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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – December/Décembre 2023: Issue No 28
Special Topic
Essays
Inter/National Reflections
Critics on Criticism
Interviews
Performance Reviews
Book Reviews
Australasian Dramaturgy and First Nation Cultural Dramaturgy: Looking Back Before We Go Forward
Colleen Wall
Research Methodologies for Dance and Cultural Dramaturgies in Contested Land
Dalisa Pigram, Tia Reihana, and Rachael Swain
Humour is the Great Healer: Interview with David Geary (Taranaki Māori)
by Moana Nepia, Fiona Graham and Kathryn Kelly
Fluid Dramaturgy:
Moana Nui
Spacing as Relational Performative Environment
Dorita Hannah
Untangling the Wind: Reflections on
Black Medea
in Performance
Rick Brayford, Tom Heath, Leah Pigram, Teejay Woods, Myeesha Reid and Julianna Thomas
Dramaturgies of Climate Crisis
Danielle Wyatt and Jasmin Pfefferkorn
The Flood Project: Thinking through an Applied Dramaturgy Framework for Community Regeneration
Linda Hassall, Tanja Beer, Saffron Benner and Natalie Lazaroo
Dramaturgy Beyond the Western Model: Interview with Ahilan Karunaharan and Jane Yonge
by Alison Walls
Hard-won Wisdom: Interview with Australian Dramaturg Peter Matheson
by Kathryn Kelly
Liquid Dramaturgy in Aotearoa: Interview with Nisha Madhan and Julia Croft
Fiona Graham
Co-conspiracy: An Intergenerational Dialogue on Queer/ing Dramaturgy
Alyson Campbell and Meta Cohen
Letter to a Playwright: How Drama Works Dramaturgically
Julian Meyrick
Embodied Dramaturgy and Solo Performance: In the Pool with Emily Steel’s
19 weeks
Sarah Peters
Practice Snapshot: Notes on Choreographic Dramaturgy
alys longley
Embodying a Posthuman Dramaturgy of Place: Distance, Sound and Silence in Australian Contemporary Performance
Rea Dennis and Kate Hunter
A Dramaturgy of Consent:
Yes Yes Yes
by Eleanor Bishop and Karin McCracken
James Wenley
“I don’t know why I cried, but I did.” Diversity and the Dramaturgy of Impact in Australian Theatre for Young People
Paul Rae and Abbie Victoria Trott
The Art of Taking Part: Dramaturgies of Encounter in Theatre for Early Years
Sally Chance
Outback Upfront: Playwriting Around Youth in Regional Australia
David Megarrity and Jenna Gillett-Swan
Dramaturgical Thinking: A Creative Conversation About Australian Dramaturgy
Robert Ellis Walton and Alyson Campbell
Outback Upfront: Playwriting Around Youth in Regional Australia
David Megarrity and Jenna Gillett-Swan
The Art of Taking Part: Dramaturgies of Encounter in Theatre for Early Years
Sally Chance
Letter to a Playwright: How Drama Works Dramaturgically
Julian Meyrick
Humour is the Great Healer: Interview with David Geary (Taranaki Māori)
by Moana Nepia, Fiona Graham and Kathryn Kelly
Essays
First Métis Man of Odesa
: Liminalities, Ruptures, and Reconnections of Voice and Community in Ukraine and Canada
Moira Day
Against Epistemic Injustice: A Tribute to Maya Harbuzyuk
Ewa Bal and Iryna Chuzhynova
The Domestic Kitchen as Performance Space: The Female Artist vs the Housewife
Athena Stourna
Towards the Artificially Intelligent Playwright: Experimentation with Chat GPT
Dominic Chamayou-Douglas
Playing in “Sand Time”: Using Both Video Score and Printed Script in an Intercultural Production of Shōgo Ōta’s
Elements
Lynette Hunter, Peter Lichtenfels and John Zibell
Performing Presidents
Maria Berlova
Inter/National Reflections
In the Shadow of the Pyramids: Cairo International Festival of Experimental Theatre
Andrea Porcheddu
A Promising Comeback: Colombo International Theatre Festival and Sri Lankan Theatre
Ajay Joshi
The Glo-c-ality of Almada Festival
Savas Patsalidis
Avignon 2023: The New Beginning in Boulbon Quarry
Ivan Medenica
Carnivalesque Theatricality, Cultural Literacy and the
Wonders
of the Human Spirit: Sibiu International Theatre Festival at Thirty
Octavian Saiu
Next Page on Stage: 21st Century Dramaturgies
Maria Ristani
Herman Cornejo: Giving Voice to the Earth Through Dance
Halima Tahan Ferreyra
Critics on Criticism
Uncannily Small: Policed Performance in Southeast Asia
Katrina Stuart Santiago
Interviews
The Lubimovka Echo Festival and the Russian Language Anti-War Drama in Exile
Theatre is not a Delivery Service: Interview with Stefanie Carp
“Let’s Talk for Real About Us”: Interview with Raluca Rădulescu
Wrestling with Howard Barker: Interview
“Hello, I am Koko”: Interview with Koko Roinishvili
The Lubimovka Echo Festival and the Russian Language Anti-War Drama in Exile
Theatre is not a Delivery Service: Interview with Stefanie Carp
“Let’s Talk for Real About Us”: Interview with Raluca Rădulescu
Wrestling with Howard Barker: Interview
“Hello, I am Koko”: Interview with Koko Roinishvili
Performance Reviews
Edinburgh Fringe: Performances beyond Racial Identities
Takehito Mitsui
Theater der Welt 2023—Dreaming Plural Worlds along the River Main
Beri Juraic
Immersive In/Sights: Performing the Cancer Experience
Vinia Dakari
Impressions from the Romanian National Theatre Festival
Savas Patsalidis
Shattering Glass and a Funeral in Belgrade
Matti Linnavuori and Rosa Tina Perić
Stilled Tongues: Performance Protests Silence Surrounding Ghana’s anti-LGBTQ+ Bill
Robert Walton
Kinky Boots
: “Comfort Theatre” After the Before Times
Lissa Tyler Renaud
Canada’s Stratford Festival Offers a Radical Richard II and a Lively King Lear
Martin Morrow
Theatrical Adaptation of Iconic Canadian Novel Asks Us to Witness
Kyla Whetham
De ce côté
: Une pièce sur le théâtre politique
Selim Lander
Festival de micro-théâtre Équinoxe : conquérir les nouveaux publics
Lorie Ganley
Resurrection of Václav Havel’s Theatre and Erotic Dreams in Pilsen
Zbyněk Černík
In a Time of Want: The Trojan Women
Alicia Corts
The Joy of Theatre in Timişoara, European Capital of Culture, 2023
Maria Zărnescu
Performance Art of Inclusivity, Human Stories and Revolutionary Politics
Dara Milovanović
John Malkovich on Stage as a Serial Killer
Asen Terziev
Écho du stage pour jeunes critiques à Varna
Jean-Pierre Han
dunaPart6: Focus on Young Independent Artists
Kamelia Nikolova
Book Reviews
Puppetry and Multimedia
Margareta Sörenson
Horatio’s Stories: Portraits and Confessions of European Theatre Masters
Louise Vigeant
Les Récits d’Horatio: Portraits et aveux des maîtres du théâtre européen
Louise Vigeant
Performing Arousal: Precarious Bodies and Frames of Representation
Don Rubin
