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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – June/Juin 2021: Issue No 23
Special Topic
Essays
National Reports
Interviews
Performances
Books
Thalia Prize
Special Topic
Performance and Politics in a Time of Confinement: Virtual Stages between South Africa and African America
Loren Kruger
Special Topic
Theatre Strike for Climate: Lending a Voice to Nature in Tribunal Theatre
Steff Nellis
Special Topic
Challenging Settler Colonial Choreographies During COVID-19: Acosia Red Elk’s Powwow Yoga
Tria Blu Wakpa
Special Topic
Rehearsing “Karen”: The Dramaturgy and Politics of Cross-cultural Digital Theatre
CHENG Nien Yuan
Special Topic
Movement through Disorientation: The De-stress through Movement Activity Pack Created for Music in Detention
Jane Munro
Special Topic
The Self-Immolation of David Buckel: Towards a Postdramatic Activism
Victoria Scrimer
Special Topic
Destabilizing Impersonation, Cleaving Gender Non-conformity: Akshayambara and Lady Anandi
Supraja R
Special Topic
“We’re all part of the same collective, we just haven’t quite figured that out yet”: Dramaturgies of Participation in The People’s Palace of Possibility
Frances Babbage, Malaika Cunningham, Zelda Hannay, Joseph Houlders
Special Topic
Hybrid Nativism and Postcolonial Subjectivity in the Work of Hong Kong Choreographer Helen Lai
Chen Ya-Ping
Special Topic
Unstable Histories: Repertoires of Memory and the Making of Public Spheres in Contemporary Greece
Philip Hager
Special Topic
Ethical Shadows and the Political Subject
Natassa Siouzouli
Special Topic
Black Privilege in the Black Box: Mamela Nyamza’s Choreographic Resistance
Rainy Demerson
Special Topic
The Fall of Greatness: Toward an Aesthetics of Co-(re)production
Cecilie Ullerup Schmidt
Special Topic
Lin Hwai-min’s
Water Stains on the Wall
: A Cosmopolitical Perspective
Kin-Yan Szeto
Special Topic
Contexts, Traces, Inspiration: Three Statements of Working Principles from the Former Yugoslav Space
Alexandra Baybutt
Special Topic
I Dance for the Dead
The Blue and Black in the Pacific: A Eulogy for Teresia Teaiwa
Ojeya Cruz Bank
Special Topic
Mutations in Crisis: Generic Engineering in Contemporary Southeast Asian Dance
Aparna R Nambiar
Special Topic
Editors’ Note
Gigi Argyropoulou and Stefanie Sachsenmaier
Special Topic
Performance and Politics in a Time of Confinement: Virtual Stages between South Africa and African America
Loren Kruger
Special Topic
Ethical Shadows and the Political Subject
Natassa Siouzouli
Special Topic
I Dance for the Dead
The Blue and Black in the Pacific: A Eulogy for Teresia Teaiwa
Ojeya Cruz Bank
Special Topic
Theatre Strike for Climate: Lending a Voice to Nature in Tribunal Theatre
Steff Nellis
Essays
Essays
Playful Learning in Actor Training: The Impact of COVID-19 on Spontaneity and Intuition
Anna McNamara
Essays
Reimagining Production Pedagogy in Response to COVID-19: A New Pedagogical Model for Creating Virtual Online Performance
Tessa Rixon, Anthony Brumpton, Carly O’Neill
Essays
Applied Drama for Education and Social Change in Nigeria
Mnena Abuku
Essays
Transnational Subjectivities of Arab Artists in Europe
Ruba Totah
Essays
“I’m a Pretty Squid, Mama”: The Ongoing Self-Referential Legacy of
Gypsy
Michael Schwartz
Essays
You’re Invited to a Party: Three Women’s Autobiographical Plays in a Festival Context
Shelley Scott
Essays
Le metteur en scène face au défi de l’exil
Georges Banu
Essays
La résilience des pratiques de théâtralité à travers les âges : exemples du bassin linguistique arabe et du Maroc
Baker Saddiki
National Reports
National Reports
Creating In-between Times and Identities: Expressions of Contemporary Theatre in Guatemala
Regina Solis Miranda and Luis Antonio Morales Rodríguez
National Reports
Hands-on and Group Work: Online Theatre Criticism in Brazil
Daniele Avila Small
National Reports
The Night Before Christmas
John Elsom
Interviews
Interviews
Gender Equality and Diversity in European Theatres: Interview with Heidi Wiley
by Elizabeth Sakellaridou
Interviews
Krytyczki as Activists: On Theatre Criticism, Affect, Objectivism and #MeToo in Polish Drama Schools: Interview with Monika Kwaśniewska
by Kasia Lech
Interviews
Curating as Placing Stones to be Picked up: Interview with Anne-Cécile Sibué-Birkeland
by Anette Therese Pettersen
Interviews
Crucial Collaboration in International Networks: Interview with Sarah Melin
by Theresa Bener
Interviews
All my Life I Have Sought Freedom: Interview with Zoltán Balázs
by Tamara Susoi
Interviews
Mexican avant-garde: Interviews with Jorge Vargas and Gabino Rodriguez
by Steve Capra
Interviews
A Chronicle of China’s Pandemic Theatre: The Word from Nine Theatre Artists
by Lissa Tyler Renaud
Performance Reviews
Performance Reviews
The Ritual of Killing Fascists: Theatre and Sacrifice
Performance Reviews
Who Are the Hypocrites? Molière in the Know
Performance Reviews
Une dénonciation astucieuse de l’islam radical
Performance Reviews
Drive-In Theatre: The World at Oakland’s Beaux-Arts Train Station
Performance Reviews
Loud Voices from the Heart of Europe
Performance Reviews
Weighing Everyday Adventure against Suicide
The Ritual of Killing Fascists: Theatre and Sacrifice
Who Are the Hypocrites? Molière in the Know
Une dénonciation astucieuse de l’islam radical
Drive-In Theatre: The World at Oakland’s Beaux-Arts Train Station
Loud Voices from the Heart of Europe
Weighing Everyday Adventure against Suicide
Book Reviews
Book Reviews
Contemporary Latvian Theatre, A Decade Bookazine
Matti Linnavuori
Book Reviews
Latinx Reception of Greek Tragic Myth: Healing (and) Radical Politics
Guillermo Avilís-Rodríguez
Book Reviews
Lagarce, une vie de théâtre
Selim Lander
Book Reviews
Studying Robert Lepage: A Micro Industry
Mark Fisher
Book Reviews
Dancers, Artists, Lovers: Ballets Suédois 1920–1925
Anna Ângström
Thalia Prize
Thalia Prize
Tadashi Suzuki’s Globally Local Theatre
Savas Patsalidis
Thalia Prize
Tadashi Suzuki and the Thalia Prize
Margareta Sörenson
Thalia Prize
Laudation for Tadashi Suzuki’s Thalia Prize
Anne Bogart
Thalia Prize
For the Future of Theatre
Tadashi Suzuki
