Table of Contents
Editorial | Éditorial
Yun-Cheol Kim
Special Topic: Theatre and Exile
Section Editor: Don Rubin
Theatre and Exile: An Introduction
Don Rubin
Theatre in Exile: Defining the Field as Performing Odyssey
Yana Meerzon
Looking Back to Greece: Exiles in the Ancient World
Savas Patsalidis
John Florio: The Case For Shakespeare As Exile
Lamberto Tassarini
Michael Chekhov: Teaching (Acting) in a Foreign Land
Liisa Byckling
Through the Eyes of the Other: The Many Faces of Chong Wishing/Jung Euishin/Chong Wishin
Manabu Noda
Yury Lyubimov in interview with Maria Shevtsova, 15 April 2011, St Petersburg
Maria Shevtsova
Interviews
Section Editor: Randy Gener
Editorial Comment | The Critical Act of Conversation
Randy Gener
“We Make the Sublime Maneuver, Constantly Putting Ourselves on the Verge of Falling” — An Interview with the Portuguese Collective Teatro Praga
Tiago Bartolomeu Costa
“Fear. Hope. The Life Force”: Why I Write Plays — Interview with Craig Lucas
Randy Gener
“Looking Back Now After Seven Decades of Theatre Activity” — An Interview with the Romanian Actor and Director Ion Lucian
Ioana Moldovan
“I Believe in a Theatre That Lives and Breathes Like a Rock ‘n’ Roll Band” — Interview with Srdjan Janićijević, Macedonian Theatre Director
Nelko Nelkovski
Essays
Section Editor: Maria Helena Serôdio
Brief Introduction
Maria Helena Serôdio
What is Theatre about?
Luís Miguel Cintra
Latvian anthropology à la Alvis Hermanis
Normunds Akots
Questions au passé : à propos de la pièce de Kim Kwang Lim et sa mise-en-scène par Yoon, Jeongseop
Patrice Pavis
Notes From Canada : What Is A Classic? And Why? And When?
Patricia Keeney & Don Rubin
Sophocle, avec ou sans Bertrand Cantat
Louise Vigeant
Chroniques de la société japonaise : « Théâtre dansé » de Toshiki Okada
Irène Sadowska-Guillon
Conference Papers
Section Editor: Mark Brown
Editorial Comment
Mark Brown
(Un)Critical (Re)positioning
Savas Patsalidis
Whose Performance Is It Anyway?
Matti Linnavuori
Critique and Criticism? Can They Survive in a Time of Intertextuality, Intermediality and Corporate Capitalism?
Tomaž Toporišič
Performance Reviews
Section Editor: Matti Linnavuori
Editorial Comment | Points of Comparison in Performance Reviews
Matti Linnavuori
Lettres d’Amour à Staline; Rencontre fantasmée entre l’artiste et son bourreau
Alvina Ruprecht
In Search of a Door
Tomasz Milkowski
Once Again, a Woman’s Murder Becomes Necessary on Stage
Güzin Yamaner
“The Oscar for Drama,” Sumptuous Ceremony in Saint Petersburg : Europe Theatre Prize, April 2011, in St Petersburg, Russia
Ludmila Patlanjoglu
“In Place of Situations”: Gertrude Stein’s Libretto Liberato
Lissa Tyler Renaud
A Mischievous Look at Post-1989 Democratic Theatre
Matti Linnavuori
Edinburgh Meets Asia in a Big Way
Yun-Cheol Kim
Faute de dieux, on se sert des mortels
Daria Dimiu
To Be Honest in Moscow
Christine Matvienko
Danser le Chili & Un cinéma pour incarner la danse
Irène Sadowska-Guillon
On Self-portrait by Nam Jeong ho
Patrice Pavis
German Discovers Opera in Africa
Brent Meersman
Ice-cold Winter Landscapes after Love: Shakespeare in Sfumato, Sofia
Kamelia Nikolova
Book Reviews
Section Editor: Don Rubin
Antoine Vitez : Trois fois Électre (Antoine Vitez : Three Times Electra) (France)
Irène Sadowska-Guillon
Bricabrac : Du cauchemar réel au réalisme magique (Bricabrac :From Nightmare to Magic Realism) By Lucian Pintilié (Romania)
Maria Zărnescu
Critics on Criticism
In Defense of Inter-Cultural/National-Criticism
Yun-Cheol Kim
