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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – December/Décembre 2020: Issue No 22
Special Topic
Essays
National Reports
Critics on Criticism
Interviews
Performances
Books
In Memoriam
Special Topic
Le théâtre survivra-t-il à la tentation du virtuel ?
Tibor Egervari
Special Topic
The Digital Sublime and Fragility in the Time of COVID-19 and the Eco-crisis: The Dynamics of Becoming
Hanna Helavuori
Special Topic
Ceci n’est pas un théâtre: Theatre in the Age of COVID
Mark Brown
Special Topic
After Devitalized Theatre
Nenad Jelesijević
Special Topic
Arts Journalism and Theatre in the Pandemic Era: Mutations, Redefinitions and Challenges
Zoe Ververopoulou
Special Topic
Pandemic V-Effect: The Plague as Theatre Criticism
Felipe Cervera and Azadeh Sharifi
Special Topic
The Performance of Protest in a Post-COVID World: A Theatre Critic’s Perspective from India
Deepa Punjani
Special Topic
Editors’ Comment: Theatre (Criticism) the Day After
Yana Meerzon, Savas Patsalidis, Aisling Murphy
Special Topic
Lockdown Verses and Anxieties of Presence: How Polish Theatre Rhymed a Case for Its Purpose on the Pandemic Stage
Kasia Lech
Special Topic
Theatre and Censorship in the Pandemic
Patricia Nikolova
Special Topic
Some Reflections on Theatre in a Post (Pre-) Pandemic Moscow
Alla Shenderova
Special Topic
Not Here, Not Now? Liveness Revisited
Małgorzata Sugiera
Special Topic
Internet: Curse or Blessing
Esther Slevogt
Special Topic
Brecht Is More Relevant Than Ever in the Time of COVID-19
Jisoo Nam
Special Topic
Tercera Llamada #LiveOnlineNow: Notes on a Virtual Theatre Experience
Fernando Valcheff García, Regina Solis Mirandal, Sara Hermo Nieto
Special Topic
Electric Dance, or How to Talk with Birds
Johannes Birringer
Special Topic
CATR Digital Criticism Pedagogies Workshop 2020 Recap
Karen Fricker, Michelle Macarthur, Aisling Murphy, Robyn Grant-Moran, Mae Smith
Special Topic
Le théâtre en confinement : qu’est-ce que nous avons regardé en Turquie ?
Ece Yassitepe Ayyildiz
Special Topic
Chilean Crises Lead to Experiments in Online Theatre
Pablo Cisternas, Milena Grass Kleiner, Andrés Kalawski, Cristián Opazo
Special Topic
Migrant Representation in the U.K. Theatre Industry: How Covid-19 Catalysed a Movement
Sally Beck Wippman (contrib. Zhui-Ning Chang, Lara Parmiani)
Special Topic
The Digital Sublime and Fragility in the Time of COVID-19 and the Eco-crisis: The Dynamics of Becoming
Hanna Helavuori
Special Topic
Not Here, Not Now? Liveness Revisited
Małgorzata Sugiera
Special Topic
Tercera Llamada #LiveOnlineNow: Notes on a Virtual Theatre Experience
Fernando Valcheff García, Regina Solis Mirandal, Sara Hermo Nieto
Special Topic
Chilean Crises Lead to Experiments in Online Theatre
Pablo Cisternas, Milena Grass Kleiner, Andrés Kalawski, Cristián Opazo
Essays
Essays
Contemporary Playwriting and Theatre Translation Cultures in Europe: A Report on Current Systems, Conventions and Perceptions
Margherita Laera
Essays
Relaxed Performance: An Ethnography of Pedagogy in Praxis
Carla Rice, Chelsea Temple Jones, Jessica Watkin, Kayla Besse
Essays
« …papa merci d’être mort » – Un spectacle pour les adultes qui étaient autrefois des enfants
Irina Antonova
Essays
Rethinking Authority, Creativity and Authorship in Twenty-First-Century Performance: The Director’s Revised Role
Avra Sidiropoulou
Essays
What Is This Thing, Drama? Plays for Dialogue in a Rwandan College Setting
Amy S. Green
Essays
Au-delà des frontières, les ponts
Georges Banu
National Reports
National Reports
Mission Im/possible: In Search of Identity and the Aesthetics of Hong Kong Contemporary Theatre
Bernice Kwok-wai Chan
Critics on Criticism
Critics on Criticism
Note from the Editors
Critics on Criticism
Flight
Paths and Theatre for Early Years Audiences
Critics on Criticism
Young Critical Practices: Ways of Thinking in and With the Arts
Critics on Criticism
Describe, Evaluate, Argue: Teaching Criticism for Young Writers
Critics on Criticism
Criticism as a Play-Space
Critics on Criticism
What If We Just Dance?
An Example of Interactive Criticism
Critics on Criticism
“Parallel Space for Reflection”: Interview with Zala Dobovšek
Critics on Criticism
The Young People’s Stage of the National Theatre of Greece: Cultural Politics and Pedagogical Paradigms
Critics on Criticism
Réinventer les paysages et dessiner les vols au Théâtre de Marionnettes de Porto
Note from the Editors
<em>Flight</em> Paths and Theatre for Early Years Audiences
Young Critical Practices: Ways of Thinking in and With the Arts
Describe, Evaluate, Argue: Teaching Criticism for Young Writers
Criticism as a Play-Space
<em>What If We Just Dance?</em> An Example of Interactive Criticism
“Parallel Space for Reflection”: Interview with Zala Dobovšek
The Young People’s Stage of the National Theatre of Greece: Cultural Politics and Pedagogical Paradigms
Réinventer les paysages et dessiner les vols au Théâtre de Marionnettes de Porto
Interviews
Interviews
Sociology of Theatre and Performance: Interview with Maria Shevtsova
by Savas Patsalidis
Interviews
Our Responsibility Lies in Our Decisions: Interview with Patrice Pavis
by Éva Patkó and Savas Patsalidis
Interviews
A Digital Talk About an Analogue Art: Interview with Erika Fischer-Lichte
by Ivan Medenica
Interviews
Experiments with Human Nature: Interview with Margarita Mladenova
by Kamelia Nikolova
Interviews
In Search of Contexts: Interview with Neelam Mansingh Chowdhry
by Vikram Phukan
Interviews
I Can See you, on Zoom: Interview with Olive Bieringa and Otto Ramstad
by Tina Perić
Interviews
“The Counterpart” Becoming Myself: Interview with Kang Ryang-won
by Lee Hwawon
Interviews
Documentary Theatre: About Aesthetics and Politics. Interview with Martha Bouziouri
by Savas Patsalidis
Interviews
De la rencontre aux écrans: une approche kaléidoscopique du réel : Entretien avec BERLIN
par Karolina Svobodova
Interviews
Corps, voix, mémoire : Entretien avec Guy Régis Jr.
par Jason Allen-Paisant
Performance Reviews
Performance Reviews
Macmillan’s Pandemic Theatre in Latvia
Performance Reviews
The Game Is Over
Performance Reviews
Hallucinations of a Finnish Anarchist
Performance Reviews
Qui a peur du théâtre ?
Performance Reviews
Defeats to Lament, Lives to Celebrate: Fragments of a Greek Festival
Performance Reviews
Théâtre et musique, un mariage risqué
Performance Reviews
Exodos
. The Body Is the Oracle
Performance Reviews
Theater of War: The Relevance of Community Arts during the Pandemic
Performance Reviews
Les bienfaits collatéraux d’une pandémie à Luxembourg
Macmillan’s Pandemic Theatre in Latvia
The Game Is Over
Hallucinations of a Finnish Anarchist
Qui a peur du théâtre ?
Defeats to Lament, Lives to Celebrate: Fragments of a Greek Festival
Théâtre et musique, un mariage risqué
<em>Exodos</em>. The Body Is the Oracle
Theater of War: The Relevance of Community Arts during the Pandemic
Les bienfaits collatéraux d’une pandémie à Luxembourg
In Memoriam
In Memoriam
Kapila Vatsyayan: A Legend of Indian Culture
Ravi Chaturvedi
In Memoriam
Kapila Vatsyayan and the IATC Thalia Prize
Margareta Sörenson
In Memoriam
Remembering Eric Bentley
Don Rubin
Book Reviews
Book Reviews
Shakespeare in the Theatre: Patrice Chéreau
par Philippe Rouyer
Book Reviews
TNT: The New Theatre
Ian Herbert
Book Reviews
Contemporary Plays by African Women
Patricia Keeney
Book Reviews
Marionetteatern: 60 Years and More
par Louise Lapointe