Critical Stages/Scènes critiques

The IATC webjournal/Revue web de l'AICT – October 2014: Issue No 10

Book Reviews

Refereeing the Muses: A Theater Criticism/Arts Journalism Primer

Molière On Stage: What’s So Funny?

Yevgeny Vakhtangov: A Critical Portrait

Politiques du spectateur: Les enjeux du théâtre politique aujourd’hui

Performing Exile, Performing Self

Flucht nach vorne. Gesprochene Autobiografie und Materialien

Issue No. 29 – Jun ’24
Issue No. 28 – Dec ’23	Issue No. 27 – Jun ’23
Issue No. 26 – Dec ’22	Issue No. 25 – Jun ’22
Issue No. 24 – Dec ’21	Issue No. 23 – Jun ’21
Issue No. 22 – Dec ’20	Issue No. 21 – Jun ’20
Issue No. 20 – Dec ’19	Issue No. 19 – Jun ’19
Issue No. 18 – Dec ’18	Issue No. 17 – Jun ’18
Issue No. 16 – Dec ’17	Issue No. 15 – Jun ’17
Issue No. 14 – Dec ’16	Issue No. 13 – Jun ’16
Issue No. 12 – Dec ’15	Issue No. 11 – Sep ’15
Issue No. 10 – Oct ’14	Issue No. 9 – Feb ’14
Issue No. 8 – Jun ’13	Issue No. 7 – Dec ’12
Issue No. 6 – Jun ’12	Issue No. 5 – Dec ’11
Issue No. 4 – Jun ’11	Issue No. 3 – Nov ’10
Issue No. 2 – Apr ’10	Issue No. 1 – Nov ’09

IATC deeply appreciates The International Communication Foundation of Korea, chaired by Dr. Yoh Suk-Kee, for its generous donation for Critical Stages

Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign

Critical Stages is hosted with generous support from the Aristotle University of Thessaloniki, Greece

The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue