Table of Contents
Editorial/Éditorial
Savas Patsalidis (editor-in-chief)
Special Topic: Theatre and Statelessness in Europe
Section Guest Editors: S. E. Wilmer (Ireland) and Azadeh Sharifi (Germany)
Reflections on Theatre and Statelessness
S. E. Wilmer and Azadeh Sharifi
Authenticity and Otherness: Reflecting Statelessness in German Postmigrant Theatre
Jonas Tinius
“We Accuse Europe”: Staging Justice for Refugees, Migrants and Asylum Seekers in Europe
Jamie H. Trnka
Refugees in German Documentary Theatre
Katrin Sieg
In Transit: Wajdi Mouawad’s Scorched in Bremen, Germany, as Theatre of Anticipation
Yana Meerzon and Daniel Meyer-Dinkgräfe
(Un)making Boundaries: Representing Elfriede Jelinek’s Charges (the Supplicants)
Silke Felber
Fugitive Performance: Nicolas Stemann’s Die Schutzbefohlenen and the Medial Matrix of Refugee Theatre
Ralf Remshardt
The State at Play? Notions of State(less)ness in Contemporary Interventionist Performances
Anika Marschall
Refugee Narratives: Case Farmakonisi or The Justice of the Water
Zafiris Nikitas
Unheard Voices, Unseen Faces: Staging Stories of Male Refugee Youth
Rosanna Jahangard and Kate Duffy
“One in a Million”: Trailer with an introduction by Steve Wilmer
Steve Wilmer
Interviews
Section Editor: Savas Patsalidis (Greece)
“Theatre can play a more prophetic role in our society”: An interview with Mike van Graan
by Savas Patsalidis
Quand Shakespeare rencontre la Révolution mexicaine: Une entrevue avec Juan Carrillo
par Alvina Ruprecht
Immortal Mortals: Zarina Zabrisky’s Theatrical Thinking and Arts Resistance
by Lissa Tyler Renaud
Understanding versus Experiencing: An interview with Erika Fischer-Lichte
by Tina Peric
Essays
Section Editor: Savas Patsalidis (Greece)
Return to the Absurd
John Elsom
Atmospheres of Dividual Performance
Johannes Birringer
So Many Worlds to Write
Nathalie Fillion
with an introduction by Karen Fricker
Qui est Eilert Løvborg, le personnage d’Ibsen dans Hedda Gabler ?
Selim Lander
Conference Papers: Newness and Global Theatre
Section Editor: Ivan Medenica (Serbia)
Editorial Note
Ivan Medenica
Innovation and Globalization: Interweaving Performance Cultures
Erika Fischer-Lichte
Le théâtre : minorité et politique
Georges Banu
Old Is New, New Is Old: Hamilton in the Age of Trump
Jeffrey Eric Jenkins
Nouveauté, attentes et risque
Michel Vaïs
Dissolving in Time: The Traditional Iranian Theatre
Katayoun Hosseinzadeh Salmasi
Performance Reviews
Section Editor: Matti Linnavuori (Finland)
At Bitef, Europe Confronts Its Post-Colonial Legacy and the “Other”
Martin Morrow
April in Romania
Barry Gaines
Love and Landscape Have Style in Czech
Matti Linnavuori
Italy Honours the Merciful Shakespeare
Claudia Provvedini
2666 ou la mort du théâtre
Selim Lander
La Mouette et son double, sous un nouveau regard
Hyun-sook, Shin
Roberto Zucco de Koltès revisité à Séoul
Jean Pierre Han
China’s Reincarnation Novel Reincarnated on Stage: Dream of the Red Chamber
Lissa Tyler Renaud
L’épopée labyrinthique de Max Aub
Irène Sadowska Guillon
A Ruthless Rewriting of The Beggar’s Opera in Timişoara
Maria Zărnescu
Book Reviews
Section Editor: Don Rubin (Canada)
Deleuze and Beckett
Reviewed by Will Daddario
Jamaican Plays: A Postcolonial Anthology (1977-87)
Reviewed by Alvina Ruprecht
This Bizarre Circus Is Life Itself: Beckett Performance in Greece (1960-2010)
Reviewed by Katerina Delikonstantinidou
Hamlet and the Madness of the World
Reviewed by Patricia Keeney
Political Performance in Syria: From the Six-Day War to the Syrian Uprising
Reviewed by Marjan Moosavi
Thalia Prize
The Laudatio Speech for Femi Osofisan
Erika Fischer-Lichte
A Brief Introduction to Femi Osofisan
Don Rubin
Thalia Prize: Its History
Margareta Sörenson
