The Divadlo Festival in Plzen, Czech Republic, September 2013. Ian Herbert[1] Suppliers of bathroom and kitchen equipment were kept busy in Pilsen at the 20th international festival of theatre, Divadlo. I counted two saunas, two baths and two fully fitted
Nora as a Corporate Trophy
Mihail Baykov[1] A Doll’s House by Henrik Ibsen, translated by Antoniya Gospodinova, directed by Kris Sharkov, stage design and costumes by Ognyana Serafimova. Photographer Georgi Vachev. Actors: Lyuben Kanev, Veselina Konakchiyska, Atanas Atanasov, Elena Kabaskalova, Ivaylo Hristov. “N.O.Masalitinov” Drama Theatre,
Cette barbarie qui nous guette
Irène Sadowska-Guillon[1] Les amours vulnérables de Desdémone et Othello. Texte de Manuel Piolat Soleymat et Razerka Ben Sadia-Lavant (librement inspiré d’Othello, le Maure de Venise de Shakespeare). Mise en scène : Razerka Ben Sadia-Lavant. Les représentations au Théâtre Nanterre-Amandiers, du
Labyrinth of Illusions in the City beyond Boundaries
Akiko Tachiki[1] Lemming‒Take me to the End of World レミング~世界の涯まで連れてって(Lemming~Sekai no Hate Made Tsuretette) written by Shuji Terayama, directed by Yukichi Matsumoto, performed at the Parco Theatre, Shibuya, Tokyo, from April 21 to May 16, 2013 on the occasion of
La Bolivie théâtrale entre table et plateau Bolivian origins on the table and on the stage
Jean-Pierre Han* et /and Matti Linnavuori** IX festival international du théâtre à Santa Cruz de la Sierra en Bolivie, 18-28 avril 2013. 9th international theatre festival Memoria in Santa Cruz de la Sierra, Bolivia, April 18 to 28, 2013.
P’tite Souillure, comédie sacrée
Selim Lander* P’tite Souillure de Koffi Kwahulé, mise en scène par Damien Dutrait et Nelson-Raffael Madel. Théâtre des Deux Saisons à Fort-de-France (Martinique) en mars 2013. Summary As opposed to so many texts which are performed nowadays, Koffi Kwahulé’s P’tite
Whistles and Shouts in Berlin
Isabella Rothberg[1] Theatertreffen in Berlin, Germany, May 2013. ”Get back on stage and stick to Tolstoy!” A man in the audience is evidently irritated by the jokes and the loose adaption of the classic War and Peace and speaks his
Decisive Chekhovian Encounters in Timişoara
Maria Zărnescu* The German State Theatre Timişoara, Romania: The Seagull (Die Möwe) by A. P. Chekhov, directed by Yuri Kordonsky, sets and costumes Dragoş Buhagiar, dramaturgy Valerie Seufert, sound design Octavian Horváth, lighting design Botond Nosz (première date: March 9,