Maria Zărnescu[1] The International Shakespeare Festival, April and July, 2012, in Craiova and Bucharest, Romania. “Tired with all these, for restful death I cry, As, to behold Desert a beggar born, And needy Nothing trimm’d in jollity, And purest Faith
Tomasz Miłkowski[1] Kukura, written by Martin Čičvák. Director: Rastislav Ballek. Dramaturgy: Martin Curban. Production assistance: Martin Čičvák. Premiere: 29 May 2011, Aréna Theatre, Bratislava, Slovakia. The mysterious title of this piece is the name of the actor Juraj Kukura (b.
Daria Dimiu[1] Théâtre Hongrois d’État Csiky Gergely de Timişoara. Immanuel Kant par Thomas Bernhard. Mise en scène : Alexandru Colpacci. Scénographie : Carmencita Brojboiu. Illustration musicale : Kiss Attila. Chorégraphie : Baczó Tünde. Première : le 11 décembre 2011 ;
Judit Csáki[1] Béla Pintér & Company: Kaisers TV Ungarn, premiere October, 2011. Béla Pintér & Company, one of the “oldest” independent Hungarian theatres, works outside the traditional theatre structure and yet is an important part of the theatrical mainstream. This
Mihail Baykov[1] August Strindberg: Miss Julie, directed and performed by Anna Pettersson. A production of the Intima Theatre of Stockholm, Sweden at Varna Summer Festival in Bulgaria, June 2012. Original premiere April 2012. In 2012, when the whole world is
Yun-Cheol Kim[1] Stage Helsinki Theatre Festival 2012, Finnish Case, August 16-19, Helsinki, Finland. I attended this Finnish Case/Stage Helsinki Theatre Festival and saw six shows. Of course it is outrageous to generalize about contemporary Finnish theatre based on these six.
Ian Herbert[1] Draama, Annual Showcase of Estonian theatre, Tartu, September 2012. The final performance in this year’s Draama festival in Tartu was The Avantgardist, a curious ritual devised by Johannes Veski in which two bowler-hatted gentlemen in cutaway suits took