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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – June/Juin 2017: Issue No 15

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Essays – Michael Chekhov: Pedagogy Today

Michael Chekhov’s Theatre Pedagogy in the Age of Cosmopolitanism
Guest Editor: Yana Meerzon (Canada)


ImageWork Training and the Chekhov Technique

by David Zinder, Essays

The Art of Michael Chekhov’s Chart: A Training Sequence for Contemporary Practice in Professional Studios and Academia

by Lisa Dalton, Essays

Gestures of Listening

by Ulrich Meyer-Horsch, Essays

Musical Synthesis of the Michael Chekhov Technique: Integrated Training for the Singer – Actor

by James Haffner, Essays

Performing in Mask: Michael Chekhov’s Pedagogy, Commedia and Mime

by Lenka Pichlíková, Essays

Presence, Significance and Radiation in Acting: Creating the Psychophysical Foundation for Working on Chekhov’s Atmospheres[1]

by Sol Garre, Essays
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Critical Stages/Scènes critiques is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign, U.S.


Critical Stages/Scènes critiques is hosted with generous support from the Aristotle University of Thessaloniki, Greece

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