Michael Chekhov’s Theatre Pedagogy in the Age of Cosmopolitanism Guest Editor: Yana Meerzon (Canada) The Art of Michael Chekhov’s Chart: A Training Sequence for Contemporary Practice in Professional Studios and Academia by Lisa Dalton, Essays Performing in Mask: Michael Chekhov’s Pedagogy, Commedia and Mime by Lenka Pichlíková, Essays ImageWork Training and the Chekhov Technique by David Zinder, Essays Musical Synthesis of the Michael Chekhov Technique: Integrated Training for the Singer – Actor by James Haffner, Essays Gestures of Listening by Ulrich Meyer-Horsch, Essays Presence, Significance and Radiation in Acting: Creating the Psychophysical Foundation for Working on Chekhov’s Atmospheres[1] by Sol Garre, Essays Share this: Click to share on X (Opens in new window) X Click to share on Facebook (Opens in new window) Facebook Click to share on LinkedIn (Opens in new window) LinkedIn Click to share on Pinterest (Opens in new window) Pinterest