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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – June/Juin 2025: Issue No 31
Special Topic
Essays
Inter/National Reflections
Interviews
Performance Reviews
Book Reviews
In Memoriam
Introductory Note: Toward Ecologies of Action
Roberta Levitow, Chantal Bilodeau and Aikaterini Delikonstantinidou
Florida EcoPerformance Manifesto: Producing Climate Forward Live Arts in the State of the Future
Elizabeth Doud
Connecting the Dots from the River to the Gulf: Turning River Data Flow into Sound Performance Speaks Volumes for Rio Grande Ecology
Marya Errin Jones
“We come from the place of many tongues”: The Land Memory Bank, Mondo Bizarro and the Mississippi
Monique Verdin, Nick Slie, Lisa D’Amour
It Is Our Fault
: Theatre on the Climate Catastrophe in Egypt
Jillian Campana
The Absurdity of Collapse: Ecosomatics, Memory, and Bioethics in Project
Abyssos
Eva Gkadri
Say Yes to Me. Or Penguins, Provocation and Bulging Hope
Moira Finucane
Riding the Waves of Change: Sailing with the Flipflopi Project
Mick Warwick
Theatre of Hunger: Climate Fasts and Protests in Ladakh
Nikhil Katara
Culinary Climate Action, Food Justice and the Revolution in Our Gardens
DJ Cavem
Say Yes to Me. Or Penguins, Provocation and Bulging Hope
Moira Finucane
Florida EcoPerformance Manifesto: Producing Climate Forward Live Arts in the State of the Future
Elizabeth Doud
Theatre of Hunger: Climate Fasts and Protests in Ladakh
Nikhil Katara
The Absurdity of Collapse: Ecosomatics, Memory, and Bioethics in Project
Abyssos
Eva Gkadri
Essays
Relocation, Dislocation, Recontextualization: Two Recent U.S. Stagings of Adigun/Doyle
Playboy
Bisi Adigun and Meghan Winch
Two Stages, One Vision: Stefan Larsson’s Adaptation of Ibsen’s
Little Eyolf
in Sweden and Cyprus
Maria Hamali and Maria Sehopoulou
Like an Alien Hair in One’s Mouth: Anmar Taha’s Theatrical Performance and the Use of the Body
Farah Ali and Majeed Mohammed Midhin
Singing History—Politics of Idiom and Genre in Ted Hearne’s Music(al)-Theatre
David Roesner
Le fil mémoriel et la dimension onirique dans les spectacles numériques de Lemieux-Pilon
Filip Dukanic
Community Theatre in Colombia: Origins and Trajectories
Sarah Ashford Hart and Janneth Aldana
Hybrid Times and Traditional Dance: The Egbenu-Oba Experiment in Nigeria
Princewill Chukwuma Abakporo, Fidelis Enang Egbe, Abdumalik Adakole Amali, Stanley Timeyin Ohenhen, Ofega Eru
Theatricality of Medicine Hucksters: A “Road Map” Towards Modern Performing Arts and the Preservation of Local Culture
Kurniasih Zaitun. Eko Supriyanto, Yusril
Inter/National Reflections
Uniting Europe in an Age of Fracture
Crafted Figures Make German History: Notes from Berlin
Before and After – War or Peace
A 60-year-old Theatre Festival: Theatertreffen
Stage Worlds of Poetry and Human Passions: Iasi National Theatre Showcase
Embracing the Un/scene of Hope at the NTNG’s 6th International Forest Festival
Under Supervision or Underground: The Spaces of Contemporary Iranian Theatre
Theatrical Manifestations on the Scenic Horizon of Buenos Aires
Intercultural Adaptations of Sophocles’ Antigone: Antigone Mania by Rabijita Gogoi
Wandering to Wuzhen: A Festival of Encounters
Shakespearean Inheritance and Innovation in Chinese Campus Theatre
Uniting Europe in an Age of Fracture
Crafted Figures Make German History: Notes from Berlin
Before and After – War or Peace
A 60-year-old Theatre Festival: Theatertreffen
Stage Worlds of Poetry and Human Passions: Iasi National Theatre Showcase
Embracing the Un/scene of Hope at the NTNG’s 6th International Forest Festival
Under Supervision or Underground: The Spaces of Contemporary Iranian Theatre
Theatrical Manifestations on the Scenic Horizon of Buenos Aires
Intercultural Adaptations of Sophocles’ Antigone: Antigone Mania by Rabijita Gogoi
Wandering to Wuzhen: A Festival of Encounters
Shakespearean Inheritance and Innovation in Chinese Campus Theatre
Interviews
Staging the Precarious, the Vulnerable, and the Stranger: The Stage of Filipino Director José Estrella
Sir Anril P. Tiatco, Jem R. Javier, José Estrella
The Path of Sadhana: A Life Spent in Search of the Ancient Wisdom of Acting. Interview with Gopal Venu
Renu Ramanath
“Wuzhen is a window for China to see the world through theatre, and for the world to see China through theatre”: Interview with Stan Lai
Peng Tao, Zhu Ning, and Savas Patsalidis
Burn the Colony
: Crafting a Play About Aboriginal and Torres Strait Islander Deaths in Custody
Nazaree Dickerson and Sarah Woodland
Performance Reviews
The Challenges of a Multilingual Showcase
Savas Patsalidis
Before the Gate, a Rain of Light
Octavian Szalad
Building Theatre Bridges in Southeast Europe
Yun-Cheol Kim
Finnish
Animal Farm
Caged and Chained
Pirkko Koski
Frida
: oui, mais était-ce bien nécessaire ?
Selim Lander
Slovak Directors Avoid Intrusion
Matti Linnavuori
VOICES
: Performing Intersections of War, Memory and Migration
Yana Meerzon, Alexey Munipov, Natalia Skorokhod
The Sight of Music
Sylvia Solakidi
Pot of Chaos: Young Critics Discussing
Juggle and Hide
Young Critics
The Choreography of Encounter
Yaşam Özlem Gülseven
The Start of a Movement: Disruption, Reflection and the Art of Invitation in
Choreographic Intrusion
and
Juggle and Hide
Natalie Rine
New Voices of Hanoi: Puppets, Shadows and Urban Change in ToLo Puppet Theatre’s
Thổ địa
Qiao Zhangweijing
Book Reviews
Du luxe et de l’Impuissance (The Rich and the Powerless) / Il ne m’est jamais rien arrivé (It Never Arrived) Un projet de Vincent Dedienne
Theatre and its Audiences: Reimagining the Relationship in Times of Crisis
Jean-Marie Serreau – Fragments et extraits réunis et présentés
Quels rôles pour le spectateur à l’ère numérique?
The Paris Manuscript: The Early Draft Rediscovered
In Memoriam
In Memoriam: Athol Fugard (1932-2025)
In Memoriam: Athol Fugard (1932-2025)