Lissa Tyler Renaud[1] Robert Goldsby has been a man of the theatre, in the fullest sense, over a more than 60-year period: actor, director, professor, administrator, producer, translator, master teacher, scholar and author. Starting out acting for the troops in
Irène Sadowska-Guillon* ABSTRACT: A rare phenomenon in contemporary French drama, the theater of Remi De Vos is engaged with the social and political reality, the comic and the absurd. His comic writings grants all freedoms, transgresses the red line of
Zain Ahmed and Hajrah Mumtaz[1] Disasters come in many shapes. The impact of the much touted “war on terror” after 9/11 may be the first thing that may interest those who are not fully acquainted with Pakistan’s theatre. However,
Morihiro Niino* In Japan after the 3/11 earthquake, the determination for solidarity and the sense of hesitation became the two key features which characterized the contrast between artists in the most affected north-east part of Japan called Tohoku and Tokyo,
Manabu Noda* Many theatre people in Tokyo were in two minds about how we should touch on the post-3/11 situation in Japan. The sense of mourning and restraint was not the only deterrent. Theatre artists, as well as critics, are
Hiroyuki Masaki[1] Many people engaged in theatre making and management were faced with many difficult problems after the gigantic earthquake hit Japan on 11 March 2011. Should they cancel the shows? How can they help people in the most affected
Kojin Nishido[1] This message was sent out to the world by Kojin Nishido, President of the Japanese section of the International Theatre Critics (IATC-J) on 30 April 2011 in response to the messages of compassion of and support from many
Kapila Vatsyayan[1] The Hon’ble Minister of Culture, President of the International Association of Theatre Critics (IATC) Mr. Yun-Cheol Kim, Members of the Executive Committee of IATC and distinguished participants in the Congress: I am deeply honoured and touched by the
AICT-IATC Thalia prize 2012 in Warsaw Margareta Sörenson[1] Long ago, I met briefly in Stockholm with Mrs. Kapila Vatsyayan. It was immediately clear that this lady was a person of deep knowledge and highly refined culture, as well as the
Welcome to Critical Stages/Scènes Critiques. This is your first post. Edit or delete it, then start blogging!