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Critical Stages/Scènes critiques

The IATC webjournal/Revue web de l'AICT – June 2013: Issue No 8

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Conference Papers

Censorship and Self-Censorship in the Post-Soviet Georgian Theatre

Censorship and Self-Censorship  in the Post-Soviet Georgian Theatre

Lasha Chkhartishvili[1] It is unquestionable that the socio-political atmosphere and civil life are reflected on a stage in a straight line. The theatre art is never out of the time. A specific performance is created in a certain time and

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Journey into Deep Diversity

Journey into Deep Diversity

Konrad Szczebiot[1] I have been pondering for quite a long time what might be the most important thing I could say about Polish theatre at the beginning of the 21st century. The conclusion I have come to has surprised me.

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“The Crisis Syndrome” and Dr. Chekhov: A Masterpiece-Triptych by Andrei Şerban

“The Crisis Syndrome” and Dr. Chekhov:  A Masterpiece-Triptych by Andrei Şerban

Ludmila Patlanjoglu[1] You should carry your cross and keep your faith Nina Zarechnaya – The Seagull At the beginning of the 21st century, Chekhov remains a dramatic and existential model, a destiny- author for our world; a world which raises,

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Editorial | Éditorial

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CS Issue No 8 Editorial Board

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International Theatre and Performing Arts Festival Guide
Inter-Connecting: A Collection of Useful Links

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Style Sheet / Protocole abrégé

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IATC deeply appreciates The International Communication Foundation of Korea, chaired by Dr. Yoh Suk-Kee, for its generous donation for Critical Stages

Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign

Critical Stages is hosted with generous support from the Aristotle University of Thessaloniki, Greece

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