Skip to content

Critical Stages/Scènes critiques

The IATC webjournal/Revue web de l'AICT – June 2013: Issue No 8

Menu

  • Contents
  • Special Topic
  • Interviews
  • Essays
  • Conference Papers
  • Performance Reviews
  • Book Reviews

Author: cs2-admin

“I look at William Shatner as a starting point to consider a post-human theatre” — Interview with Phil Soltanoff, U.S. Director

“I look at <em>William Shatner</em> as a starting point to consider a post-human theatre” — Interview with Phil Soltanoff, U.S. Director

Randy Gener[1] How is it possible that Phil Soltanoff, one of the most thrillingly imagistic directors working in the American theatre today, has yet to break out on the national scene? The reasons are complex and plenty, but certainly they

cs2-admin December 10, 2017May 22, 2022 Interviews Read more

Jeu de ruptures

Jeu de ruptures

Irène Sadowska-Guillon[1] La réunification des deux Corées, texte et mise en scène de Joël Pommerat. Création dans le cadre du programme européen « Villes en scène » à l’Odéon-Théâtre de l’Europe, Ateliers Berthier, à Paris du 17 janvier au 3

cs2-admin April 18, 2016May 22, 2022 Performance Reviews Read more

Finita la Commedia: The Debilitation of Hungarian Independent Theatre (Hungary)

Finita la Commedia: The Debilitation of Hungarian Independent Theatre (Hungary)

Tamas Jaszay[1] At the time this essay was submitted for publication, Hungary’s independent theatres and dance companies had still not received a single penny of state support. The earliest payment deadline for 2012 grants, voted on and awarded by a

cs2-admin April 18, 2016May 22, 2022 Special Topics Read more

The Budget is the Thing: Spanish Theatre in Recession (Spain)

The Budget is the Thing:  Spanish Theatre in Recession (Spain)

Noelia Hernando-Real[1] That the Spanish theatre has always been in a state of quasi-permanent crisis seems a shared belief, a maxim that forces the Spanish theatre to try to reinvent itself again and again, but an effort which has seemingly

cs2-admin April 18, 2016May 22, 2022 Special Topics Read more

Benedict Nightingale: Great Moments in the Theatre

Benedict Nightingale: Great Moments in the Theatre

Oberon Books 2012; viii + 262 pages, ISBN 978-1-84943-233-7 Reviewed by Ian Herbert[1] Little did I realise, when I smiled at the curious name of our University newspaper’s lead reporter, one Bendy Nightingale, that I was reading the early efforts

cs2-admin March 28, 2016May 22, 2022 Book Reviews Read more

Contemporary mise en scène: Staging Theatre Today

Contemporary mise en scène: Staging Theatre Today

By Patrice Pavis (translation into English by Joël Anderson) 358 pp. London and New York : Routledge, 2013 Compte rendu de Philippe Rouyer[1] (France) Cette traduction reprend le texte de la deuxième édition en avril 2011 chez Armand Colin revue

cs2-admin March 28, 2016May 22, 2022 Book Reviews Read more

Journal de nuit (1978 – 1984)

Journal de nuit (1978 – 1984)

Par Jan Fabre 232 p. Paris : L’Arche, 2012 Compte rendu d’Irène Sadowska-Guillon[1] (France) Performeur, chorégraphe, metteur en scène, auteur et plasticien, créateur polymorphe, Jan Fabre est un des artistes les plus controversés de la scène internationale. Tout au long

cs2-admin March 28, 2016May 22, 2022 Book Reviews Read more

Wounded Voice, Wounded Heart: The Suppression of the Natural Voice Examined

Wounded Voice, Wounded Heart: The Suppression of the Natural Voice Examined

Sue Klemp[1] Taming the Wild Tongue created and performed by Micha Espinosa. Performed as part of the Second Annual Freedom and Focus Conference of Fitzmaurice Voicework 30 July – 3 August, 2012, Vancouver, British Columbia, Canada. Performance 2 August, 2012.

cs2-admin March 28, 2016May 22, 2022 Performance Reviews Read more

Theatre Occupies Ljubljana with Longing

Theatre Occupies Ljubljana with Longing

Kalina Stefanova[1] Weekend of Discoveries, 1-3 March 2013, Slovensko Mladinsko Gledalisce (SMG), Ljubljana, Slovenia. Damned Be the Traitor of His Homeland, directed by Oliver Frljić; Pier Paolo Pasolini’s Amado Mio, directed by Ivan Peternelj. At first sight, serenity is ubiquitous

cs2-admin March 28, 2016May 22, 2022 Performance Reviews Read more

Feeling the Fire of Flamencos in Cape Town

Feeling the Fire of Flamencos in Cape Town

Rob Baum[1] Peña Flamenca. Choreographed by Eliezer Truco and Carolyn Holden. Presented by La Rosa at The Masque Theatre, Muizenberg (environs of Cape Town, South Africa), 23 August to 1 September 2012. Shadowy shapes, frozen in dance in a darkened

cs2-admin March 23, 2016May 22, 2022 Performance Reviews Read more
  • « Previous
Editorial | Éditorial

Editorial Board

CS Issue No 8 Editorial Board

CS/Sc Newsletter

Contact CS/Sc

Click here for the CS/Sc contact form

Special Pages

International Theatre and Performing Arts Festival Guide
Inter-Connecting: A Collection of Useful Links

Notices

Publication Ethics / Éthique de publication
Submission Guidelines / Soumission d’articles
Style Sheet / Protocole abrégé

Video Clip

https://www.youtube.com/watch?v=sYSgYSEOGCA

CS/Sc Issues

Issue No. 26
Issue No. 26
– Dec ’22
Issue No. 25
Issue No. 25
– Jun ’22
Issue No. 24
Issue No. 24
– Dec ’21
Issue No. 23
Issue No. 23
– Jun ’21
Issue No. 22
Issue No. 22
– Dec ’20
Issue No. 21
Issue No. 21
– Jun ’20
Issue No. 20
Issue No. 20
– Dec ’19
Issue No. 19
Issue No. 19
– Jun ’19
Issue No. 18
Issue No. 18
– Dec ’18
Issue No. 17
Issue No. 17
– Jun ’18
Issue No. 16
Issue No. 16
– Dec ’17
Issue No. 15
Issue No. 15
– Jun ’17
Issue No. 14
Issue No. 14
– Dec ’16
Issue No. 13
Issue No. 13
– Jun ’16
Issue No. 12
Issue No. 12
– Dec ’15
Issue No. 11
Issue No. 11
– Sep ’15
Issue No. 10
Issue No. 10
– Oct ’14
Issue No. 9
Issue No. 9
– Feb ’14
Issue No. 8
Issue No. 8
– Jun ’13
Issue No. 7
Issue No. 7
– Dec ’12
Issue No. 6
Issue No. 6
– Jun ’12
Issue No. 5
Issue No. 5
– Dec ’11
Issue No. 4
Issue No. 4
– Jun ’11
Issue No. 3
Issue No. 3
– Nov ’10
Issue No. 2
Issue No. 2
– Apr ’10
Issue No. 1
Issue No. 1
– Nov ’09
IATC deeply appreciates The International Communication Foundation of Korea, chaired by Dr. Yoh Suk-Kee, for its generous donation for Critical Stages

Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign

Critical Stages is hosted with generous support from the Aristotle University of Thessaloniki, Greece

The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Publication Ethics
Critical Stages/Scènes critiques e-ISSN:2409-7411

Creative Commons Attribution International License
All articles published by CS/Sc are licensed under
the Creative Commons Attribution International License CC BY-NC-ND 4.0.

  • Contact Critical Stages
  • Publication Ethics
 

Loading Comments...