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The IATC webjournal/Revue web de l'AICT – June 2013: Issue No 8

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Jeu de ruptures

Jeu de ruptures

Irène Sadowska-Guillon[1] La réunification des deux Corées, texte et mise en scène de Joël Pommerat. Création dans le cadre du programme européen « Villes en scène » à l’Odéon-Théâtre de l’Europe, Ateliers Berthier, à Paris du 17 janvier au 3

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Wounded Voice, Wounded Heart: The Suppression of the Natural Voice Examined

Wounded Voice, Wounded Heart: The Suppression of the Natural Voice Examined

Sue Klemp* Taming the Wild Tongue created and performed by Micha Espinosa. Performed as part of the Second Annual Freedom and Focus Conference of Fitzmaurice Voicework 30 July – 3 August, 2012, Vancouver, British Columbia, Canada. Performance 2 August, 2012.

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Theatre Occupies Ljubljana with Longing

Theatre Occupies Ljubljana with Longing

Kalina Stefanova[1] Weekend of Discoveries, 1-3 March 2013, Slovensko Mladinsko Gledalisce (SMG), Ljubljana, Slovenia. Damned Be the Traitor of His Homeland, directed by Oliver Frljić; Pier Paolo Pasolini’s Amado Mio, directed by Ivan Peternelj. At first sight, serenity is ubiquitous

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Feeling the Fire of Flamencos in Cape Town

Feeling the Fire of Flamencos in Cape Town

Rob Baum[1] Peña Flamenca. Choreographed by Eliezer Truco and Carolyn Holden. Presented by La Rosa at The Masque Theatre, Muizenberg (environs of Cape Town, South Africa), 23 August to 1 September 2012. Shadowy shapes, frozen in dance in a darkened

cs2-admin March 23, 2016May 22, 2022 Performance Reviews Read more

The Beauty of Musical Eclecticism

The Beauty of Musical Eclecticism

Maria Zărnescu[1] The International Festival for Musical Performing Arts, Life Is Beautiful (Viaţa e frumoasă) in Bucharest, Romania, 5th edition in November 2012. The fifth edition of the International Festival for Musical Performing Arts, Life Is Beautiful, found its organizer‒The

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No Exit, no Explanation, no Exit

No Exit, no Explanation, no Exit

Thomas Irmer[1] Disgrace, based on the novel by J.M. Coetzee, directed by Kornél Mundruczó, dramaturgy Viktória Petrányi, music János Szemenyei, set and costumes Márton Ágh, with Sándor Zsótér as Lurie. Proton Theatre at the Hungarian Showcase, March 2013, Budapest (Original

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Cluj Plays a Dialogue with Music

Cluj Plays a Dialogue with Music

Aglika Oltean* Interferences international theatre festival, 27 November to 9 December 2012, in Cluj, Romania. The Hungarian State Theatre of Cluj, Romania (Hungarian: Kolozsvár; German: Klausenburg) recently celebrated its 220th anniversary. By virtue of its accumulated experience, wisdom, and creativity,

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Andrei Şerban’s Triumph and the Power of Love

Andrei Şerban’s Triumph and the Power of Love

Ludmila Patlanjoglu[1] The Romanian National Opera Iaşi: Troienele (The Trojan Women) after Euripides, music: Liz Swados, director: Andrei Şerban, costumes: Doina Levintza, musical director: Lucian Maxim, opening night: November 15th 2012; Les Indes galantes (The Gallant Indies) by Jean Philippe

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Toronto’s Tristan Glitters through the Canadian Opera Company’s Winter Season

Toronto’s Tristan Glitters through the Canadian Opera Company’s Winter Season

Patricia Keeney[1] The Canadian Opera Company’s Tristan und Isolde by Richard Wagner, directed by Peter Sellars, design by Bill Viola. With Ben Hepner as Tristan and Melanie Deiner as Isolde. Run February 2013 in Toronto. “Two damaged, angry, desperate, and

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Scènes de la vie de famille suédoise: Lars Norén et le théâtre post-bergmanien

Scènes de la vie de famille suédoise:  Lars Norén et le théâtre post-bergmanien

Alvina Ruprecht* Calme de Lars Norén, mise en scène de Jean-Louis Martinelli, était à l’affiche au Théâtre Nanterre-Amandiers du 18 au 23 février, 2012. Lors d’un entretien avec l’auteur dramatique suédois[1], Jean-Louis Martinelli, directeur artistique du théâtre Nanterre-Amandiers et metteur

cs2-admin March 23, 2016March 22, 2023 Performance Reviews Read more
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IATC deeply appreciates The International Communication Foundation of Korea, chaired by Dr. Yoh Suk-Kee, for its generous donation for Critical Stages

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