Irène Sadowska* El Pintor, Opéra en 3 actes. Livret et mise en scène Albert Boadella, musique Juan José Colomer, direction musicale Manuel Coves, décors Ricardo Sánchez Cuerda, costumes Mercè Paloma, éclairages Bernat Jansà, chorégraphie Blanca Li, peintures Dolors Caminal. Avec
Soila Lehtonen* Atlantis. A play by Juha Mustanoja. Production dramaturge: Outi Lahtinen. Director: Juha Mustanoja. Scenography and props: Anne Karttunen. Costumes: Noora Salmi. Lighting designer: Pietu Pietiäinen. Music: Juuso Voltti. Sound designer: Maura Korhonen. Film: Jyri Hakala. Special effects: Mats
Hu Xuan* The Lady from the Sea. Written by Henrik Ibsen. Translated and adapted by Zhang Ke. Directed by Wang Yuanyuan. Presented by Jin Dong. Produced by the Beijing Repertory Theatre, China. The premiere and the first run were from
Matti Linnavuori* Baltic Drama Forum and Spelmanu nakts (Performer’s Night) in Riga, Latvia, November 2017. In Riga, everything is different from 2011, when I last visited. In 2011, the street view was dominated by men in black leather jackets, but,
Selim Lander* Le Monstre d’Agota Kristof. Production L’Autre bord Compagnie, Martinique. Mise en scène Guillaume Malasné. Avec Marc-Julien Louka (Nob), Éric Delor (Homme Vénérable), Steffy Glissant (Lil), Virgil Venance (Tim), Caroline Savard (une femme). Masques : Estelle Butin. Costumes : Sylviane Gody.
Meral Harmancı* London International Mime Festival, 10 January to 3 February, 2018. London International Mime Festival has been held since 1977. Despite the word “mime” in its title, it is a festival introducing not only some of the best mime
Ivona Janjic* and Eunice Tudela de Azevedo** IAPAR festival in Pune, Maharashtra, India, November 2017. Ivona Janjic and Eunice Tudela de Azevedo select two performances to review from the IAPAR festival, to which they were invited as part of the
Tomasz Miłkowski* The significant change came in Poland almost 30 years ago: the theatre of the Real Socialism period collapsed. Artists regained their freedom: the reviled institution of censorship had disappeared, a new time of liberty was coming, including the
Mercè Saumell* According to the available data from the ICEC (Institute of Catalan Businesses of the Catalan Government), in its 2017 report[1], there are 165 professional companies and 164 theatre buildings available (of which 70% are public, 22% private and
Par Jisoo Nam* La 18e édition du Festival des arts du spectacle de Séoul (Seoul Performing Arts Festival – SPAF), qui a commencé avec Millenium, a eu lieu l’automne dernier à Séoul. Ce fut un petit événement, sans échanges internationaux ni