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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December 2015: Issue No 12

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Sœurs de Wajdi Mouawad : Apocalypse dans une chambre d’hôtel

Sœurs de Wajdi Mouawad : Apocalypse dans une chambre d’hôtel

Selim Lander* Texte et mise en scène : Wajdi Mouawad ; scénographie : Emmanuel Clolus ; conception et réalisation vidéo : Dominique Daviet et Wajdi Mouawad. À Paris, au Théâtre national de Chaillot, du 9 au 16 avril 2015. Summary:

cs2-admin December 21, 2015June 3, 2023 Performance Reviews Abroad Read more

International and In-Home Theatre: New Audiences, New Spaces

International and In-Home Theatre: New Audiences, New Spaces

Interview with Paul Heller by Lissa Tyler Renaud* Clearly, the dictum “write what you know” has made no impression on San Francisco playwright Paul Heller. He seems to be magnetized by everything unfamiliar. He writes plays about cultures he doesn’t

cs2-admin December 21, 2015March 1, 2023 Interviews Read more

Revisiting the Classics

Revisiting the Classics

Interview with Charles Mee by Elena Delliou* Profile A renowned American playwright, Charles Mee is known not only for his work per se but also his unique approach to playwriting and his ideas regarding parthenogenesis in theatre and the free

cs2-admin December 21, 2015March 1, 2023 Interviews Read more

Un théâtre démystificateur, critiques et briseurs de consensus

Un théâtre démystificateur, critiques et briseurs de consensus

Entretien avec Santiago Martin Bermudez Propos recueillis par Irène Sadowska Guillon* L’éclectisme, le non-conformisme et la liberté totale de pensée et de son écriture caractérisent la démarche de Santiago Martin Bermudez. Fondateur et animateur de diverses revues et de collectifs

cs2-admin December 21, 2015March 1, 2023 Interviews Read more

The Playwright is a Labourer of Love

The Playwright is a Labourer of Love

Interview with Femi Osofisan by Olakunbi Olasope* Introduction Femi Osofisan has had a distinguished career in the academia for about four decades. He is Emeritus Professor of Theatre Arts, University of Ibadan, and Distinguished professor, Kwara State University, Malete, Ilorin,

cs2-admin December 21, 2015March 1, 2023 Interviews Read more

The Living Museum of my Generation’s Failure: On The Living Museum of Small, Forgotten and Unwanted Memories by Joana Craveiro/ Teatro do Vestido

The Living Museum of my Generation’s Failure: On The Living Museum of Small, Forgotten and Unwanted Memories by Joana Craveiro/ Teatro do Vestido

Rui Pina Coelho* No doubt the phrase “documentary theatre” fails us. It is inadequate. Yet at present it is the best phrase available. Carol Martin (13) Watching the best theatre and performance we are together and alone. Tim Etchells (qtd.

cs2-admin December 21, 2015June 3, 2023 Conference Papers Read more

Criticism IRL: Dancing, Touching, Sharing or: The Critic Turns Poet

Criticism IRL: Dancing, Touching, Sharing or: The Critic Turns Poet

Margareta Sörenson* Reviewing contemporary dance and performance leads the critic towards experiences that mobilise a total presence. A dance collective in Sweden, ÖFA, invites the audience to dance together with the dancers through the whole performance. The critic has a

cs2-admin December 21, 2015June 3, 2023 Conference Papers Read more

La reconstitution historique dans la critique théâtrale

La reconstitution historique dans la critique théâtrale

Irina Antonova* Le problème d’intégration d’un critique théâtral dans un spectacle est souvent considéré à l’égard de la pratique théâtrale actuelle. Mais cette question comporte aussi un autre aspect qui touche à l’interaction du critique contemporain avec un spectacle dont

cs2-admin December 21, 2015June 3, 2023 Conference Papers Read more

In Extremis: Theatre Criticism, Ethics and the Public Sphere

In Extremis: Theatre Criticism, Ethics and the Public Sphere

Conference keynote speech Christopher Balme* Introduction The theme of the symposium, “Does the critic have a body,” poses a question that is so obvious it is seldom asked, and, therefore, all the more pressing in its actuality; because the more

cs2-admin December 21, 2015June 3, 2023 Conference Papers Read more

The Cambridge Encyclopedia of Stage Actors and Acting

The Cambridge Encyclopedia of Stage Actors and Acting

Edited by Simon Williams 694 pp. UK: Cambridge University Press, 2015 Reviewed by Don Rubin* (Canada) It takes great chutzpah (a Yiddish word meaning something like outrageous nerviness) to publish a one-volume encyclopedia of actors and acting from the beginning

cs2-admin December 21, 2015March 20, 2022 Book Reviews Read more
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