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The IATC webjournal/Revue web de l'AICT – October 2014: Issue No 10

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Georgian Unity in the Diversity of Show Forms

Georgian Unity in the Diversity of Show Forms

Maria Zărnescu[1] Georgian Showcase in Tbilisi, Georgia, October 5—8, 2013. Part of the Tbilisi International Festival of Theatre, the Georgian Showcase, has reached its 5th edition. Organized in collaboration with the Georgian Section of the International Association of Theatre Critics,

cs2-admin April 7, 2016May 22, 2022 Performance Reviews Read more

An Insight into the Transgender Community in India

An Insight into the Transgender Community in India

Hijda (The Transgender), written and directed by Saggherr Loadhii, an alumnus of the Department of Performing Arts, University of Pune, State of Maharashtra, India. Premiere November 2013. Ajay Joshi[1] It is not often that one dares to—or should I more

cs2-admin April 7, 2016May 22, 2022 Performance Reviews Read more

Girlpower and Horsepower in German Theatre

Girlpower and Horsepower in German Theatre

Isabella Rothberg[1] Theatertreffen in Berlin, Germany, May 2014. A horse, a group of child actors, and the mystery of Kaspar Hauser. Alvis Hermanis’ outlandish theatre performance is one of the crown jewels of Theatertreffen 2014, the best of the preceding

cs2-admin April 7, 2016May 22, 2022 Performance Reviews Read more

Cet amour sacré du ballon rond

Cet amour sacré du ballon rond

Touche, de Fabio Alessandrini et Carlo Tolazzi. Compagnie Teatro di Fabio. Tournée : février 2014 à la Comédie de Picardie, à Amiens ; du 6 mars au 3 avril 2014 au Théâtre Douze, Paris 12e ; les 13 et 14

cs2-admin April 7, 2016May 22, 2022 Performance Reviews Read more

“Aren’t you even dead yet?” – Theatre Criticism and Cultural Ownership

“Aren’t you even dead yet?”  – Theatre Criticism and Cultural Ownership

Manabu Noda(Japan)* A Finnish fellow theatre critic, Matti Linnavuori, once told me that middle-aged and older Finns have a lovely way of saying “How are you doing?” He gave me a good English translation, which goes like this: “Aren’t you

cs2-admin April 7, 2016March 23, 2023 Conference Papers Read more

Reinventing Theater Criticism: An Intensification of the Possibility of Truth

Reinventing Theater Criticism:  An Intensification of the Possibility of Truth

Cristina Modreanu(Romania)* In a lecture given at Brooklyn Academy of Music in 2013,[1]American philosopher Simon Critchley advanced the idea that artists working collectively nowadays should aspire to obtain through their art “an intensification of the possibility of truth.” The phrase

cs2-admin April 7, 2016March 23, 2023 Conference Papers Read more

The Critic Waves Goodbye to the Middle Class

The Critic Waves Goodbye to the Middle Class

Matti Linnavuori(Finland)[1] If we critics are to survive, we should also get paid for what we do. In the internet, this is rarely the case. Meanwhile, the traditional print media no longer feels that carrying arts coverage adds to its

cs2-admin April 7, 2016May 22, 2022 Conference Papers Read more

Un théâtre sous haute tension

Un théâtre sous haute tension

Georges Banu[1] « Au théâtre comme en poésie, on y entre par effraction. On y arrive brutalement pour qu’ensuite, tout d’un coup, on se demande : « Mais où était la porte ? » Wajdi Mouawad Aucun auteur n’aime être

cs2-admin April 7, 2016May 22, 2022 Essays Read more

Les tensions en jeu : les théories postcoloniales et le théâtre québécois

Les tensions en jeu : les théories postcoloniales et le théâtre québécois

Tanya Déry-Obin* La question de l’application des théories postcoloniales à la littérature québécoise repose sur un malaise, sinon un malentendu, sur l’histoire coloniale du Québec. La littérature québécoise reste en effet marginale au sein des études francophones et postcoloniales. Si

cs2-admin April 7, 2016March 23, 2023 Essays Read more

Théâtre Caraïbe – Le Répertoire : Projet sur la dramaturgie postcoloniale de la Caraïbe.

Théâtre Caraïbe – Le Répertoire : Projet sur la dramaturgie postcoloniale de la Caraïbe.

Alvina Ruprecht* Depuis quatre ans, Jean-Michel Martial, acteur, metteur en scène guadeloupéen et directeur artistique de la Compagnie L’Autre Souffle, travaille sur le Théâtre Caraïbe, le Répertoire, un vaste projet devenu entreprise collective, où les membres de la Compagnie L’Autre

cs2-admin April 7, 2016March 23, 2023 Essays Read more
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IATC deeply appreciates The International Communication Foundation of Korea, chaired by Dr. Yoh Suk-Kee, for its generous donation for Critical Stages

Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign

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