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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2022: Issue No 25

Special Topic
Essays
National Reports
Critics on Criticism
Interviews
Performances
Books
Focus: Ukraine I
Focus: Ukraine II

Parascopic Media: Platformizing Performance with 3D, Dentistry, and Drag

Parascopic Media: Platformizing Performance with 3D, Dentistry, and Drag

Brendan McCauley

Human-Technology Interfacing in Performance: Editor’s Introduction

Human-Technology Interfacing in Performance: Editor’s Introduction

Sebastian X Samur

The Intermedial Kingdom of Bodies: A Narratological Analysis of the Live-Animated-Avatar Performance The Kingdom of Shadows

Maya Arad Yasur

Expanding Sound Design in Performing Arts

Expanding Sound Design in Performing Arts

Kent Olofsson

Identification et performativité technologique dans Autour du Rose enfer des animaux

Identification et performativité technologique dans Autour du Rose enfer des animaux

Thomas Langlois et Robert Faguy

A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”

A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”

Dan Strutt

Reflections on Place in Telematic Performances

Reflections on Place in Telematic Performances

Jörgen Dahlqvist

“But How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances

“But How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances

Jessica Del Vecchio and Eamonn Farrell

Reimagining Light, Technology and Spectatorship in Contemporary Theatre

Reimagining Light, Technology and Spectatorship in Contemporary Theatre

Amy Chan and Natalie Cheung

PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies

PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies

Antje Budde and Gustavo Sol

A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”

A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”

Dan Strutt

PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies

PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies

Antje Budde and Gustavo Sol

Expanding Sound Design in Performing Arts

Expanding Sound Design in Performing Arts

Kent Olofsson

Reflections on Place in Telematic Performances

Reflections on Place in Telematic Performances

Jörgen Dahlqvist

Essays

<em>“Speechless Complainer”</em>: (Un)natural Violence in Dominic Walsh’s <em>Titus Andronicus</em>

“Speechless Complainer”: (Un)natural Violence in Dominic Walsh’s Titus Andronicus

Ilana Gilovich-Wave

Jelinek’s Sports Play as Satirical Polemic

Jelinek’s Sports Play as Satirical Polemic

Cyrus Lane

Public Spaces, Public Words: Towards the Making of a Pro-Localist Theatre in the Newham Plays

Public Spaces, Public Words: Towards the Making of a Pro-Localist Theatre in the Newham Plays

James Kenworth

<em>Mi Cuerpo Mi Casa</em>/My Body My House- Negotiating the Spaces of Home and the Body in Mexico and Galway Through Co-creation and Digital Performance

Mi Cuerpo Mi Casa/My Body My House- Negotiating the Spaces of Home and the Body in Mexico and Galway Through Co-creation and Digital Performance

Maria Tivnan

Simone Weil: Performance Through Nothingness

Simone Weil: Performance Through Nothingness

Tyrone Grima

Elli Papakonstantinou: Oedipal Landscapes on the Digital and the Physical Stage

Elli Papakonstantinou: Oedipal Landscapes on the Digital and the Physical Stage

Lina Rosi

New Medium Theatre Experiments in Kolkata During COVID-19 Lockdowns

New Medium Theatre Experiments in Kolkata During COVID-19 Lockdowns

Hazael Gomes

Rebels and Revels: Exhibit Curation as Pedagogy in the Study of Theatre of the Middle East

Rebels and Revels: Exhibit Curation as Pedagogy in the Study of Theatre of the Middle East

Marjan Moosavi, Q-mars Haeri, Kelley Holley

National Reports

Facing the Fire: Australian People, Places, and Crises in the Works of Campion Decent

National Reports

Facing the Fire: Australian People, Places, and Crises in the Works of Campion Decent

Carla Rocavert

Prophecy or Cautionary Tales? Australian Climate Gothic Drama and Mutating Climate-Scapes

National Reports

Prophecy or Cautionary Tales? Australian Climate Gothic Drama and Mutating Climate-Scapes

Linda Hassall

Iraqi Theatre: A Niche in an Ecologically Political Sane Milie

National Reports

Iraqi Theatre: A Niche in an Ecologically Political Sane Milie

Majeed Mohammed Midhin and Suad Qahtan Hussein

What Will Be Left After Us? The Rise οf Ecotheatre in Latvia in Times of the Pandemic

National Reports

What Will Be Left After Us? The Rise οf Ecotheatre in Latvia in Times of the Pandemic

Kitija Balcare

Autour de l’écologie de la langue : les obscénités sur la scène théâtrale

National Reports

Autour de l’écologie de la langue : les obscénités sur la scène théâtrale

Irina Antonova

The Romanian Theatre of the Last Thirty Years or the Theatre of Paradigm Shift

National Reports

The Romanian Theatre of the Last Thirty Years or the Theatre of Paradigm Shift

Oana Borș

Critics on Criticism

Rediscovering and Reinventing the Community

Critics on Criticism

Rediscovering and Reinventing the Community

Andrea Porcheddu

The Cry of the Ear

Critics on Criticism

The Cry of the Ear

Johannes Birringer

Interviews

Theatre for Humility Toward Otherness: Spirituality, Prayer and Hope: Interview with Satoshi Miyagi

Theatre for Humility Toward Otherness: Spirituality, Prayer and Hope: Interview with Satoshi Miyagi

by Tomoka Tsukamoto and Ted Motohashi

“We adapt to the changes unfolding in today’s world”: Interview with Sarantuya Sambuu

“We adapt to the changes unfolding in today’s world”: Interview with Sarantuya Sambuu

by Savas Patsalidis

“Now is the time for untold, suppressed stories to be heard”: Interview with Handan Salta

“Now is the time for untold, suppressed stories to be heard”: Interview with Handan Salta

by Savas Patsalidis

Creole Time, Creative Time: Interview with Brazilian Artist Diego Araúja

Creole Time, Creative Time: Interview with Brazilian Artist Diego Araúja

by Daniele Avila Small and Lorenna Rocha

Cognition Theatre: Interview with Valters Sīlis

Cognition Theatre: Interview with Valters Sīlis

by Lauma Mellēna-Bartkeviča

Performance Reviews

Performance Reviews
Transborder and Transdisciplinary Works in the Island State of Singapore
Performance Reviews
Being there in Person
Performance Reviews
The Anniversary of a Multicultural Outpost in Northern Romania
Performance Reviews
Directing von Horváth: Casimir and Caroline on the Romanian Stage
Performance Reviews
Un G8 culturel à Gênes
Performance Reviews
A Poetic Glass Menagerie Buried under the Ground
Performance Reviews
Avignon 2021 : Liddell, Vandalem, Guédon – Trois manières de faire du théâtre
Performance Reviews
Finland Pursues Trendy Sexual Identities
Performance Reviews
Ottawa: a Subversive Cabaret of Identity Politics
Performance Reviews
Invitation to Dimitri Papaioannou’s Cosmos of Make-Believe

Transborder and Transdisciplinary Works in the Island State of Singapore

Transborder and Transdisciplinary Works in the Island State of Singapore

Being there in Person

Being there in Person

The Anniversary of a Multicultural Outpost in Northern Romania

The Anniversary of a Multicultural Outpost in Northern Romania

Directing von Horváth: <em>Casimir and Caroline</em> on the Romanian Stage

Directing von Horváth: <em>Casimir and Caroline</em> on the Romanian Stage

Un G8 culturel à Gênes

Un G8 culturel à Gênes

A Poetic <em>Glass Menagerie</em> Buried under the Ground

A Poetic <em>Glass Menagerie</em> Buried under the Ground

Avignon 2021 : Liddell, Vandalem, Guédon – Trois manières de faire du théâtre

Avignon 2021 : Liddell, Vandalem, Guédon – Trois manières de faire du théâtre

Finland Pursues Trendy Sexual Identities

Finland Pursues Trendy Sexual Identities

Ottawa: a Subversive Cabaret of Identity Politics

Ottawa: a Subversive Cabaret of Identity Politics

Invitation to Dimitri Papaioannou’s Cosmos of Make-Believe

Invitation to Dimitri Papaioannou’s Cosmos of Make-Believe

Book Reviews

The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual

The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual

A History of East African Theatre: Vol. I: Horn of Africa

A History of East African Theatre: Vol. I: Horn of Africa

Terzopoulos Tribute Delphi

Terzopoulos Tribute Delphi

Dramaturgy of Form: Performing Verse in Contemporary Theatre

Dramaturgy of Form: Performing Verse in Contemporary Theatre

Affair of the Heart: British Theatre from 1992-2020

Affair of the Heart: British Theatre from 1992-2020

Focus: Ukraine 1

Cultural Thaw in a Zone of War

Focus: Ukraine I

Cultural Thaw in a Zone of War

Jeffrey Eric Jenkins

Contemporary “Suppliants” and the Loss of Tragic Sensibility

Focus: Ukraine I

Contemporary “Suppliants” and the Loss of Tragic Sensibility

Savas Patsalidis

Belarus and Ukraine: No Longer Russia’s Hinterlands

Focus: Ukraine I

Belarus and Ukraine: No Longer Russia’s Hinterlands

John Freedman

“Art is not an escape; it is a statement of life.” Interview with Alex Borovenskiy

Focus: Ukraine I

“Art is not an escape; it is a statement of life.” Interview with Alex Borovenskiy

by Yana Meerzon

“Stalin died but not completely”: Dialogue with Artur Solomonov*

Focus: Ukraine I

“Stalin died but not completely”: Dialogue with Artur Solomonov*

Yana Meerzon

Focus: Ukraine 2

Ukraine Theatre: Pasts, Presents, and Futures

Focus: Ukraine II

Ukraine Theatre: Pasts, Presents, and Futures

Kasia Lech

Theatre as a Ηumanitarian Mission: Ukraine`s Experience 2022

Focus: Ukraine II

Theatre as a Ηumanitarian Mission: Ukraine`s Experience 2022

Maiia Harbuziuk

Anima Art for Peace from Kharkiv, the City of Freedom

Focus: Ukraine II

Anima Art for Peace from Kharkiv, the City of Freedom

Julia Bilińska

Історія України / Historia Ukrainy / History of Ukraine

Focus: Ukraine II

Історія України / Historia Ukrainy / History of Ukraine

Sofiia Onishchenko, Daria Bohdan, Vasylyna Martseniuk

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CS/Sc Issue No 25 Section Editors & Editorial Board

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