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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – December/Décembre 2019: Issue No 20
Special Topic
Essays
National Reports
Conferences
Interviews
Performances
Books
Critics on Criticism
Countering Ageism and Eugenics in Theatre
Age on Stage
Reminiscence Drama in an Ageing World
Dance and Age
Age and Politics in Early American Drama
La vie des personnes âgées à l’époque néo-libérale
Insupportable vieillesse ?
Creating Dance with Elders, and How to See It: Company of Elders in the World Gold Theatre Festival
To Become Merged in the Sea . . . or On Old Women on Stage
Dance and Age
Age and Politics in Early American Drama
To Become Merged in the Sea . . . or On Old Women on Stage
Countering Ageism and Eugenics in Theatre
Essays
City Narratives in European Performances of Crisis: The Examples of Athens and Nicosia
A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)
The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
Seeking the Other: Staging the Paroxysms of Orientalism
No Woman’s Land: Walking as a Dramaturgical Device in Performance of Maternal Migration
On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha
Movement through Language: A Reflection on the Use of Spoken Text in Dance Performances
City Narratives in European Performances of Crisis: The Examples of Athens and Nicosia
A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)
The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
Seeking the Other: Staging the Paroxysms of Orientalism
No Woman’s Land: Walking as a Dramaturgical Device in Performance of Maternal Migration
On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha
Movement through Language: A Reflection on the Use of Spoken Text in Dance Performances
National Reports
German Theatre: Interventions and Transformations
Modern Scottish Theatre: Emerging from the Shadow of the Reformation
Theatre in Malta: Amateur Practice and Professional Aspirations
Italian Theatre Today: Not a System, and so Many Transformations
Theatre at the Crossroads: Trends and Challenges of Georgian Theatre Today
Conference Papers
Counterpublics Cause so Much Trouble: Oliver Frljić, Protest & Collectivity
Season of Discontent to “Seasons of Love”: Broadway Musicals in a Time of #MeToo
Feigning Ignorance as a Way of Tolerating the Intolerable: Stage Scene in Japan 2017
Interviews
American Theatre Now: Interview with Carlos Morton
At the End of the Day, an Actor: Interview with Tiago Rodrigues
Performance Reviews
Let’s Start Love Over in Belgrade
Dance in the Forest, an Example of Immersive Theatre
Cotillion of Loss: Summoning August Wilson’s African American Century
Jacinto Benavente relance la Commedia dell’arte au Canada
Sankara, héros tragique
Ariadne’s Stage Metamorphosis in Buenos Aires
Macbettu
: Immersing in the “Hollow Crown”
Men Punish Women in Pilsen
All Puppets, Large and Small—in Québec and the Czech Republic
Let’s Start Love Over in Belgrade
Dance in the Forest, an Example of Immersive Theatre
Cotillion of Loss: Summoning August Wilson’s African American Century
Jacinto Benavente relance la Commedia dell’arte au Canada
Sankara, héros tragique
Ariadne’s Stage Metamorphosis in Buenos Aires
<em>Macbettu</em>: Immersing in the “Hollow Crown”
Men Punish Women in Pilsen
All Puppets, Large and Small—in Québec and the Czech Republic
Book Reviews
The Theatrical Career of Samuel Morgan Smith
Queer Shakespeare: Desire and Sexuality
The Fictional Lives of Shakespeare
Contre le théâtre politique
Critics on Criticism
Criticism on the Critical List: Just a Canadian Issue?
Critics should never say in writing what they cannot dare to say to the subject in person: Interview with Ian Herbert
“With age, I get more tolerant of failure”: Interview with Michael Billington