by Rovie Herrera Medalle* Jesús Cimarro is the Director of the Festival Internacional de Teatro Clásico de Mérida (International Festival of Classic Theater in Mérida). He holds an MA in Cultural Business from the Universidad Complutense in Madrid. He is
Emiliia Dementsova* It is impossible to put it in writing, but to record the horror of the thing here is a black cross mark. The Cabal of Hypocrites, Mikhail Bulgakov Abstract: “Dreams of M. de Molière,” with its treacherous, conformist
Par Alvina Ruprecht 326 pp. Paris: Éditions Karthala, 2016 Compte rendu de Michel Vaïs* Le Pacifique Sud est une immense région, aux populations très diverses. Alvina Ruprecht le reconnaît, qui mesure dès le départ l’ampleur de sa tâche. En outre,
By Hans-Theis Lehmann. Translated by Erik Butler Routledge, 2016 Reviewed by Ross Stuart*(Canada) Review a new book by Hans-Theis Lehmann? Of course I would. Professor Lehmann is much-talked about in European academic circles, less well-known in North America. His previous
By Dominic Dromgoole Grove Press, 379 pp. plus index Reviewed by Hank Whittemore* In this freewheeling, exhilarating and often insightful volume, the author—a former Artistic Director of Shakespeare’s Globe Theatre in London—reveals as much about himself as about the extraordinary
Edited by Stratos Constantinidis 409 pp. Leiden: Brill Academic Reviewed by Amy S. Green* In The Reception of Aeschylus’ Plays through Shifting Models and Frontiers, editor Stratos Constantinidis assembles essays from editors, translators, adapters, critics and directors, who each bring
Edited by Judith G. Miller 322 pp. Ann Arbor: University of Michigan Press Editor’s Note: Occasionally, a book comes along that cries out for multiple points of view in trying to assess it. One such book is a major new collection