Table of Contents
Editorial
Maria Helena Serôdio
Thalia Prize | Le Prix Thalie
Discours de Sofia: Remise du Prix Thalie
Jean-Pierre Sarrazac
Jean-Pierre Sarrazac Before and After the Thalia Prize : Un Questionnaire de Proust
Randy Gener
Theatre views / Visions du théâtre
Playwright / Dramaturge
Gianina Carbunariu
Interviewed by Ioana Moldovan
Stage Designers/ Scénographes
Dragos Buhagiar
Interviewed by Ioana Moldovan
Directors / Metteurs en scène
Stan Lai (Lai Shengchuan)
Interviewed by Lissa Tyler Renaud
David Zinder
Interviewed by Lissa Tyler Renaud
Special Files / Dossiers spéciaux
Augusto Boal
Remembering Boal
Iná Camargo Costa
Notes on Boal’s the Dialectical Practice
Sérgio Carvalho
Boal and Che: Side by Side on Stage
Zeca Ligiéro
Remembering Boal through images
Clara de Andrade
Jean Genet
Nouvelles lectures de Genet en Corée
Shin Hyun-Sook
Essays
Painful Memories / Mémoires douloureuses
Effet-dibbuk, effet spectre: Le théâtre de la mémoire douloureuse
Carole Guidicelli & Didier Plassard
Beyond Representation: Re-membering the ‘Ghosts’ of Recent History in Contemporary Performance
Liz Tomlin
Du moujik au kolkhozien: ou Comment représenter la campagne sur la scène soviétique
Marie-Christine Autant-Mathieu
Artistic Identities / Identités artistiques
Portugal’s African communities on stage
Catarina Neves
Orthography and Identity: In search of a Language for Creole Theatre
Travis Weekes
The Apocalypse in Us: Purcărete’s Faust
Ludmila Patlanjoglu
Reviews (performances) / Analyses (spectacles)
Deux spectacles hors pair
Georges Banu
Finnish Fathers and Daughters Drive around in Europe in It’s a Girl!
Matti Linnavuori
Pour une analyse des spectacles – La “femme ôtée”: L’exemple de Fine Bone China, de et par Fran Barbe
Patrice Pavis
The Second Latvian Homer
Valda Čakare
Une réflexion sur la démocratie et ses valeurs
Irène Sadowska-Guillon
Portrait of an artist as a dramatic work: Orfeus
Brent Meersman
Le Woyzeck de Brigitte Haentjens : Une mise en scène corporelle extrêmement puissante
Alvina Ruprecht
Romeo, Juliet and the Romanian-Hungarian Love
Ludmila Patlanjoglu
An International Theatre Festival in Tehran
Maria Helena Serôdio
Le Tramway de Warlikowski: Son élégie et son horizon
Georges Banu
Book Reviews / Lectures
Encyclopédie mondiale des arts de la marionnette
Irène Sadowska-Guillon
Chinese Shakespeares: Two Centuries of Cultural Exchange
Lissa Tyler Renaud
A Journal that Fills a Void
Steve Capra
Theatre Voices / Voix théâtrales
Athol Fugard: A New theatre named in his honour
Interviewed by Brent Meersman
Jin-Chaek Sohn: A humanistic vision
Interviewed by Soon-Ja Hur
Critics on criticism
Three Questions I Keep Asking Myself in Practicing Criticism
Yun-Cheol Kim
Twenty-one Asides on Theatre Criticism
Mark Brown
Too Important to Be Left to Amateurs
Don Rubin
Lady Anne’s Blog: Some Initial Thoughts on the Evolution of Theatrical Commentary in South Africa
Temple Hauptfleisch
The Last Word
Peter Hay
