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The IATC journal/Revue de l'AICT – December/Décembre 2016: Issue No 14

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Author: cs2-admin

“One in a Million”: Trailer with an introduction by Steve Wilmer

“One in a Million”: Trailer with an introduction by Steve Wilmer

This trailer for a forthcoming documentary film is based on an interview conducted in October 2016 with Samee Ullah, a Pakistani refugee in Berlin who acted in the play Letters Home developed by Refugee Club Impulse. In the interview, Samee

cs2-admin December 24, 2016March 5, 2022 Special Topic Read more

Dissolving in Time: The Traditional Iranian Theatre

Dissolving in Time: The Traditional Iranian Theatre

Katayoun Hosseinzadeh Salmasi* Delivered  September 28, 2016, Belgrade 28th Congress of the International Association of Theatre Critics IATC and its journal Critical Stages/Scènes Critiques within the framework of the 50th BITEF anniversary Persian Religion and Politics The traditional Iranian theatre, which took

cs2-admin December 13, 2016March 5, 2022 Conference Papers Read more

Roberto Zucco de Koltès revisité à Séoul

<em>Roberto Zucco</em> de Koltès revisité à Séoul

Jean Pierre Han* Roberto Zucco de Bernard-Marie Koltès, traduit par Liu Hyo sook. Mise en scène de Jean Lambert-wild et Lorenzo Malaguerra, au Théâtre National de Corée à Séoul, du 23 septembre au 16 octobre 2016. Les rencontres et les

cs2-admin December 10, 2016March 5, 2022 Performance Reviews Read more

Qui est Eilert Løvborg, le personnage d’Ibsen dans Hedda Gabler ?

Qui est Eilert Løvborg, le personnage d’Ibsen dans <em>Hedda Gabler</em> ?

Selim Lander* Résumé : Le personnage éponyme de la pièce Hedda Gabler, le chef d’œuvre d’Ibsen, a donné lieu à d’innombrables exégèses. Il n’en va pas de même pour les personnages masculins. Or celui d’Eilert Løvborg s’avère problématique à un double

cs2-admin December 6, 2016March 5, 2022 Essays Read more

Le théâtre : minorité et politique

Le théâtre : minorité et politique

Georges Banu* Discours liminaire, prononcé le 27 septembre 2016, Belgrade 28ème Congrès de l’Association Internationale des Critiques de Théâtre (AICT) et de sa revue Critical Stages/Scènes Critiques, dans le cadre du 50ème anniversaire du BITEF Le XXe siècle s’annonce dès

cs2-admin December 6, 2016March 5, 2022 Conference Papers Read more

Old Is New, New Is Old: Hamilton in the Age of Trump

Old Is New, New Is Old: <em>Hamilton</em> in the Age of Trump

Jeffrey Eric Jenkins* Delivered  September 28, 2016, Belgrade 28th Congress of the International Association of Theatre Critics (IATC) and its journal Critical Stages/Scènes Critiques within the framework of the 50th BITEF anniversary There are those who are preparing to divide us, the

cs2-admin December 4, 2016March 5, 2022 Conference Papers Read more

La Mouette et son double, sous un nouveau regard

<em>La Mouette</em> et son double, sous un nouveau regard

Hyun-sook, Shin* La Mouette de Tchekhov, mise en scène par Félix Alexa, au Théâtre de Myeongdong, Compagnie du Théâtre national de Corée, Séoul, du 4 au 29 juin 2016. Un jeune avant-gardiste roumain, Felix Alexa (né en 1967), a monté

cs2-admin December 2, 2016March 5, 2022 Performance Reviews Read more

Nouveauté, attentes et risque

Nouveauté, attentes et risque

Michel Vaïs* Prononcé le 27 septembre 2016, Belgrade 28ème Congrès de l’Association Internationale des Critiques de Théâtre (AICT) et de sa revue Critical Stages/Scènes Critiques, dans le cadre du 50ème anniversaire du BITEF Qu’est-ce qui se passe quand on va

cs2-admin December 1, 2016March 5, 2022 Conference Papers Read more

Thalia Prize: Its History

Thalia Prize: Its History

Margareta Sörenson* Now aged 60, the International Association of Theatre Critics (IATC) is a senior organisation. However, the Association’s biennial award, the Thalia prize, is a young one – just ten years old. The prize was created out of a

cs2-admin November 30, 2016March 5, 2022 Thalia Prize Read more

Innovation and Globalization: Interweaving Performance Cultures

Innovation and Globalization: Interweaving Performance Cultures

Erika Fischer-Lichte* Keynote speech, delivered  September 27, 2016, Belgrade 28th Congress of the International Association of Theatre Critics (IATC) and its journal Critical Stages/Scènes Critiques within the framework of the 50th BITEF anniversary One of the sources of innovation in theatre

cs2-admin November 29, 2016March 5, 2022 Conference Papers Read more
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Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign, U.S.

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