Working with Grotowski and After: Maja Komorowska
Table of Contents
Opening Words | Mots d’ouverture
Yun-Cheol Kim
Editorial
Maria Helena Serôdio
Theatrical Commentary | Commentaire théâtral
Towards a history of professional theatrical commentary
Don Rubin
Criticism: The origins
Ian Herbert
Indian critics and the Natyashastra
Ravi Chaturvedi
Theatre criticism in Hungary
Peter Szaffko
Critics under review
Michael Handelzalts
Eric Bentley Before and After the IATC Thalia Prize |
Eric Bentley avant et après le Prix Thalie de l’AICT
A Proust questionnaire for Eric Bentley
Randy Gener
Reading a Playwright’s Diary | Lire le journal d’un dramaturge
Norén’s diary gives critics a lesson or two
Matti Linnavuori
A Patchwork of Theatre Views | Patchwork de visions du théâtre
José Maria Vieira Mendes (Portugal), Interviewed by Rita Martins
Yun-Taek Lee (South Korea), Interviewed by Bangock Kim
Marta Carreiras (Portugal), Interviewed by Rita Martins
The Theatre of Ionesco: Revelations and Reactions |
Le théâtre d’Ionesco: révélations et réactions
Portuguese perplexities, contradictions and a fierce debate
Sebastiana Fadda
Ionesco translated by Octavio Paz
Rodolfo Obregón
Reclaiming the Legacy of Jerzy Grotowski |
Réclamation de l’héritage de Jerzy Grotowski
Acting before and after Grotowski: Presence / Non-presence
Tomasz Milkowski
Working with Grotowski and After
Maja Komorowska
Grotowski in the 21st century: Teatr Pieśń Kozła (Song of the Goat Theatre), Wrocław, Poland
Mark Brown
Spreading (In)visible Theatre with Augusto Boal |
Répandre le théâtre (in)visible avec Augusto Boal
Playing seriously with Augusto Boal (1931-2009)
Veronika Baxter
The Irresistible Meeting Point for Theatre |
Point de rencontre irrésistible pour le théâtre
Philosophie et nouveau théâtre
Patrice Pavis
Disturbing silence (and outcries) over memories of a colonial war (1961-1974)
Disturbing silence (and outcries) over memories of a colonial war (1961-1974)
Maria Helena Serôdio
The Critics Review the Shows | Analyses de spectacles par des critiques
Domestic silences exposed: Learner Husband (Cape Town)
Robert Greig
Lorsque le Québec et la Martinique se croisent : Le collier d’ Hélène
Alvina Ruprecht
Leçon magistrale d’écriture scénique: Le garçon du dernier rang
Irène Sadowska
Le plaisir de jouer avec virtuosité: Leichtes Spiel: Neun Personen einer Frau
Patrice Pavis
“War” over The Persians
Savas Patsalidis
Images and a popular emotionalism: Peer Gynt
Kwon Kyoung-Hee
Noah’s Ark, directed by Janusz
Tomasz Milkowski
Estorino dreams of another American Medea
Vivian Martinez
Professing Theatre Criticism | Profession: critique de théâtre
The History of Criticism: English
John Elsom
A Brief History of Theatre Commentaries in Japan: Its Beginning and Its Modernization
Manabu Noda
A History of Theatre Commentary in Korea
Yun-Cheol Kim
