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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2021: Issue No 24

Special Topic
Essays
National Reports
Critics on Criticism
Conferences
Interviews
Performances
Books
In Memoriam

Aural/Oral Dramaturgies: Editors’ Introduction

Aural/Oral Dramaturgies: Editors’ Introduction

Duška Radosavljević and Flora Pitrolo

Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio

Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio

Hanna Slättne

Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training

Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training

Shannon Holmes

YOU and ME—Where and How Do We Meet

YOU and ME—Where and How Do We Meet

Electa Behrens and Øystein Elle

Sounds of the City: Dramaturgy, Space, Identity

Sounds of the City: Dramaturgy, Space, Identity

Katie Beswick and Javon Johnson

Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective

Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective

Lisa Lewis and Lapdiang Syiem

Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s <em>Révélation</em>

Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s Révélation

Tomoka Tsukamoto and Ted Motohashi

Aurality and the Actor in Filter Theatre’s <em>Twelfth Night</em>

Aurality and the Actor in Filter Theatre’s Twelfth Night

Sarah McCourt

The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s <em>Letter to a Man</em>

The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s Letter to a Man

Sylvia Solakidi

Staged Installation, Reported Speech, and Syndemic Images in <em>Blindness</em> and <em>Caretaker</em> (2020)

Staged Installation, Reported Speech, and Syndemic Images in Blindness and Caretaker (2020)

Georgina Guy

Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making

Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making

Peta Murray, Alyson Campbell and Meta Cohen

Staged Installation, Reported Speech, and Syndemic Images in <em>Blindness</em> and <em>Caretaker</em> (2020)

Staged Installation, Reported Speech, and Syndemic Images in Blindness and Caretaker (2020)

Georgina Guy

Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s <em>Révélation</em>

Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s Révélation

Tomoka Tsukamoto and Ted Motohashi

The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s <em>Letter to a Man</em>

The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s Letter to a Man

Sylvia Solakidi

Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making

Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making

Peta Murray, Alyson Campbell and Meta Cohen

Essays

Heterarchical Dramaturgies

Heterarchical Dramaturgies

Katalin Trencsényi

Embodying History: Preserving Memories of Holocaust Survivors Through Performance

Embodying History: Preserving Memories of Holocaust Survivors Through Performance

Anthony Hostetter

Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in <em>Chang and Eng and Me (and Me)</em>

Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in Chang and Eng and Me (and Me)

Tobi Poster-Su

Re-visiting Greek National Narrative through Devised Theatre Practices: The Case of Michael Marmarinos

Re-visiting Greek National Narrative through Devised Theatre Practices: The Case of Michael Marmarinos

Constantina Ziropoulou

Sonic Antagonism: The Sounding Audience of Performance

Sonic Antagonism: The Sounding Audience of Performance

Andrej Mirčev

Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera

Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera

Anika Marschall

Loss and Being Lost: Performing Precarity through Multilingual Text, Song and Music in Zoo Indigo’s <em>Don’t Leave Me This Way</em>

Loss and Being Lost: Performing Precarity through Multilingual Text, Song and Music in Zoo Indigo’s Don’t Leave Me This Way

Rosie Garton and Ildikó Rippel

Devising, Decolonizing, and Disrupting American Musical Theatre Aural Anatomy Through the Playlist Musical

Devising, Decolonizing, and Disrupting American Musical Theatre Aural Anatomy Through the Playlist Musical

Natalie Rine

National Reports

Endangered Theatre: A Philippine Notebook

National Reports

Endangered Theatre: A Philippine Notebook

Katrina Stuart Santiago

Capturing Hong Kong and Theatre Through Stage Photography

National Reports

Capturing Hong Kong and Theatre Through Stage Photography

Bernice Kwok-wai Chan

South Korean Audiences and their Interactive Performance in the Madang Then and Now

National Reports

South Korean Audiences and their Interactive Performance in the Madang Then and Now

Younghee Park, Jeremy Neideck and Caroline Heim

Tadashi Suzuki and Theodoros Terzopoulos: Crossing Boundaries, Creating Bridges

National Reports

Tadashi Suzuki and Theodoros Terzopoulos: Crossing Boundaries, Creating Bridges

Penelope Chatzidimitriou

Critics on Criticism

Anatomy, Mon Amour

Critics on Criticism

Anatomy, Mon Amour

Johannes Birringer and Michèle Danjoux

On False Intimacies and Anti-Cathartic Modalities of Being in the Digital Performances of Crisis

Critics on Criticism

On False Intimacies and Anti-Cathartic Modalities of Being in the Digital Performances of Crisis

Yana Meerzon

Fragments of Thought About the Tragic Fragments: Theodoros Terzopoulos’ Views on Fragmentary Greek Tragedy

Critics on Criticism

Fragments of Thought About the Tragic Fragments: Theodoros Terzopoulos’ Views on Fragmentary Greek Tragedy

Menelaos Karantzas

Conference Papers

Phenomena of Recycling in the Context of the Current Independent Scene in Slovakia

Conference Papers

Phenomena of Recycling in the Context of the Current Independent Scene in Slovakia

Miroslav Ballay

Anthropocentrism on the Stage

Conference Papers

Anthropocentrism on the Stage

Milo Juráni

Franchised/Recycled Performance as a Theatre of Ecology

Conference Papers

Franchised/Recycled Performance as a Theatre of Ecology

Ivan Medenica

Interviews

Pumpkin and Public Sphere: Interview with Tadashi Suzuki

Pumpkin and Public Sphere: Interview with Tadashi Suzuki

by Ted Motohashi

The Access Point in St. Petersburg: Interview with Filipp Vulakh, Yulia Kleiman and Alexei Platunov

The Access Point in St. Petersburg: Interview with Filipp Vulakh, Yulia Kleiman and Alexei Platunov

by Nikolai Pesochinsky

The Theatre Leads, and Criticism Follows: Interview with Italian Theatre Critic Andrea Porcheddu

The Theatre Leads, and Criticism Follows: Interview with Italian Theatre Critic Andrea Porcheddu

by Margherita Laera

The Global Role of ITI: Interview with Tobias Biancone

The Global Role of ITI: Interview with Tobias Biancone

by Savas Patsalidis

Performance Reviews

Performance Reviews
New Normal Performance: Bangkok Owns the Virtual
Performance Reviews
Back to the Tent: Canada’s Stratford Festival Goes Retro During the Pandemic
Performance Reviews
Choc de cultures entre l’Occident et le tiers-monde
Performance Reviews
Dada Shakespeare: Oakland Fun during the Plague
Performance Reviews
A Jumbo Hamlet
Performance Reviews
Au cœur de la ville avec Rimini Protocoll
Performance Reviews
Romanian Theatre: Waiting for the Present to Take Shape
Performance Reviews
Buenos Aires to Bucharest: Piazzolla’s Maria Travels through the Ages
Performance Reviews
Slovakia reaches out to the Universe

New Normal Performance: Bangkok Owns the Virtual

New Normal Performance: Bangkok Owns the Virtual

Back to the Tent: Canada’s Stratford Festival Goes Retro During the Pandemic

Back to the Tent: Canada’s Stratford Festival Goes Retro During the Pandemic

Choc de cultures entre l’Occident et le tiers-monde

Choc de cultures entre l’Occident et le tiers-monde

Dada Shakespeare: Oakland Fun during the Plague

Dada Shakespeare: Oakland Fun during the Plague

Au cœur de la ville avec Rimini Protocoll

Au cœur de la ville avec Rimini Protocoll

Romanian Theatre: Waiting for the Present to Take Shape

Romanian Theatre: Waiting for the Present to Take Shape

Buenos Aires to Bucharest: Piazzolla’s Maria Travels through the Ages

Buenos Aires to Bucharest: Piazzolla’s Maria Travels through the Ages

Slovakia reaches out to the Universe

Slovakia reaches out to the Universe

Book Reviews

Timelines: Writings and Conversation

Timelines: Writings and Conversation

Patricia Keeney

Migrating Shakespeare: First European Encounters, Routes and Networks

Migrating Shakespeare: First European Encounters, Routes and Networks

Philippe Rouyer

20 Groundbreaking Directors of Eastern Europe: 30 Years After the Fall of the Iron Curtain

20 Groundbreaking Directors of Eastern Europe: 30 Years After the Fall of the Iron Curtain

Ian Herbert

Rediscovering Stanislavsky

Rediscovering Stanislavsky

Nathan Thomas

In Memoriam

Sir Antony Sher: Actor, Artist, Diarist, Novelist, Playwright

Sir Antony Sher: Actor, Artist, Diarist, Novelist, Playwright

Ian Herbert

Ion Caramitru – An Artistic Guiding Force (1942-2021)

Ion Caramitru – An Artistic Guiding Force (1942-2021)

Maria Zărnescu

Ion Caramitru, un acteur plus qu’acteur

Ion Caramitru, un acteur plus qu’acteur

Georges Banu

Table of Contents

Click here for a text-only ToC.

Editorial Note

Editorial Note | Note éditoriale

Call for Papers & Essays

Issue #27: Renegotiating the Canon: Scenes of Germanic Theatre(s)

Issue #28: Post-millennial Australasian Dramaturgy

CS/Sc Issue No 24 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

CS/Sc Newsletter

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