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The IATC webjournal/Revue web de l'AICT – Autumn 2009: Issue No 1

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Interview with Marta Carreiras

Interview with Marta Carreiras

Interviewed by Rita Martins[1]; translation by Francesca Rayner Marta Carreiras was born in Lisbon in 1975. She holds a first degree in Stage Design from the Theatre and Cinema Higher Education School and a post-graduate qualification in Theatre Studies from

cs2-admin February 2, 2016May 29, 2022 Interviews Read more

Estorino dreams of another American Medea: Medea sueña Corinto

Estorino dreams of another American Medea: Medea sueña Corinto

Vivian Martínez Tabares[1] Author: Abelardo Estorino. Director and set designer: Abelardo Estorino. Light: Carlos Repilado. Set design and costumes: Eduardo Arrocha. Music: Juan Piñera, Actress: Adria Santana. One of the most prevalent and successful trends in contemporary Latin American theatre

cs2-admin February 1, 2016May 29, 2022 Reviews Read more

Leçon magistrale d’écriture scénique : Le garçon du dernier rang (El chico de la ultima fila)

Leçon magistrale d’écriture scénique : Le garçon du dernier rang (El chico de la ultima fila)

Irène Sadowska Guillon Auteur : Juan Mayorga. Traduction : Yves Lebeau. Mise en scène: Jorge Lavelli. Théâtre de la Tempête, Paris, 2009. Tournée en France, Belgique, Luxembourg en 2010. Juan Mayorga, 43 ans, occupe une place singulière dans la nouvelle

cs2-admin February 1, 2016May 29, 2022 Reviews Read more

The Good News: Noah’s Ark: The New End of Europe

The Good News: Noah’s Ark: The New End of Europe

By Tomasz Miłkowski[1] Author: Janusz Wiśniewski. Script: Janusz Wiśniewski and Michał Handelsalts. Dramaturgy: Adam Nalepa, Staging: Janusz Wiśniewski. Music: Jerzy Satanowski. Choreography: Emil Wesołowski, Puppets (design and manufacture): Leszek Zieliński. Production: Studio. World Premier: September 13th, 2008, Teatr Nowy, Poznań.

cs2-admin February 1, 2016May 29, 2022 Reviews Read more

Lorsque le Québec et la Martinique se croisent : Le Collier d’Hélène

Lorsque le Québec et la Martinique se croisent : Le Collier d’Hélène

Alvina Ruprecht[1] Auteur : Carole Fréchette. Mise en scène : Lucette Salibur. Musique : Alfred Fantone. Scénographie, accessoires, costumes, graphisme : Ludwin Lopez. Distribution : Daniely Francisque (Hélène), Patrice Le Namouric (Nabil), Ruddy Sylaire (plusieurs personnages dans la ville), Lucette

cs2-admin February 1, 2016May 29, 2022 Reviews Read more

Le plaisir de jouer avec virtuosité: Leichtes Spiel. Neun Personen einer Frau

Le plaisir de jouer avec virtuosité: Leichtes Spiel. Neun Personen einer Frau

Patrice Pavis[1] Auteur: Botho Strauss. Dramaturgie: Rolf Schröder et Hans-Joachim Ruckhäberle. Mise en scène: Dieter Dorn. Scénographie et costumes: Jürgen Bosse. Théâtre: Residenztheater, Munich, 2009 Dans sa dernière pièce, créée au Residenztheater de Munich en mai 2009, Leichtes Spiel. Neun

cs2-admin February 1, 2016May 29, 2022 Reviews Read more

“War” Over The Persians

“War” Over The Persians

Savas Patsalidis[1] Author: Aeschylus. Direction: Dimiter Gotcheff. Stage Design and Costumes: Mark Lummert. Production: The National Theatre of Greece. Theatre Venue: Ancient Theatre of Epidaurus. Framework: The Hellenic Festival 2009. Ever since its official opening some 56 years ago, the

cs2-admin February 1, 2016May 29, 2022 Reviews Read more

Norén’s diary gives critics a lesson or two

Norén’s diary gives critics a lesson or two

Le journal de Norén donne une leçon (ou deux) aux critiques Matti Linnavuori[1] Resumé L’auteur suédois Lars Norén (né en 1944) a publié son journal de cinq ans sous le titre En dramatikers dagbok (Bonniers, 2008). L’ouvrage d’environ 1700 pages

cs2-admin February 1, 2016May 29, 2022 Reviews Read more

Working with Grotowski and After: Maja Komorowska

Working with Grotowski and After: Maja Komorowska

Interview by Barbara Osterloff and Tomasz Milkowski (excerpts) Translated by Tomasz Milkowski and revised by Manabu Noda Born in 1937, Maja Komorowska is the only actress who, even after leaving Grotowski, has kept on developing her remarkable career as an

cs2-admin January 31, 2016May 29, 2022 Theatre Legacy Read more

Ionesco Translated by Octavio Paz

Ionesco Translated by Octavio Paz

By Rodolfo Obregón[1] Traduit la première fois par Octavio Paz en 1956, Ionesco a été une présence constante au théâtre mexicain. Ses pièces ont résonné sur la sensibilité macabre du public, ont fait une fort influence sur quelques auteurs opposés

cs2-admin January 31, 2016May 29, 2022 Theatre Legacy Read more
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