Brad Hathaway [1] Like most good theatre critics, I am a theatre maven, a theatre junkie, a theatre lover. I went into theatre criticism in order to spread the word about good work—to support quality theatre—and to help audiences find
Stéphane Gilbart [1] Je suis critique de théâtre et j’ai de la chance. Depuis plus de 20 ans, j’écris dans un journal quotidien luxembourgeois, le Luxemburger Wort. Dans un tout petit pays de 500 000 habitants, dont 150 000 étrangers,
Margareta Sörenson [1] The Performing Arts Performing arts change, so does criticism and so do our perspectives of the world. In the last few decades, there have been several cross-cultural initiatives, and crossover theatre forms have become standard. The influence
Jean-Pierre Han [1] En reprenant presque mot pour mot l’intitulé général du colloque pour mon intervention, je pensais me faciliter la tâche. Or, à y regarder de plus près, ce n’était là qu’un leurre. Car le titre proposé, « La
Renu Ramanath [1] A brief background to theatre in Kerala The State of Kerala holds a unique place in the social, cultural, political and economic map of India. Formed in 1956, nine years after India’s independence, by merging Travancore and