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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2020: Issue No 21

  • Special Topic
  • Essays
  • National Reports
  • Interviews
  • Performances
  • Books
  • Critics on Criticism
  • Covid-19

Author: John Causebrook and John Elsom

Covid 

ENGLAND: March and April were the Cruellest Months

John Causebrook and John Elsom
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Covid 

GEORGIA: In Search of New Forms and Ideas

Natalia Tvaltchrelidze
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Covid 

GREECE: Being Active with Theatres Closed

Irene Moundraki, Leandros Polenakis & Thanos Madzanas
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Covid 

HONG KONG: Our Passion Will Go On, Even If the Shows Cannot

Bernice Chan
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Covid 

INDIA: Pandemic: A Vulnerable Time for Artists

Deepa Punjani
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Covid 

JAPAN: Theatre is Life

Ken’ichi Yamamoto
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Covid 

LATVIA: All the World’s a Screen

Lauma Mellēna-Bartkeviča
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Covid 

MARTINIQUE : Cahiers de confinement

Janine Bailly
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Essays 

Introductory Words

Yana Meerzon
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Covid 

MEXICO: Theatre in Intensive Care

Lorena Meeser
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Covid 

POLAND: Internet-theatre and Insufficient State Support for the Artists

Tomasz Miłkowski
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Covid 

QUEBEC (CANADA) : Au Québec, grogne et résilience des artistes

Raymond Bertin
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Covid 

ROMANIA: Theatre is Always Alive

Octavian Saiu, Oltita Cintec
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Covid 

RUSSIA: Rethinking Communication Strategies

Alexandra Dunaeva
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Covid 

SLOVAKIA: Virtual Centenary of Slovak Theatre

Zuzana Ulicianska
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National Reports 

Le théâtre au Maroc, état des lieux

Baker Saddiki
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Critics on Criticism 

Bugged (Critics, Criticism and Critical Categories)

Don Rubin
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Covid 

SOUTH AFRICA: Devastating Effects

Gaerin Hauptfleisch and Temple Hauptfleisch
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Essays 

Making Community in the Age of Migration: What Is the Role of Social Media in Contemporary Theatre

Janne Cleveland
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Covid 

SOUTH KOREA: Out of Crisis Arises Opportunity

Um Hyun Hee
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Essays 

Paradigm Shift: Making Theatre with Social Media

Danielle Le Saux-Farmer
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Covid 

SWEDEN: The Future Uncertain within the Independent Field

Theresa Bener
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Essays 

“It’s Everyday, Bro”: YouTube, “Authenticity,” and the Psychopathology of Late Capitalism

Chris Eaket
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Covid 

TAIWAN: Crisis or Chance: Theatre in Difficult Times

Hung Tzi-Yu
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Essays 

“Siri, Are You Female?”: Reinforcing and Resisting Gender Norms with Digital Assistants

Kimberley McLeod
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Table of Contents

Click here for a text-only ToC.

CS Issue No 21 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Editorial Note

Editorial | Éditorial

Call for Papers & Essays – NEW

Aural/Oral Dramaturgies | Dramaturgies orales/sonores
More here

Call for Papers & Essays

Unstable Grounds: Reconfigurations of Performance and Politics

CRITICISM AND CORONA: Redefining the Performing Arts in Times of the Corona Pandemic

Performing Arts Festivals in Corona Times: Experiences and Perspectives

CS/Sc Newsletter

Contact CS/Sc

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Special Pages

International Theatre and Performing Arts Festival Guide
Inter-Connecting: A Collection of Useful Links

Notices

Publication Ethics / Éthique de publication
Submission Guidelines / Soumission d’articles
Style Sheet / Protocole abrégé

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