedial Hamlet Tortured by Memory
Performance Reviews
Comment se mettre dans la peau d’un Juif quand on est Arabe à Jérusalem ?
Performance Reviews
FAME, un premier opus propice aux discussions
Performance Reviews
Hedda’s Hell
Performance Reviews
No Experiments: Virgin Lab Fest Loses Steam
Performance Reviews
Pilsen Remembers: A Mix of Dreams and Politics
Performance Reviews
Code Blue: The Politics of Melancholia
Performance Reviews
Tartuffe as a Debate About Family and Society Today

Canada’s Shaw Festival Has Become a Showcase for African-American Playwrights

Canada’s Shaw Festival Has Become a Showcase for African-American Playwrights

The Horseman Rides On

The Horseman Rides On

Symbolic Animals as Characters at Uzo-iyi Festival, Umuoji

Symbolic Animals as Characters at Uzo-iyi Festival, Umuoji

<em>Erinnerung Redux</em> : Méandre mémoriel du port et critique post-coloniale

<em>Erinnerung Redux</em> : Méandre mémoriel du port et critique post-coloniale

BITEF Provokes Issues on Ecology, Jobs, Women

BITEF Provokes Issues on Ecology, Jobs, Women

Intimacy as Offering

Intimacy as Offering

Alcestis’s Drying Rack, or How to Live your Myth in Greece

Alcestis’s Drying Rack, or How to Live your Myth in Greece

Choral Democracy in <em>Persians</em> Re-read

Choral Democracy in <em>Persians</em> Re-read

<em>Ariane and Bluebeard</em>: West Edge Opera’s Puzzle in a Dream

<em>Ariane and Bluebeard</em>: West Edge Opera’s Puzzle in a Dream

A Greek Intermedial Hamlet Tortured by Memory

A Greek Intermedial Hamlet Tortured by Memory

Comment se mettre dans la peau d’un Juif quand on est Arabe à Jérusalem ?

Comment se mettre dans la peau d’un Juif quand on est Arabe à Jérusalem ?

FAME, un premier opus propice aux discussions

FAME, un premier opus propice aux discussions

No Experiments: Virgin Lab Fest Loses Steam

No Experiments: Virgin Lab Fest Loses Steam

Pilsen Remembers: A Mix of Dreams and Politics

Pilsen Remembers: A Mix of Dreams and Politics

Code Blue: The Politics of Melancholia

Code Blue: The Politics of Melancholia

<em>Tartuffe</em> as a Debate About Family and Society Today

<em>Tartuffe</em> as a Debate About Family and Society Today

Book Reviews

The Schaubühne Berlin Under Thomas Ostermeier: Reinventing Realism

The Schaubühne Berlin Under Thomas Ostermeier: Reinventing Realism

Rehearsing Shakespeare: Ways of Approaching Shakespeare in Practice for Actors, Directors and Trainers

Rehearsing Shakespeare: Ways of Approaching Shakespeare in Practice for Actors, Directors and Trainers

Phèdre, D’Euripide à Racine, de Sénèque à Sarah Kane

Phèdre, D’Euripide à Racine, de Sénèque à Sarah Kane

A History of Romanian Theatre from Communism to Capitalism: Children of a Restless Time

A History of Romanian Theatre from Communism to Capitalism: Children of a Restless Time

Antonin Artaud : Écrits sur le théâtre

Antonin Artaud : Écrits sur le théâtre

Focus: Ukraine

Living in the War: the Ukrainian Theatre Since the Russian Invasion

Living in the War: the Ukrainian Theatre Since the Russian Invasion

Hanna Veselovska

Invading Ukraine, Declaring War Against Russian Culture

Invading Ukraine, Declaring War Against Russian Culture

Marina Davydova

Table of Contents

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CS/Sc Issue No 26 Section Editors & Editorial Board

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Issue #27: Renegotiating the Canon: Scenes of German/ic Theatre(s)

Issue #28: Post-millennial Australasian Dramaturgy

Issue #29: Dance Between Now-ness and Future

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