Table of Contents
Editorial | Éditorial
Yun-Cheol Kim
Special Contribution by Georges Banu
Hommage à Georges Banu en Roumanie
Georges Banu
Special Topic: Alternative Criticism?: Blogging, Tweeting, Facebook
Section Editor: Andrea Tompa
Editorial Note
Andrea Tompa
Two Cheers for the Internet
John Elsom
Re-negotiating Professional Criticism
Ott Karulin
The New Economy of Theatrical Expertise
lulia Popovici
The Theatrical Blogosphere in Russia
Pavel Rudnev
British Theatre Criticism: The End of the Road?
Aleks Sierz
Oncoming Traffic! — Theatre Criticism Online: The German Internet Platform nachtkritik.de
Esther Slevogt
Criticizing the End of Criticism: The Critical Genre and the Internet
Mihály Szilágyi-Gál
Mere Opinion and Considered Judgment: Amateur and Professional Criticism Today — Interview with Alisa Solomon
Andrea Tompa
Criticism 2.0: Benefits and Challenges of Theatre Criticism Web Sites
Russell T. Warne
Interviews
Section Editor: Randy Gener
Editorial Comment
Randy Gener
« Parce que je ne voulais pas obéir à une dictature idéologique » — Entretien avec Shabman Tolouei, comédienne, auteure et metteure en scène iranienne
Irène Sadowska-Guillon
“Theatre Was at the Avant-Garde of Perestroika” — Interview with Valéry Shadrin, General Director of the Chekhov International Theatre Festival in Russia
Tiago Bartolomeu Costa
“To Capture Something Out of the Air”: Original Live Theatre in Los Angeles — Interview with Alicia Hoge Adams, U.S. Producer, Writer, Designer and Actress
Lissa Tyler Renaud
Essays
Section Editor: Ivan Medenica
Editorial Note
Ivan Medenica
The Seagull, directed by Oskaras Korsunovas
Maria Shevtsova
Dramaturgie et Postdramaturgie
Patrice Pavis
Conference Papers
Section Editor: Savas Patsalidis
Editorial: Battles are Lost but Not the War
Savas Patsalidis
The Role of the Critic in the Transmission and Creation of Theatre (Barbados)
Icil Philips
La vie, le sens et la parade (Quebec)
Michel Vaïs
Audience Participation and the Theatre’s Role in the Age of Post-Postmodernity (Greece)
Savas Patsalidis
Performance Reviews
Section Editor: Matti Linnavuori
Editorial Note: Visits to a Festival near You
Matti Linnavuori
Decisive Chekhovian Encounters in Timişoara
Maria Zarnescu
Whistles and Shouts in Berlin
Isabella Rothberg
P’tite Souillure, comédie sacrée
Selim Lander
La Bolivie théâtrale entre table et plateau / Bolivian origins on the table and on the stage
Jean-Pierre Han and Matti Linnavuori
Labyrinth of Illusions in the City Beyond Boundaries
Akiko Tachiki
Cette barbarie qui nous guette
Irène Sadowska-Guillon
Nora as a Corporate Trophy
Mihail Baykov
Everything and the Kitchen Sink: The Divadlo Festival in Plzen, Czech Republic, September 2013
Ian Herbert
Book Reviews
Section Editor: Don Rubin
The Cambridge Introduction to Theatre Directing, by Christopher Innes and Maria Shevtsova, 284 pp. Cambridge: Cambridge University Press
J. Herbert Close (UK)
Albert Camus-Michel Vinaver : S’engager ? Correspondance (1946 – 1957), Édition établie, présentée et annotée par Simon Chemama, 170 pp. Paris: l’Arche, 2012
Irène Sadowska-Guillon (France)
