Essays II – Critical Stages/Scènes critiques

Guest Editors’ Note. Dramaturgies of Interstitiality: Technology, Fragmentation, and the Composite Body in Contemporary Performance

Nelson Barre and Stephanie Sandberg

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Towards a Meta-technological Ecocritical Dramaturgy: Entangling Digital Environments with Human “Lived” Bodies in Automata

Graça P. Corrêa

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Digital Dramaturgy as Composite-Body Making: The Hunger Games: On Stage and Paddington: The Musical

Bernadette Cochrane

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Beckett’s Dramaturgy of Fragmentation and the Translation of Fragmentary Greek Tragedies

Emma Cole

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Technological Weavings: The Good, The God and The Guillotine

Jane Turner

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