Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2020: Issue No 21

Special Topic
Essays
National Reports
Interviews
Performances
Books
Critics on Criticism
Covid-19

Performance Reviews

Editor: Matti Linnavuori (Finland)

Performance Reviews

Russian Theatre Before the Crash

Christine Matvienko

Performance Reviews

Dostoevsky and Whitman: The Murder and the Miracle

Lissa Tyler Renaud

Performance Reviews

The Jukebox Reimagined: New Musicals Pump Fresh Blood into a Tired Genre

Martin Morrow

Performance Reviews

On the Hungarian Border of Illuminating and Alienating

Cole J. Stern

Performance Reviews

Time, Chance and Space: Stan Lai’s Newest Work, Ago

Yu Kuo-Hua

Performance Reviews

A Town Remembered and Recreated

Maria Zărnescu

Performance Reviews

An Absurd Night in a Georgian Hotel

Marina (Maka) Vasadze

Performance Reviews

Nora. The Big Exit

Penelope Chatzidimitriou

Performance Reviews

Germany During the Crash

Matti Linnavuori

Click here for a text-only ToC.

CS/Sc Issue No 21 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial | Éditorial

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Call for Papers & Essays – NEW

Aural/Oral Dramaturgies | Dramaturgies orales/sonores
More here

Call for Papers & Essays

Unstable Grounds: Reconfigurations of Performance and Politics

CRITICISM AND CORONA: Redefining the Performing Arts in Times of the Corona Pandemic

Performing Arts Festivals in Corona Times: Experiences and Perspectives

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Critical Stages/Scènes critiques e-ISSN:2409-7411

All articles published by CS/Sc are licensed under the
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Critical Stages/Scènes critiques

Performance Reviews

Russian Theatre Before the Crash

Dostoevsky and Whitman: The Murder and the Miracle

The Jukebox Reimagined: New Musicals Pump Fresh Blood into a Tired Genre

Playing with Disaster

On the Hungarian Border of Illuminating and Alienating

Time, Chance and Space: Stan Lai’s Newest Work, Ago

A Town Remembered and Recreated

L’écriture d’une vie

L’art de camper Copi

An Absurd Night in a Georgian Hotel

Nora. The Big Exit

Tomorrow’s Theatre! Maybe

Germany During the Crash