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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – June/Juin 2022: Issue No 25
Special Topic
Essays
National Reports
Critics on Criticism
Interviews
Performances
Books
Focus: Ukraine I
Focus: Ukraine II
Special Topic
Reimagining Light, Technology and Spectatorship in Contemporary Theatre
Amy Chan and Natalie Cheung
Special Topic
PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies
Antje Budde and Gustavo Sol
Special Topic
Expanding Sound Design in Performing Arts
Kent Olofsson
Special Topic
Human-Technology Interfacing in Performance: Editor’s Introduction
Sebastian X Samur
Special Topic
Identification et performativité technologique dans Autour du Rose enfer des animaux
Thomas Langlois et Robert Faguy
Special Topic
A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”
Dan Strutt
Special Topic
Parascopic Media: Platformizing Performance with 3D, Dentistry, and Drag
Brendan McCauley
Special Topic
“But How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances
Jessica Del Vecchio and Eamonn Farrell
Special Topic
The Intermedial Kingdom of Bodies: A Narratological Analysis of the Live-Animated-Avatar Performance
The Kingdom of Shadows
Maya Arad Yasur
Special Topic
Reflections on Place in Telematic Performances
Jörgen Dahlqvist
Special Topic
PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies
Antje Budde and Gustavo Sol
Special Topic
Human-Technology Interfacing in Performance: Editor’s Introduction
Sebastian X Samur
Special Topic
A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”
Dan Strutt
Special Topic
“But How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances
Jessica Del Vecchio and Eamonn Farrell
Essays
Essays
“Speechless Complainer”
: (Un)natural Violence in Dominic Walsh’s
Titus Andronicus
Ilana Gilovich-Wave
Essays
Jelinek’s Sports Play as Satirical Polemic
Cyrus Lane
Essays
Public Spaces, Public Words: Towards the Making of a Pro-Localist Theatre in the Newham Plays
James Kenworth
Essays
Mi Cuerpo Mi Casa
/My Body My House- Negotiating the Spaces of Home and the Body in Mexico and Galway Through Co-creation and Digital Performance
Maria Tivnan
Essays
Simone Weil: Performance Through Nothingness
Tyrone Grima
Essays
Elli Papakonstantinou: Oedipal Landscapes on the Digital and the Physical Stage
Lina Rosi
Essays
New Medium Theatre Experiments in Kolkata During COVID-19 Lockdowns
Hazael Gomes
Essays
Rebels and Revels: Exhibit Curation as Pedagogy in the Study of Theatre of the Middle East
Marjan Moosavi, Q-mars Haeri, Kelley Holley
National Reports
National Reports
Facing the Fire: Australian People, Places, and Crises in the Works of Campion Decent
Carla Rocavert
National Reports
Prophecy or Cautionary Tales? Australian Climate Gothic Drama and Mutating Climate-Scapes
Linda Hassall
National Reports
Iraqi Theatre: A Niche in an Ecologically Political Sane Milie
Majeed Mohammed Midhin and Suad Qahtan Hussein
National Reports
What Will Be Left After Us? The Rise οf Ecotheatre in Latvia in Times of the Pandemic
Kitija Balcare
National Reports
Autour de l’écologie de la langue : les obscénités sur la scène théâtrale
Irina Antonova
National Reports
The Romanian Theatre of the Last Thirty Years or the Theatre of Paradigm Shift
Oana Borș
Critics on Criticism
Critics on Criticism
Rediscovering and Reinventing the Community
Andrea Porcheddu
Critics on Criticism
The Cry of the Ear
Johannes Birringer
Interviews
Interviews
Theatre for Humility Toward Otherness: Spirituality, Prayer and Hope: Interview with Satoshi Miyagi
by Tomoka Tsukamoto and Ted Motohashi
Interviews
“We adapt to the changes unfolding in today’s world”: Interview with Sarantuya Sambuu
by Savas Patsalidis
Interviews
“Now is the time for untold, suppressed stories to be heard”: Interview with Handan Salta
by Savas Patsalidis
Interviews
Creole Time, Creative Time: Interview with Brazilian Artist Diego Araúja
by Daniele Avila Small and Lorenna Rocha
Interviews
Cognition Theatre: Interview with Valters Sīlis
by Lauma Mellēna-Bartkeviča
Performance Reviews
Performance Reviews
Transborder and Transdisciplinary Works in the Island State of Singapore
Performance Reviews
Being there in Person
Performance Reviews
The Anniversary of a Multicultural Outpost in Northern Romania
Performance Reviews
Directing von Horváth:
Casimir and Caroline
on the Romanian Stage
Performance Reviews
Un G8 culturel à Gênes
Performance Reviews
A Poetic
Glass Menagerie
Buried under the Ground
Performance Reviews
Avignon 2021 : Liddell, Vandalem, Guédon – Trois manières de faire du théâtre
Performance Reviews
Finland Pursues Trendy Sexual Identities
Performance Reviews
Ottawa: a Subversive Cabaret of Identity Politics
Performance Reviews
Invitation to Dimitri Papaioannou’s Cosmos of Make-Believe
Transborder and Transdisciplinary Works in the Island State of Singapore
Being there in Person
The Anniversary of a Multicultural Outpost in Northern Romania
Directing von Horváth: <em>Casimir and Caroline</em> on the Romanian Stage
Un G8 culturel à Gênes
A Poetic <em>Glass Menagerie</em> Buried under the Ground
Avignon 2021 : Liddell, Vandalem, Guédon – Trois manières de faire du théâtre
Finland Pursues Trendy Sexual Identities
Ottawa: a Subversive Cabaret of Identity Politics
Invitation to Dimitri Papaioannou’s Cosmos of Make-Believe
Book Reviews
Book Reviews
The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual
Book Reviews
A History of East African Theatre: Vol. I: Horn of Africa
Book Reviews
Terzopoulos Tribute Delphi
Book Reviews
Dramaturgy of Form: Performing Verse in Contemporary Theatre
Book Reviews
Affair of the Heart: British Theatre from 1992-2020
Focus: Ukraine 1
Focus: Ukraine I
Cultural Thaw in a Zone of War
Jeffrey Eric Jenkins
Focus: Ukraine I
Contemporary “Suppliants” and the Loss of Tragic Sensibility
Savas Patsalidis
Focus: Ukraine I
Belarus and Ukraine: No Longer Russia’s Hinterlands
John Freedman
Focus: Ukraine I
“Art is not an escape; it is a statement of life.” Interview with Alex Borovenskiy
by Yana Meerzon
Focus: Ukraine I
“Stalin died but not completely”: Dialogue with Artur Solomonov*
Yana Meerzon
Focus: Ukraine 2
Focus: Ukraine II
Ukraine Theatre: Pasts, Presents, and Futures
Kasia Lech
Focus: Ukraine II
Theatre as a Ηumanitarian Mission: Ukraine`s Experience 2022
Maiia Harbuziuk
Focus: Ukraine II
Anima Art for Peace from Kharkiv, the City of Freedom
Julia Bilińska
Focus: Ukraine II
Історія України / Historia Ukrainy / History of Ukraine
Sofiia Onishchenko, Daria Bohdan, Vasylyna Martseniuk