Skip to content

Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – September 2015: Issue No 11

Menu

  • Contents
  • Interviews
  • Special Topic
  • Essays
  • Conference Papers
  • Performance Reviews
  • Book Reviews
  • Critics on Criticism

Author: cs2-admin

Shakespeare for All

Shakespeare for All

Maria Zărnescu [1] International Shakespeare Festival in Craiova, Romania, 9th edition, April 23–May 4, 2014. I don’t know of what “stuff” The International Shakespeare Festival in Craiova is made. I don’t know when the idea occurred to Emil Boroghină[i] to

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

Quand Les Justes de Camus renvoient au terrorisme de l’ETA

Quand Les Justes de Camus renvoient au terrorisme de l’ETA

Irène Sadowska-Guillon [1] Los Justos (Les Justes) d’Albert Camus, traduction José Ariera, adaptation de José A. Perez et Javier Hernandez Simon, mise en scène de Javier Hernandez Simon. Au Teatro Español (Naves del Matadero) à Madrid. Du 1er au 26

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

Écritures théâtrales en Martinique

Écritures théâtrales en Martinique

Selim Lander [1] Gaël Octavia, Cette guerre que nous n’avons pas faite, Carnières-Morlanwelz (Belgique), Lansman, 2014, 34 p. Jean-Durosier Desrivières, La Jupe de la rue Gît-le-Cœur, Carnières-Morlanwelz (Belgique), Lansman, 2014, 49 p., avec un Avant-jeu de l’auteur et un Après-jeu

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

Beijing’s Bright Cherry Orchard

Beijing’s Bright Cherry Orchard

Lissa Tyler Renaud [1] The Cherry Orchard, by Anton Chekhov. Dir. Vladimir Sergeyevich Petrov. Venue: Central Academy of Drama, Beijing, China. Company: Faculty production. Premiere: September 9, 2014. The Central Academy of Drama in Beijing has an idea more conservatories

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

Why Go to Adelaide

Why Go to Adelaide

Malcolm Page [1] Adelaide Festival, Australia, 2014. Adelaide Festival, in the first two weeks of March, is the biggest Australian cultural festival, with a tradition of programming major shows on the world circuit accompanied by the planet’s second biggest Fringe

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

Jaram Lee Updates Brecht in Cluj

Jaram Lee Updates Brecht in Cluj

Matti Linnavuori [1] Interferences Festival at the Hungarian Theatre of Cluj, Romania. Nov 26 to Dec 8, 2014. The Hungarian Theatre Company of Cluj-Napoca in Romania hosts the biannual festival Interferences. The theme of the 2014 edition was Stories of

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

CERN Kicks Bertolt Brecht to Life

CERN Kicks Bertolt Brecht to Life

Brecht Days 2015. Brecht & the Natural Sciences. Literaturforum im Brecht Haus, Berlin, Germany, 9 to 13 February, 2015. Lamice El-Amari [1] The remembrance of Brecht’s birthday in 2015 was memorable! It chose a very novel theme, Brecht & the

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

Hovering between Tradition and Experiment

Hovering between Tradition and Experiment

The Festival of Epidaurus in Greece (July-August 2014). Grigorios Ioannidis [1] The Greek Festival emerged in the 1950s as a response to the artistic demands of the time for a revival of ancient drama. Its fundamental objective was to attract

cs2-admin April 13, 2016June 3, 2023 Performance Reviews Read more

Who Speaks for Theatre in the Digital Age? (We Should!)

Who Speaks for Theatre in the Digital Age? (We Should!)

Brad Hathaway [1] Like most good theatre critics, I am a theatre maven, a theatre junkie, a theatre lover. I went into theatre criticism in order to spread the word about good work—to support quality theatre—and to help audiences find

cs2-admin April 13, 2016June 3, 2023 Conference Papers Read more

Une critique en cascade*

Une critique en cascade*

Stéphane Gilbart [1] Je suis critique de théâtre et j’ai de la chance. Depuis plus de 20 ans, j’écris dans un journal quotidien luxembourgeois, le Luxemburger Wort. Dans un tout petit pays de 500 000 habitants, dont 150 000 étrangers,

cs2-admin April 13, 2016June 3, 2023 Conference Papers Read more
  • « Previous
About us | À propos de nous
Editorial / Éditorial
Commentary / Commentaire

Editorial Board

CS Issue No 11 Editorial Board

Search all CS/Sc issues

Results for {phrase} ({results_count} of {results_count_total})
Displaying {results_count} results of {results_count_total}

CS/Sc Newsletter

Contact CS/Sc

Click here for the CS/Sc contact form

Special Pages

International Theatre and Performing Arts Festival Guide
Inter-Connecting: A Collection of Useful Links

Notices

Call for Papers - Issue 13
Appel de Textes - Numéro 13
Call for Papers - Issue 14
Call for Papers - Issue 15
Publication Ethics / Éthique de publication
Submission Guidelines / Soumission d’articles
Style Sheet / Protocole abrégé

CS/Sc Issues

Issue No. 30 Issue No. 30 – Dec ’24 Issue No. 29 Issue No. 29 – Jun ’24
Issue No. 28
Issue No. 28
– Dec ’23
Issue No. 27
Issue No. 27
– Jun ’23
Issue No. 26
Issue No. 26
– Dec ’22
Issue No. 25
Issue No. 25
– Jun ’22
Issue No. 24
Issue No. 24
– Dec ’21
Issue No. 23
Issue No. 23
– Jun ’21
Issue No. 22
Issue No. 22
– Dec ’20
Issue No. 21
Issue No. 21
– Jun ’20
Issue No. 20
Issue No. 20
– Dec ’19
Issue No. 19
Issue No. 19
– Jun ’19
Issue No. 18
Issue No. 18
– Dec ’18
Issue No. 17
Issue No. 17
– Jun ’18
Issue No. 16
Issue No. 16
– Dec ’17
Issue No. 15
Issue No. 15
– Jun ’17
Issue No. 14
Issue No. 14
– Dec ’16
Issue No. 13
Issue No. 13
– Jun ’16
Issue No. 12
Issue No. 12
– Dec ’15
Issue No. 11
Issue No. 11
– Sep ’15
Issue No. 10
Issue No. 10
– Oct ’14
Issue No. 9
Issue No. 9
– Feb ’14
Issue No. 8
Issue No. 8
– Jun ’13
Issue No. 7
Issue No. 7
– Dec ’12
Issue No. 6
Issue No. 6
– Jun ’12
Issue No. 5
Issue No. 5
– Dec ’11
Issue No. 4
Issue No. 4
– Jun ’11
Issue No. 3
Issue No. 3
– Nov ’10
Issue No. 2
Issue No. 2
– Apr ’10
Issue No. 1
Issue No. 1
– Nov ’09

Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign, U.S.

Critical Stages is hosted with generous support from the Aristotle University of Thessaloniki, Greece

The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Publication Ethics
Critical Stages/Scènes critiques e-ISSN:2409-7411

Creative Commons Attribution International License
All articles published by CS/Sc are licensed under
the Creative Commons Attribution International License CC BY-NC-ND 4.0.

  • Contact us
  • Publication Ethics
 

Loading Comments...