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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – December/Décembre 2021: Issue No 24
Special Topic
Essays
National Reports
Critics on Criticism
Conferences
Interviews
Performances
Books
In Memoriam
Special Topic
Aural/Oral Dramaturgies: Editors’ Introduction
Duška Radosavljević and Flora Pitrolo
Special Topic
Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio
Hanna Slättne
Special Topic
Embodying the Extra-Corporeal: Releasing the Voice from Bodily Limitations Using Mediated Voice in Singing Training
Shannon Holmes
Special Topic
YOU and ME—Where and How Do We Meet
Electa Behrens and Øystein Elle
Special Topic
Sounds of the City: Dramaturgy, Space, Identity
Katie Beswick and Javon Johnson
Special Topic
Orality as Dramaturgy in the Khasi-Welsh Performance Exchange: Performing Journeys by the Khasi-Cymru Collective
Lisa Lewis and Lapdiang Syiem
Special Topic
Aural/Oral Histories of Pain and Trust in Satoshi Miyagi’s
Révélation
Tomoka Tsukamoto and Ted Motohashi
Special Topic
Aurality and the Actor in Filter Theatre’s
Twelfth Night
Sarah McCourt
Special Topic
The Hearing Body in Robert Wilson’s and Mikhail Baryshnikov’s
Letter to a Man
Sylvia Solakidi
Special Topic
Staged Installation, Reported Speech, and Syndemic Images in
Blindness
and
Caretaker
(2020)
Georgina Guy
Special Topic
Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making
Peta Murray, Alyson Campbell and Meta Cohen
Special Topic
Sounds of the City: Dramaturgy, Space, Identity
Katie Beswick and Javon Johnson
Special Topic
Aural/Oral Dramaturgies: Editors’ Introduction
Duška Radosavljević and Flora Pitrolo
Special Topic
Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making
Peta Murray, Alyson Campbell and Meta Cohen
Special Topic
Staged Installation, Reported Speech, and Syndemic Images in
Blindness
and
Caretaker
(2020)
Georgina Guy
Essays
Essays
Heterarchical Dramaturgies
Katalin Trencsényi
Essays
Embodying History: Preserving Memories of Holocaust Survivors Through Performance
Anthony Hostetter
Essays
Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in
Chang and Eng and Me (and Me)
Tobi Poster-Su
Essays
Re-visiting Greek National Narrative through Devised Theatre Practices: The Case of Michael Marmarinos
Constantina Ziropoulou
Essays
Sonic Antagonism: The Sounding Audience of Performance
Andrej Mirčev
Essays
Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera
Anika Marschall
Essays
Loss and Being Lost: Performing Precarity through Multilingual Text, Song and Music in Zoo Indigo’s
Don’t Leave Me This Way
Rosie Garton and Ildikó Rippel
Essays
Devising, Decolonizing, and Disrupting American Musical Theatre Aural Anatomy Through the Playlist Musical
Natalie Rine
National Reports
National Reports
Endangered Theatre: A Philippine Notebook
Katrina Stuart Santiago
National Reports
Capturing Hong Kong and Theatre Through Stage Photography
Bernice Kwok-wai Chan
National Reports
South Korean Audiences and their Interactive Performance in the Madang Then and Now
Younghee Park, Jeremy Neideck and Caroline Heim
National Reports
Tadashi Suzuki and Theodoros Terzopoulos: Crossing Boundaries, Creating Bridges
Penelope Chatzidimitriou
Critics on Criticism
Critics on Criticism
Anatomy, Mon Amour
Johannes Birringer and Michèle Danjoux
Critics on Criticism
On False Intimacies and Anti-Cathartic Modalities of Being in the Digital Performances of Crisis
Yana Meerzon
Critics on Criticism
Fragments of Thought About the Tragic Fragments: Theodoros Terzopoulos’ Views on Fragmentary Greek Tragedy
Menelaos Karantzas
Conference Papers
Conference Papers
Franchised/Recycled Performance as a Theatre of Ecology
Ivan Medenica
Conference Papers
Anthropocentrism on the Stage
Milo Juráni
Conference Papers
Phenomena of Recycling in the Context of the Current Independent Scene in Slovakia
Miroslav Ballay
Interviews
Interviews
Pumpkin and Public Sphere: Interview with Tadashi Suzuki
by Ted Motohashi
Interviews
The Access Point in St. Petersburg: Interview with Filipp Vulakh, Yulia Kleiman and Alexei Platunov
by Nikolai Pesochinsky
Interviews
The Theatre Leads, and Criticism Follows: Interview with Italian Theatre Critic Andrea Porcheddu
by Margherita Laera
Interviews
The Global Role of ITI: Interview with Tobias Biancone
by Savas Patsalidis
Performance Reviews
Performance Reviews
New Normal Performance: Bangkok Owns the Virtual
Performance Reviews
Back to the Tent: Canada’s Stratford Festival Goes Retro During the Pandemic
Performance Reviews
Choc de cultures entre l’Occident et le tiers-monde
Performance Reviews
Dada Shakespeare: Oakland Fun during the Plague
Performance Reviews
A Jumbo Hamlet
Performance Reviews
Au cœur de la ville avec Rimini Protocoll
Performance Reviews
Romanian Theatre: Waiting for the Present to Take Shape
Performance Reviews
Buenos Aires to Bucharest: Piazzolla’s Maria Travels through the Ages
Performance Reviews
Slovakia reaches out to the Universe
New Normal Performance: Bangkok Owns the Virtual
Back to the Tent: Canada’s Stratford Festival Goes Retro During the Pandemic
Choc de cultures entre l’Occident et le tiers-monde
Dada Shakespeare: Oakland Fun during the Plague
A Jumbo Hamlet
Au cœur de la ville avec Rimini Protocoll
Romanian Theatre: Waiting for the Present to Take Shape
Buenos Aires to Bucharest: Piazzolla’s Maria Travels through the Ages
Slovakia reaches out to the Universe
Book Reviews
Book Reviews
Timelines: Writings and Conversation
Patricia Keeney
Book Reviews
Migrating Shakespeare: First European Encounters, Routes and Networks
Philippe Rouyer
Book Reviews
20 Groundbreaking Directors of Eastern Europe: 30 Years After the Fall of the Iron Curtain
Ian Herbert
Book Reviews
Rediscovering Stanislavsky
Nathan Thomas
In Memoriam
In Memoriam
Sir Antony Sher: Actor, Artist, Diarist, Novelist, Playwright
Ian Herbert
In Memoriam
Ion Caramitru – An Artistic Guiding Force (1942-2021)
Maria Zărnescu
In Memoriam
Ion Caramitru, un acteur plus qu’acteur
Georges Banu