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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2026: Issue No 33

  • Special Topic
  • Essays I
  • Essays II
  • Inter/National Reflections
  • Conferences
  • Interviews
  • Performance Reviews
  • Book Reviews
  • In Memoriam

Author: Jane Turner

Technological Weavings: The Good, The God and The Guillotine

Jane Turner
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Theatre, Activism, and the Limits of Political Spectacle

Asha Kuthari Chaudhuri
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Thus Spake Wilson

Vēsma Lēvalde
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A Manifesto for an Age of Violence

Ieva Rodiņa
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Latvian Theatre Starts to Leave a Mark in Europe

Lauma Mellēna-Bartkeviča
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Wicked Versailles in Helsinki

Henna Raatikainen
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With Hamlet in the Stall—Is Shakespeare down the Drain?

Alexandra Dietz
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Your Shakespeare Is No Longer Your Shakespeare

Marta Brkljačić
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And the Rest is Silence …

Dieter Topp
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What Brecht Can Teach Artists in Exile

Azadeh Sharifi
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Fast, Short-Lived and Exclusive: Rethinking Arts Policy in Accelerated Time

Amarílis Felizes
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Un Misanthrope interlope

Selim Lander
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Scenographic Tempo and Digital Collaboration

Patrick Rizzotti
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Choreographing Expenditure: The Politics of the Erotic in Bloody Moon

Paraskevi Tektonidou
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“Bridget is there”: Accelerating the Cybernetic Subject in Lauren Mooney and James Yeatman’s More Life

Richard Jordan
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Armenia Puts its Epic on Stage

Anna Grigorievna Asatryan and Margarita Kamalyan
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Épuiser l´accélération : une performance du groupe brésilien Teatro da Vertigem

Annita Costa Malufe et Eduardo Reis Silva
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Post-Epic Theatre and Ostermeier’s An Enemy of the People

Antonia Tsamouris
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Anxious Times/Anxious Timings: Nonorganic Rhythms in the Choreography of Lucy Guerin

Andrew Fuhrmann
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The Velocity of Stillness: Acceleration in Digital Radio Drama in Pandemic Times

Sofia Karagianni and Marina Rigou
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Dejvice Theatre Showcase 2026: a Closer Look

Kamelia Nikolova
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Disparition de Valère Novarina (1942-2026), un vrai démiurge

Jean-Pierre Han
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Time Out of Joint: Zoom Theatre and the Aesthetics of Acceleration in Wang Chong’s The Plague

Manuel García Martinez and Yan Yan
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Keeping Communities in Spontaneity Working on their Feet: The Concept of Acceleration in Applied Theatre Practice

Keneth Bamuturaki
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Accelerated Rhythms: Performance, Tradition, and Transformation in 21st Century Assamese Theatre

Bhaskar Jyoti Borah
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CS/Sc Issue No 33 Section Editors & Editorial Board

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Critical Stages/Scènes critiques, #33, June 2026

e-ISSN: 2409-7411

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