Paper presented in Jönköping, at the Swedish Performing Arts Biennial 2013 Savas Patsalidis* What does not change/ Is the will to change Charles Olson, “The Kingfishers” I would like to start by quoting Susan Bennett’s assertion about theatre spectatorship and
Can Theatre Criticism, Hit by the Crisis of Printed Media, Respond to the Complex Artistic Expressions of Contemporary Theatre? (Sweden)
Paper presented in Jönköping, at the Swedish Performing Arts Biennial 2013 Theresa Bener* In 2011, Swedish filmmaker Peggy Eklöf and I approached the Danish performance and stage auteur Kirsten Dehlholm, asking her whether she would allow us to follow the
La vie, le sens et la parade (Quebec)
Jönköping (Suède), le 23 mai 2013, Colloque de l’AICT, « Les arts du spectacle : idées, pratique, critiques ». Présenté en anglais sous le titre « Performing Arts – the Life, the Meaning and the Parade ». Michel Vaïs[1] À
Τhe Role of the Critic in the Transmission and Creation of Theatre (Barbados)
Paper read at the International Association of Theatre Critics’ Conference. Santa Cruz, Bolivia, April 22-25, 2013. Icil Philips[1] Writing in the dark: reflecting on the work of the theatre critic My entry into the world of critiquing theatre productions began