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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2016: Issue No 14

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Essays

Qui est Eilert Løvborg, le personnage d’Ibsen dans Hedda Gabler ?

Qui est Eilert Løvborg, le personnage d’Ibsen dans <em>Hedda Gabler</em> ?

Selim Lander* Résumé : Le personnage éponyme de la pièce Hedda Gabler, le chef d’œuvre d’Ibsen, a donné lieu à d’innombrables exégèses. Il n’en va pas de même pour les personnages masculins. Or celui d’Eilert Løvborg s’avère problématique à un double

cs2-admin December 6, 2016March 5, 2022 Essays Read more

So Many Worlds to Write

So Many Worlds to Write

Introduction: The Sky, the Night, and the Glorious Male Voices Karen Fricker* The year 2016 marked the 70th edition of the Festival d’Avignon. In addition to its expected season of productions, the Festival recognized this anniversary with Le ciel, la

cs2-admin November 23, 2016March 5, 2022 Essays Read more

Atmospheres of Dividual Performance

Atmospheres of Dividual Performance

Johannes Birringer* The view is blocked. Imagine not necessarily seeing or having seen the goings-on. Thus the following essay should not be considered a review of performances, or a theory of the difficulty of hearing/understanding, but mostly a series of

cs2-admin November 15, 2016March 5, 2022 Essays Read more

Return to the Absurd

Return to the Absurd

John Elsom* I knew Martin Esslin. We were friends and colleagues, although he was of an older generation, and I reviewed his book, The Theatre of the Absurd, in London Magazine, when it was published in 1961. But we sometimes

cs2-admin October 30, 2016March 5, 2022 Essays Read more

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Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign, U.S.

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