Guest Editors’ Introduction: Multiple Faces of Tempo and Speed in Theatre Manuel Garcia Martinez and Annita Costa Malufe Read more
Editor’s Note. Reconfiguring Presence: Performing Arts, Technology, and the Future of Embodied Experience Hana Strejčková Read more
Iraqi Theatre Between Rupture and Resilience: An Introduction and Two Practitioner Conversations Farah Ali Read more
Distributed Bodies and Automatic Sensorium: AI in Performing Arts (four case studies) Horea Avram Read more
Second Troupe of Peking Opera Performing a Mongolian Classical Drama Tumurkhu Namaa, Dashdondog Batsaikhan, and Altangerel Munkh-Orgil Read more
Re-Writing Theatre: Spectatorship and Technology in the Age of Digital Expansion Adelina Laura Bulibașa Read more
Digital Archiving of One-to-One Performance: From Singular Co-Presence to Collective Engagement Ana Tecar Read more
Iona (Jonah) in Translation: Purcărete’s Allegory Between the Local and the Transnational Ion M. Tomuș Read more
Creating Open Ended Gatherings: Reflections on the Meetings of TEB Oyun Magazine On and Off the Page Eylem Ejder Read more
Songs of Theatre and Robots – How AI Voices Cope in Theatre Settings Marius-Alexandru Teodorescu Read more
Framing Illness Stories in Theatre – An Identitarian and Storytelling Approach Daniela Șilindean Read more
Guest Editors’ Note. Dramaturgies of Interstitiality: Technology, Fragmentation, and the Composite Body in Contemporary Performance Nelson Barre and Stephanie Sandberg Read more
Towards a Meta-technological Ecocritical Dramaturgy: Entangling Digital Environments with Human “Lived” Bodies in Automata Graça P. Corrêa Read more
Digital Dramaturgy as Composite-Body Making: The Hunger Games: On Stage and Paddington: The Musical Bernadette Cochrane Read more
Beckett’s Dramaturgy of Fragmentation and the Translation of Fragmentary Greek Tragedies Emma Cole Read more
Pierre Notte, L’Effort d’être spectateur et L’Acteur, ça se saurait si ça servait à quelque chose Selim Lander Read more
