Correspondance (1946 – 1957) Édition établie, présentée et annotée par Simon Chemama 170 pp. Paris: l’Arche, 2012 Compte rendu d’ Irène Sadowska-Guillon[1] (France) La question de l’engagement dans la voie de l’écriture, de la liberté et de l’engagement politique de
By Christopher Innes and Maria Shevtsova 284 pp. Cambridge University Press Reviewed by J. Herbert Close (UK)[1] Anyone seeking a really good one volume overview of the history and practice of directing from the ancient Greeks to today would do
Edited By Paul Edmondson and Stanley Wells 284 pp. Cambridge: Cambridge University Press Edited By John M. Shahan and Alexander Waugh 254 pp. Florida: Llumina Press Reviewed by Don Rubin (Canada)[1] Delicious. The controversy will finally be solved. Two major
The Divadlo Festival in Plzen, Czech Republic, September 2013. Ian Herbert[1] Suppliers of bathroom and kitchen equipment were kept busy in Pilsen at the 20th international festival of theatre, Divadlo. I counted two saunas, two baths and two fully fitted
Mihail Baykov[1] A Doll’s House by Henrik Ibsen, translated by Antoniya Gospodinova, directed by Kris Sharkov, stage design and costumes by Ognyana Serafimova. Photographer Georgi Vachev. Actors: Lyuben Kanev, Veselina Konakchiyska, Atanas Atanasov, Elena Kabaskalova, Ivaylo Hristov. “N.O.Masalitinov” Drama Theatre,
Irène Sadowska-Guillon[1] Les amours vulnérables de Desdémone et Othello. Texte de Manuel Piolat Soleymat et Razerka Ben Sadia-Lavant (librement inspiré d’Othello, le Maure de Venise de Shakespeare). Mise en scène : Razerka Ben Sadia-Lavant. Les représentations au Théâtre Nanterre-Amandiers, du
Akiko Tachiki[1] Lemming‒Take me to the End of World レミング～世界の涯まで連れてって（Ｌｅｍｍｉｎｇ～Ｓｅｋａｉ ｎｏ Ｈａｔｅ Ｍａｄｅ Ｔｓｕｒｅｔｅｔｔe) written by Shuji Terayama, directed by Yukichi Matsumoto, performed at the Parco Theatre, Shibuya, Tokyo, from April 21 to May 16, 2013 on the occasion of
Jean-Pierre Han* et /and Matti Linnavuori** IX festival international du théâtre à Santa Cruz de la Sierra en Bolivie, 18-28 avril 2013. 9th international theatre festival Memoria in Santa Cruz de la Sierra, Bolivia, April 18 to 28, 2013.
Selim Lander* P’tite Souillure de Koffi Kwahulé, mise en scène par Damien Dutrait et Nelson-Raffael Madel. Théâtre des Deux Saisons à Fort-de-France (Martinique) en mars 2013. Summary As opposed to so many texts which are performed nowadays, Koffi Kwahulé’s P’tite
Isabella Rothberg[1] Theatertreffen in Berlin, Germany, May 2013. ”Get back on stage and stick to Tolstoy!” A man in the audience is evidently irritated by the jokes and the loose adaption of the classic War and Peace and speaks his