WOMANhouse / ReDoing GENDER (Copenhagen)
Table of Contents
Editorial / Éditorial
Savas Patsalidis (editor-in-chief)
Interviews: Playwrights on Playwriting
Section Guest Editor: Katayoun H. Salmasi (Iran)
The Playwright is a Labourer of Love
Interview with Femi Osofisan by Olakunbi Olasope
Un théâtre démystificateur, critiques et briseurs de consensus
Entretien avec Santiago Martin Bermudez: propos recueillis par Irène Sadowska Guillon
Revisiting the Classics
Interview with Charles Mee by Elena Delliou
International and In-Home Theatre: New Audiences, New Spaces
Interview with Paul Heller by Lissa Tyler Renaud
“Questioning Spirit”—Dramaturgy in America
Mark Bly in conversation with Katalin Trencsényi
Special Topic: Adaptation
Section Guest Editor: Patrice Pavis (France)
Mise-en-Scène as Adaptation
Avra Sidiropoulou
Michael Chekhov’s Theatre Theory and Pedagogy of Theatre Adaptation
Yana Meerzon
Adaptation as (Re)watching
Katja Krebs
Adaptation and Storytelling in the Theatre
Frances Babbage
On Killing Children: Greek Tragedies on British Stages in 2015
Margherita Laera
Peindre et repeindre l’œuvre classique de Danwon: théâtralité et performance chez Lee Ok Kyoung
Patrice Pavis
Essays
Le couple Don Miguel de Cervantès Saavedra et Don Quijote fête son quatre centième anniversaire
Irène Sadowska Guillon
Conference Papers: The Critic is Present or Towards an Embodied Criticism
Section Editor: Ivan Medenica (Serbia)
Criticism IRL: Dancing, Touching, Sharing or: The Critic Turns Poet
Margareta Sörenson
La reconstitution historique dans la critique théâtrale
Irina Antonova
In Extremis: Theatre Criticism, Ethics and the Public Sphere
Christopher Balme
Performance Reviews: (Inter)national (Re)viewing
Section Editor: Matti Linnavuori (Finland) (in collaboration with Savas Patsalidis, Greece)
Critics Abroad
Un panorama partiel du Festival de Tbilissi en Géorgie
Jean-Pierre Han
Circus Cirkör Goes beyond Thrills at Swedish Biennale
Jay Handelman
Dancing on the Edge of the Abyss—Russian Theatre’s Risky Response to Repression
Ian Herbert
Sœurs de Wajdi Mouawad : Apocalypse dans une chambre d’hôtel
Selim Lander
Harsh Criticism of the European Fortress
Isabella Rothberg
The Ship May Be Sinking But in the Czech Republic the Band Plays On
Max Wyman
Genet and Euripides Done Excellent Justice in Tbilisi
Mark Brown
Critics at Home
Where is Here: Reconstructing the Canadian Immigrant Experience
Patricia Keeney
From Lapland to Spitzbergen with Juha Hurme
Matti Linnavuori
Caramitru—Prospero and the Apocalypse Generation
Ludmila Patlanjoglu
Un match du siècle sur l’échiquier du monde
Irène Sadowska-Guillon
Transgressing Spaces, Genres and Gender
Rita Sebestyén
NETA Festival—A Hero of a Hot Summer
Maria Zărnescu
Book Reviews
Section Editor: Don Rubin (Canada)
The Jamaican Theatre: Highlights of the Performing Arts in the Twentieth Century
By Wycliffe Bennett and Hazel Bennett. 362 pp. Jamaica: University of the West Indies Press. Reviewed by Alvina Ruprecht.
Artist on the Make: David Mamet’s Work across Media and Genres
By Christophe Collard. 366 pp. Nancy, France: Presses Universitaires de Nancy. Reviewed by Thomas Irmer.
The Cambridge Encyclopedia of Stage Actors and Acting
Edited by Simon Williams. 694 pp. UK: Cambridge University Press, 2015. Reviewed by Don Rubin.
Critics on Criticism
The Politics of the Preview—on a London Controversy
Mark Brown
