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The IATC journal/Revue de l'AICT – December/Décembre 2016: Issue No 14

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Performance Reviews

Roberto Zucco de Koltès revisité à Séoul

<em>Roberto Zucco</em> de Koltès revisité à Séoul

Jean Pierre Han* Roberto Zucco de Bernard-Marie Koltès, traduit par Liu Hyo sook. Mise en scène de Jean Lambert-wild et Lorenzo Malaguerra, au Théâtre National de Corée à Séoul, du 23 septembre au 16 octobre 2016. Les rencontres et les

cs2-admin December 10, 2016March 5, 2022 Performance Reviews Read more

La Mouette et son double, sous un nouveau regard

<em>La Mouette</em> et son double, sous un nouveau regard

Hyun-sook, Shin* La Mouette de Tchekhov, mise en scène par Félix Alexa, au Théâtre de Myeongdong, Compagnie du Théâtre national de Corée, Séoul, du 4 au 29 juin 2016. Un jeune avant-gardiste roumain, Felix Alexa (né en 1967), a monté

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L’épopée labyrinthique de Max Aub

L’épopée labyrinthique de Max Aub

Irène Sadowska Guillon* Le labyrinthe magique de Max Aub, adaptation José Ramón Fernández, mise en scène Ernesto Caballero. Distribution : Julián Templado et autres – Chema Adeva, Vicente Dalmases et autres – Javier Carramiñana, Santiago Peñafiel et autres – Paco Celdrán,

cs2-admin November 29, 2016March 5, 2022 Performance Reviews Read more

A Ruthless Rewriting of The Beggar’s Opera in Timişoara

A Ruthless Rewriting of <em>The Beggar’s Opera</em> in Timişoara

Maria Zărnescu*   The “Csiky Gergely” Hungarian State Theatre of Timişoara, Romania. Koldusopera (Beggar’s Opera) by Kokan Mladenović and Kornélia Góli, after John Gay’s play. Music: Irena Popović, lyrics and directing: Kokan Mladenović, set design: Marija Kalabić, costumes: Tatjana Radišić,

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Italy Honours the Merciful Shakespeare

Italy Honours the Merciful Shakespeare

Shakespeare’s Tempest in Italy. After the Tempest, directed by Armando Punzo with prisoners of La Fortezz in Volterra; Before Break, choreography by Michela Lucenti with Collettivo Balletto Civile in Vicenza; Prospero / WS, directed by Massimo Munaro at Teatro del

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April in Romania

April in Romania

European Theatre Prize in Connection with the Shakespeare Festival in Craiova, Romania, April 2016. Barry Gaines* For two weeks, in April 2016, the European theatre spotlight focused on the city of Craiova in southern Romania. The 10th Craiova International Shakespeare

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China’s Reincarnation Novel Reincarnated on Stage: Dream of the Red Chamber

China’s Reincarnation Novel Reincarnated on Stage: <em>Dream of the Red Chamber</em>

Lissa Tyler Renaud* Dream of the Red Chamber. Adapted from the novel by Cao Xueqin. Directed by Stan Lai. San Francisco War Memorial Opera House, California. Final dress rehearsal/press night, Sept. 7, 2016 (World Premiere, Sept. 9). If I had

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Love and Landscape Have Style in Czech

Love and Landscape Have Style in Czech

Festival Divadlo in Pilsen, Czech Republic, September 2016 Matti Linnavuori* The annual showcase of best Czech theatre, Festival Divaldo, in Pilsen, faithfully incorporates one small-scale, low-key production in a nearly-experimental, or, at least, non-conventional style; the kind of production at

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2666 ou la mort du théâtre

2666 ou la mort du théâtre

Selim Lander* 2666 d’après Robert Bolaño, adaptation et mise en scène de Julien Gosselin, collectif « Si vous pouviez lécher mon cœur », création du Festival d’Avignon 2016. Scénographie : Hubert Colas, musique : Guillaume Bachele et Rémi Alexandre, lumière : Nicolas Joubert, vidéo : Jérémie

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At Bitef, Europe Confronts Its Post-Colonial Legacy and the “Other”

At Bitef, Europe Confronts Its Post-Colonial Legacy and the “Other”

Bitef festival, Belgrade, Serbia, October 2016 Martin Morrow* For this critic, the 50th-anniversary edition of the Belgrade International Theatre Festival began, not with a bang, nor a whimper, but with the unnerving whine of a wood-chipper. It accompanied a truly

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