Manabu Noda[1] This paper is an attempt to offer a tentative theoretical framework for the discussion of the fabric of traditional theatre – what it is made of – and a possible approach that it will permit in our times.
Margareta Sörenson[1] The centennial of the Swedish author Strindberg’s death is as loaded with different perspectives and contradictions as the life of the author was itself. The commemoration got off to a poor start as the Swedish (right wing-liberal coalition)
Parice Pavis[1] Désorientation générale Peut-être en va-t-il avec les œuvres d’art comme avec les personnes : notre premier contact est déterminant, notre rencontre a lieu ou n’a pas lieu, notre adhésion est immédiate ou différée à jamais. C’est ce que
Maria Shevtsova[1] Theatertreffen, in its 49th Year in May 2012, was founded as an exclusively German-language event (‘treffen’ means ‘meeting’) and, while it never propagated Cold-War attitudes, it was undoubtedly affected by Berlin’s geopolitical position. The existence of the Berlin