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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2022: Issue No 25

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  • Focus: Ukraine II

Special Topic

Human-Technology Interfacing in Performance
Guest Editor: Sebastian X Samur (Canada)

Special Topic 

Human-Technology Interfacing in Performance: Editor’s Introduction

Sebastian X Samur
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Special Topic 

A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”

Dan Strutt
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“But How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances

Jessica Del Vecchio and Eamonn Farrell
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Identification et performativité technologique dans Autour du Rose enfer des animaux

Thomas Langlois et Robert Faguy
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Parascopic Media: Platformizing Performance with 3D, Dentistry, and Drag

Brendan McCauley
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Special Topic 

The Intermedial Kingdom of Bodies: A Narratological Analysis of the Live-Animated-Avatar Performance The Kingdom of Shadows

Maya Arad Yasur
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Special Topic 

Expanding Sound Design in Performing Arts

Kent Olofsson
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Special Topic 

Reflections on Place in Telematic Performances

Jörgen Dahlqvist
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Special Topic 

PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies

Antje Budde and Gustavo Sol
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Special Topic 

Reimagining Light, Technology and Spectatorship in Contemporary Theatre

Amy Chan and Natalie Cheung
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Table of Contents

Click here for a text-only ToC.

Editorial Note

Editorial Note | Note éditoriale

Call for Papers & Essays

Issue #27: Renegotiating the Canon: Scenes of German/ic Theatre(s)

Issue #28: Post-millennial Australasian Dramaturgy

CS/Sc Issue No 25 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

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Notices

Publication Ethics / Éthique de publication
Submission Guidelines / Soumission d’articles
Style Sheet / Protocole abrégé

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Critical Stages/Scènes critiques is indexed by SCOPUS, DOAJ, MIAR, ERIH Plus, DRJI, GOOGLE SCHOLAR and listed in the Ulrich’s web Global Serials

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