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Critical Stages/Scènes critiques

The IATC webjournal/Revue web de l'AICT – October 2014: Issue No 10

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“Aren’t you even dead yet?” – Theatre Criticism and Cultural Ownership

“Aren’t you even dead yet?”  – Theatre Criticism and Cultural Ownership

Manabu Noda(Japan)[1] A Finnish fellow theatre critic, Matti Linnavuori, once told me that middle-aged and older Finns have a lovely way of saying “How are you doing?” He gave me a good English translation, which goes like this: “Aren’t you

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Reinventing Theater Criticism: An Intensification of the Possibility of Truth

Reinventing Theater Criticism:  An Intensification of the Possibility of Truth

Cristina Modreanu(Romania)[1] In a lecture given at Brooklyn Academy of Music in 2013,[2]American philosopher Simon Critchley advanced the idea that artists working collectively nowadays should aspire to obtain through their art “an intensification of the possibility of truth.” The phrase

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The Critic Waves Goodbye to the Middle Class

The Critic Waves Goodbye to the Middle Class

Matti Linnavuori(Finland)[1] If we critics are to survive, we should also get paid for what we do. In the internet, this is rarely the case. Meanwhile, the traditional print media no longer feels that carrying arts coverage adds to its

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IATC deeply appreciates The International Communication Foundation of Korea, chaired by Dr. Yoh Suk-Kee, for its generous donation for Critical Stages

Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign

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