Michael Chekhov’s Theatre Pedagogy in the Age of Cosmopolitanism Guest Editor: Yana Meerzon (Canada) ImageWork Training and the Chekhov Technique by David Zinder, Essays The Art of Michael Chekhov’s Chart: A Training Sequence for Contemporary Practice in Professional Studios and Academia by Lisa Dalton, Essays Gestures of Listening by Ulrich Meyer-Horsch, Essays Musical Synthesis of the Michael Chekhov Technique: Integrated Training for the Singer – Actor by James Haffner, Essays Performing in Mask: Michael Chekhov’s Pedagogy, Commedia and Mime by Lenka Pichlíková, Essays Presence, Significance and Radiation in Acting: Creating the Psychophysical Foundation for Working on Chekhov’s Atmospheres[1] by Sol Garre, Essays Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Pinterest (Opens in new window)
