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The IATC webjournal/Revue web de l'AICT – Autumn 2009: Issue No 1

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Domestic silences exposed: Learner Husband

Domestic silences exposed: Learner Husband

By Robert Greig* (South Africa) Author (and Actor): Stuart Taylor. Director: Heinrich Reisenhofer. Venue: Baxter Theatre, Cape Town, 2009. The Coloured people, the majority population group of the Western Cape and 10 percent of the national population, have multiple origins.

cs2-admin February 14, 2016March 19, 2023 Reviews Read more

Images and a Popular Emotionalism: Peer Gynt

Images and a Popular Emotionalism: Peer Gynt

Kyoung-hee Kwon[1] Author: Henrik Ibsen. Theatre Dir ector: Jung-woong Yang. Co-Production: LG Art Center and Theatre Company Yo-hang-ja (The Travelers), Seoul, Korea, 2009. At the back of the stage is a huge mirror which distorts the objects it reflects and,

cs2-admin February 14, 2016May 29, 2022 Reviews Read more

A Brief History of Theatre Commentaries in Japan : Its Beginning and Its Modernization

A Brief History of Theatre Commentaries in Japan  : Its Beginning and Its Modernization

Manabu Noda* 1. Hyōbanki reviews of the Edo Period The earliest example of theatre commentary in Japan can be dated back to the mid-eleventh century’s Shin Sarugō-ki(The New Record of Sarugaku), although it was more of travel writing than an

cs2-admin February 5, 2016March 19, 2023 Theatre Criticism Read more

A History of Theatre Commentary in Korea

A History of Theatre Commentary in Korea

KIM Yun-Cheol* (President/IATC) The beginning of theatre commentary in Korea coincides with that of the modern Korean theatre, just one hundred years ago. At that time, a Korean-style opera by Lee In-Jik, called The Silvery World, premiered at the first

cs2-admin February 5, 2016March 19, 2023 Theatre Criticism Read more

The History of Criticism: English

The History of Criticism: English

John Elsom[1] The narratives of English theatre often tell a drab story of the early 18th century, too many doggerel tragedies and comedies without the bawdiness of the Restoration. But the years saw the arrival of three characteristic features of

cs2-admin February 5, 2016May 29, 2022 Theatre Criticism Read more

Philosophie et nouveau théâtre

Philosophie et nouveau théâtre

Patrice Pavis[1] Philosophy and New theatre Philosophy has been in demand during the whole history of theatre. In the last fifty years the following theories have been used: Marxism and dramaturgical analysis, critical theory, structuralism, deconstruction, hermeneutics, semiotics, phenomenology. They

cs2-admin February 3, 2016May 29, 2022 Articles Read more

Playing seriously with Augusto Boal (1931-2009)

Playing seriously with Augusto Boal (1931-2009)

Veronika Baxter[1] Augusto Boal died on 2 May, 2009 after struggling with leukemia for some time. He is survived by his wife Cecilia – and sons, Fabian and Julian Boal – who is active in the Theatre of the Oppressed

cs2-admin February 3, 2016May 29, 2022 Articles Read more

Disturbing silence (and outcries) over memories of a colonial war (1961-1974)

Disturbing silence (and outcries) over memories of a colonial war (1961-1974)

Maria Helena Serôdio* (Portugal) À propos de trois pièces de théâtre portugaises mises en scène à Lisbonne – de Fernando Dacosta (Une jeep d’occasion, 1979), Mário de Carvalho (Le sens de l’épopée, 1989) et João Santos Lopes (Parfois il neige

cs2-admin February 3, 2016March 19, 2023 Articles Read more

Interview with José Maria Vieira Mendes

Interview with José Maria Vieira Mendes

Interviewed by Rita Martins*; translation by Francesca Rayner José Maria Vieira Mendes was born in Lisbon in 1976. He began his career as a dramatist in 1998 with the Artistas Unidos (United Artists), a prestigious theatre company directed by distinguished

cs2-admin February 2, 2016March 19, 2023 Interviews Read more

Interview with Yun-Taek Lee

Interview with Yun-Taek Lee

Interviewed by Bang-Ock Kim[1] Theatre Critic; President, Korean Theatre Studies Association Born in 1952, Yun-Taek Lee entered Seoul Theatre School in 1972, and worked as a reporter at Busan Ilbo for seven years. In 1986, he founded the Street Theatre

cs2-admin February 2, 2016March 1, 2023 Interviews Read more
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