Table of Contents
Editorial | Éditorial
Yun-Cheol Kim
Special Topic: Censorship in Disguise
The Struggle for a Free Theatre | Or “Long Live Belarus”
Randy Gener
A Revolution Sells Its Children
Ivan Medenica
Expatriates in Their Own Country
Andrea Tompa
Interviews
En quête d’une issue pour demain — Entretien avec Zinnie Harris
by Irène Sadowska-Guillon
“To Visualize the Invisible, the In-Between Space” — An Interview with the Macedonian Performance Artist Igor Josifov
by Randy Gener
“Art Always Gets Caught Between the Pages of History”: A Flemish Coincidence — Interview with Jan Lauwers
by Randy Gener
La scène de la régénération de soi — Entretien avec Arne Lygre
by Irène Sadowska-Guillon
A Director with Zeitgeist: Peking Opera Meets the Western Canon — Interview with Ma, Bao-Shan
by Lissa Tyler Renaud
Essays
Un théâtre de la geste logoclaste: Valère Novarina
Irène Sadowska-Guillon
Du temps humain: À propos de la place du spectateur face au théâtre du Teatro Meridional
Maria João Brilhante
La création théâtrale à la Havane: Espace de renouveau de la réflexion identitaire cubaine
Alvina Ruprecht
La première version de Caligula: du texte à la scène
Sophie Bastien
Muffled Voices: The Unsung Ballad. Post-colonial Indian Theatre – Intentions and Actual Practices
Ajay Joshi
The Grand Communicator: New Projects of Árpád Schilling and The Krétakör (2008-2011)
Tamás Jászay
The Pope as Playwright: Karol Wojtyla
Andrzej Żurowski
Conference Papers
Editorial: Conference Papers Section
Mark Brown
[Maribor Conference]
An Introduction to the Papers on Intercriticism, Given at the Conference in Maribor, Slovenia, October 20-21, 2010
Primož Jesenko
Quelques questions sur la place du critique dramatique contemporain
Jean-Pierre Han
New Criticism and Theatre: Transfigurations of Critical Judgment
Blaž Lukan
‘Inter-critic’ without a Conflict of Interest
Ivan Medenica
Intercriticism and the Myth of Critical Distance
Don Rubin
Two Degrees of Separation
Zuzana Uličianska
[Tbilisi Conference]
Goga and Goderdzi Waiting for Godot, or a Spectator of the Modern Theatre
David Bukhrikidze
Theatres-Audiences-Critics: Keeping Watch over Each Other
Liu Minghou
Performance Reviews
The End of One Road, the Beginning of Another: Xhosa Theatre in Cape Town
Rob Baum
Raspberry: Censorship Makes an Artist Grow
Lasha Chkhartishvili
Un échantillon de théâtre iranien
Jean-Pierre Han
Killbeth: Korean Shakespeare with Heung and Energy
Bangock Kim
Walking in the Air, Mr Vertigo: a Fantasy of (an Artist’s) Freedom by Kristian Smeds
Soila Lehtonen
Do the Georgians Want a War?
Matti Linnavuori
Zack: New Year and a New Relationship!
Mehrdad Rayani Makhsous
Leonce and Lena from Cluj: Finally, and Gently, It Makes Sense
Aglika Oltean
Musical Life Is Beautiful!
Maria Zărnescu
Who Kills Heiner Mueller? A Chinese Performance of Hamletmachine
Qingyan Zhang
Book Reviews
Directors/Directing: Conversations on Theatre By Maria Shevtsova and Christopher Innes (Canada)
Don Rubin
Must You Go? My Life with Harold Pinter By Antonia Fraser (Canada)
Patricia Keeney
In Search of Lost Space (În căutarea spaţiului pierdut) by Octavian Saiu (Romania)
Ion Bogdan Lefter
Un œil sur le bazar: Anthologie des écritures théâtrales turques Sous la direction de Dominique Dolmieu et Zeynap Su Kasapoglu (France)
Irène Sadowska-Guillon
Critics on Criticism
Criticism and Artist Engagement
Steve Capra
The Critic and the Drama: “Aesthetic Jurisprudence”
George Jean Nathan
