Madhav Vaze [1] Marathi is the regional language of the State of Maharashtra on the West Coast of India. This article will discuss the new generation of playwrights in the Marathi theatre. However, let us first glance at the theatre
Halima Tahan Ferreyra * Playwriting in Argentina, especially in Buenos Aires, is extensive and diverse. Due to the fact that multiplicity is its main characteristic, it is impossible to force it through a single channel; on the contrary, playwriting requires
Interview with Jackie Maxwell by Karen Fricker [1] Jackie Maxwell has been the artistic director of the Shaw Festival in Niagara-on-the-Lake, Ontario since 2002. Born in Belfast, Northern Ireland and educated at the University of Manchester, she moved to Canada
Interview with Willie White, Artistic Director of Dublin Theatre Festival by Ciara O’Dow [1] Willie White is the Artistic Director and Chief Executive of the Dublin Theatre Festival. The festival is a two-week programme of international and Irish theatre and
Interview with Tompa Gábor* by Ludmila Patlanjoglu** Established in 2007, “Interferences” International Theatre Festival has become a brand for Cluj-Napoca and for the Romanian theatre in dialogue with the world theatre. How did you achieve this feat? The festival takes
Interview with Sun-woong Koh by Soon-ja Hur [1] Sun-woong Koh (b.1968) is a highly sought-after Korean theatre director and playwright who also founded the Theatrefactory Mabangzen. He is well-known for being both provocative and inspiring, and possesses a profound understanding
Entretien avec Françoise Bloch Propos recueillis par Karolina Svobodova [1] Depuis une trentaine d’année, la scène théâtrale belge est principalement connue à l’étranger pour ses artistes regroupés sous l’appellation de la vague flamande. Cependant, à côté de ces stars désormais
Interview with Mónica Calle by Ana Pais [1] Dazzling actress and outstanding theatre director, Mónica Calle has run the company Casa Conveniente for more than twenty years. Named after the convenience store that used to be in the location of
Interview with Ricardo Bartis by Halima Tahan Ferreyra [1] Born in Buenos Aires in 1949, Ricardo Bartis, who is one of the major figures of the Argentine theatre, took on the challenge of building a living theatre in the devastated
By Iyorwuese Hagher 256 pp. Lanham, Maryland: University Press of America Reviewed by Don Rubin [1] (Canada) Africa’s theatre is still, by and large, a secret for most theatre people around the world. The occasional book on the subject is