Special Topic – Critical Stages/Scènes critiques

Human-Technology Interfacing in Performance: Editor’s Introduction

Sebastian X Samur

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A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”

Dan Strutt

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“But How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances

Jessica Del Vecchio and Eamonn Farrell

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Identification et performativité technologique dans Autour du Rose enfer des animaux

Thomas Langlois et Robert Faguy

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Parascopic Media: Platformizing Performance with 3D, Dentistry, and Drag

Brendan McCauley

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The Intermedial Kingdom of Bodies: A Narratological Analysis of the Live-Animated-Avatar Performance The Kingdom of Shadows

Maya Arad Yasur

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Expanding Sound Design in Performing Arts

Kent Olofsson

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Reflections on Place in Telematic Performances

Jörgen Dahlqvist

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PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies

Antje Budde and Gustavo Sol

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Reimagining Light, Technology and Spectatorship in Contemporary Theatre

Amy Chan and Natalie Cheung

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