Pavel Rudnev[1] The presence of the Russian Theatre in the blogosphere is colossal. It began ten years ago, and it is already impossible to understand how we lived without it. How did everything work without Facebook? Blogs are utilized by
by Iulia Popovici* There is no worst sign for the subjective state of (theatre) criticism than the time and space that theatre critics are dedicating in recent times not to (re)define but to defend their own profession… Even if the
by Ott Karulin* At the last-year’s International Federation of Theatre Research annual conference, on the subject of ‘Mediating Performance,’ I asked rhetorically where have all the critics gone?[1] With the ever-rising freedom to speak one’s mind in the blogosphere and/or
by John Elsom[1] I will make one clear and unequivocal prophecy. For the theatre critic in a digital age, matters will only get worse until they start to get better. They will follow the track into the desert of many