Michael Chekhov’s Theatre Pedagogy in the Age of Cosmopolitanism Guest Editor: Yana Meerzon (Canada) ImageWork Training and the Chekhov Technique by David Zinder, Essays The Art of Michael Chekhov’s Chart: A Training Sequence for Contemporary Practice in Professional Studios and Academia by Lisa Dalton, Essays Gestures of Listening by Ulrich Meyer-Horsch, Essays Musical Synthesis of the Michael Chekhov Technique: Integrated Training for the Singer – Actor by James Haffner, Essays Performing in Mask: Michael Chekhov’s Pedagogy, Commedia and Mime by Lenka Pichlíková, Essays Presence, Significance and Radiation in Acting: Creating the Psychophysical Foundation for Working on Chekhov’s Atmospheres[1] by Sol Garre, Essays Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to share on Google+ (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Pinterest (Opens in new window)
